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Orsanmichele
Orsanmichele (; "Kitchen Garden of St. Michael", from the Tuscan contraction of the Italian word ''orto'') is a church in the Italian city of Florence. The building was constructed on the site of the kitchen garden of the monastery of San Michele which no longer exists. Located on the Via Calzaiuoli in Florence, the church was originally built as a grain market in 1337 by Francesco Talenti, Neri di Fioravante, and Benci di Cione. Between 1380 and 1404, it was converted into a church used as the chapel of Florence's powerful craft and trade guilds. On the ground floor of the square building are the 13th-century arches that originally formed the loggia of the grain market. The second floor was devoted to offices, while the third housed one of the city's municipal grain storehouses, maintained to withstand famine or siege. Late in the 14th century, the guilds were charged by the city to commission statues of their patron saints to embellish the facades of the church. The sculptures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orsanmichele Florenz Donatello Markus
Orsanmichele (; "Kitchen Garden of St. Michael", from the Tuscan contraction of the Italian word ''orto'') is a church in the Italian city of Florence. The building was constructed on the site of the kitchen garden of the monastery of San Michele which no longer exists. Located on the Via Calzaiuoli in Florence, the church was originally built as a grain market in 1337 by Francesco Talenti, Neri di Fioravante, and Benci di Cione. Between 1380 and 1404, it was converted into a church used as the chapel of Florence's powerful craft and trade guilds. On the ground floor of the square building are the 13th-century arches that originally formed the loggia of the grain market. The second floor was devoted to offices, while the third housed one of the city's municipal grain storehouses, maintained to withstand famine or siege. Late in the 14th century, the guilds were charged by the city to commission statues of their patron saints to embellish the facades of the church. The sculptures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Di Giovanni Tedesco
Piero di Giovanni Tedesco (died c. 1402) was a German or Flemish sculptor active in Italy. He was born before 1386. Life According to Lorenzo Ghiberti, he owed his nickname 'Tedesco' to his origins in Germany or (according to others) in the Duchy of Brabant. He is first recorded in Florence in 1386 - there he worked on Florence Cathedral up until 1399 and a document dated 5 September 1387 from its records shows a payment to the painter Lorenzo di Bicci for designing a sculpture for Piero Tedesco to carve. He also worked on Milan Cathedral and in 1402 he is recorded as working on the font in Orvieto Cathedral. The c.1399 '' Madonna of the Rose'' is attributed to him. Niccolò di Piero Lamberti was his assistant. His son Niccolò was a master glassmaker who worked on the windows at Orsanmichele among other places. Louis Courajod, « Leçons professées à l'École du Louvre (1887-1896) », publiées par MM. Henry Lemonnier et André Michel, in ''Les Origines de la Renaissance'', Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Of The Rose (Orsanmichele)
The ''Madonna of the Rose'' ( it, Madonna della Rosa) is a 2.2 metre high marble sculpture of the Madonna and Child enthroned, with the Child trying to take a bunch of rosa canina from his mother's hand.{{in lang, it Paola Grifoni, Francesca Nannelli, ''Le statue dei santi protettori delle arti fiorentine e il Museo di Orsanmichele'', Quaderni del servizio educativo, Edizioni Polistampa, Firenze 2006. It forms part of a cycle of fourteen sculptures of the patron saints of the guilds of Florence on the external niches of the Orsanmichele church. No documents survive to precisely date it, leading to several theories and attributions. Most art historians attribute it to Pietro di Giovanni Tedesco, a German or Flemish sculptor active in Florence in the sculpture-yard of Florence Cathedral. It shows similarities to late works from the school of Giotto. A Latin inscription on the base of the niche records damage to the sculpture in 1493 - Mary was the protector of Florence and the perso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nanni Di Banco
Nanni d'Antonio di Banco ( 1384 – 1421) was an Italian Renaissance sculptor from Florence. Early life He was born to artist Antonio di Banco, who worked on the Cathedral of Florence in Florence, Italy. Historians have tried to determine the year of his birth between 1375 and 1390 based on colleagues. Nanni di Banco seemed to have had a close relationship with well known artist Donatello. With this knowledge Nanni’s life timeline circles Donatello’s. In February of 1405 Nanni was enrolled as an artist into the masons’ guild Arte di Pietra e Legname. This guild allowed him to work in the cathedral directly where he began his work as a sculptor. Nanni and his father were commissioned to carve the Isaiah statue for the Cathedral. Career Antonio was strictly a stone-carver resulting in the sculpture done by Nanni alone. Nanni was the Magister of his and his father’s workshop where Donatello was recruited from to build the sculpture David. Nanni was selected to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Crowned Martyrs (Nanni Di Banco)
''Four Crowned Martyrs'' is a sculptural group by Nanni di Banco. It forms part of a cycle of fourteen sculptures commissioned by the guilds of Florence for external niches of Orsanmichele, each sculpture showing that guild's patron saint. This sculpture was commissioned by the Arte dei Maestri di Pietra e Legname and completed around 1416-1417. It is in Apuan marble and is made of four figures of the Four Crowned Martyrs, the tallest of which is 2.03 m high. It is now indoors in the Museo di Orsanmichele Orsanmichele (; "Kitchen Garden of St. Michael", from the Tuscan contraction of the Italian word ''orto'') is a church in the Italian city of Florence. The building was constructed on the site of the kitchen garden of the monastery of San Michel ..., although a copy fills its original niche. Sources (in Italian) *Paola Grifoni, Francesca Nannelli, Le statue dei santi protettori delle arti fiorentine e il Museo di Orsanmichele, Quaderni del servizio educativo, Edizioni Polista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Louis Of Toulouse (Donatello)
''Saint Louis of Toulouse'' is a 1423–1425 gilded bronze sculpture of Louis of Toulouse by Donatello, measuring 2.26 m high by 0.85 m wide. It is now in the refectory of the Museo di Santa Croce in Florence. It is the artist's earliest surviving bronze sculpture and was commissioned by the Guelphs for their external niche at the centre of the via de' Calzaiuoli facade of the on Orsanmichele - the saint had given up his crown for the religious life, an idea also favoured by the Guelphs, who backed the papal party in the Investiture Controversy and later conflicts. The statue was completed in 1425, with Donatello also designing its niche according to Vasari, but in 1459 the niche was instead sold to the Tribunale della Mercanzia and used for their commission '' Christ and St. Thomas''. Donatello was still alive and the statue was instead taken to Santa Croce, which St Louis had visited and where it was placed on a central niche in the facade. When the 19th-century facade was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Eligius (Nanni Di Banco)
''Saint Eligius'' is an Apuan marble statue of saint Eligius by Nanni di Banco, forming part of a cycle of fourteen patron saints of the Florentine guilds for the external niches of Orsanmichele. It was commissioned by the Arte dei Maniscalchi guild and completed around 1417–1421, although it took until around 1422 for it to be put up in its niche. That niche is now filled by a replica, with the original in the Museo di Orsanmichele. Bibliography * Paola Grifoni, Francesca Nannelli, ''Le statue dei santi protettori delle arti fiorentine e il Museo di Orsanmichele'', Quaderni del servizio educativo, Edizioni Polistampa, Firenze 2006. {{coord missing, Italy Eligius Eligius may refer to: * Saint Eligius Saint Eligius (also Eloy, Eloi or Loye; french: Éloi; 11 June 588 – 1 December 660 AD) is the patron saint of goldsmiths, other metalworkers, and coin collectors. He is also the patron saint of veteri ... category:Marble sculptures in Italy category:1421 sculptures [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Philip (Nanni Di Banco)
''Saint Philip'' is an Apuan marble statue of Philip the Apostle by Nanni di Banco. It forms part of a cycle of fourteen sculptures commissioned for the external niches of Orsanmichele in Florence, each showing the patron saint of one of the city's guilds. It is 2.5 m high and was commissioned by the Arte dei Calzolai. Completed around 1410-1412, it is now in the Museo di Orsanmichele, although a replica fills its original niche. Bibliography *Paola Grifoni, Francesca Nannelli, Le statue dei santi protettori delle arti fiorentine e il Museo di Orsanmichele, Quaderni del servizio educativo, Edizioni Polistampa, Firenze 2006. {{coord missing, Italy category:Marble sculptures in Italy Philip Philip, also Phillip, is a male given name, derived from the Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philips who popularize ... category:1412 sculptures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Verrocchio
Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Life Verrocchio was born in Florence in around 1435. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide financial support for some members of his family. He was at first apprenticed to a goldsmith. It has been suggested that he was later apprenticed to D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Orcagna
Andrea di Cione di Arcangelo (c. 1308 – 25 August 1368), better known as Orcagna, was an Italian painter, sculptor, and architect active in Florence. He worked as a consultant at the Florence Cathedral and supervised the construction of the façade at the Orvieto Cathedral. His ''Strozzi Altarpiece'' (1354–57) is noted as defining a new role for Christ as a source of Catholic doctrine and papal authority. Works Orcagna's works include: * "Altarpiece of the Redeemer" (1354–57) in the ''Strozzi di Mantova'' Chapel at Santa Maria Novella, Florence * The tabernacle in Orsanmichele (finished 1359) which was regarded as "the most perfect work of its kind in Italian Gothic". * His fresco ''The Triumph of Death'' inspired Franz Liszt's masterwork ''Totentanz''. * His fresco ''Crucifixion'' with a multitude of angels surrounding the cross, portrayed on a dark background and a few fragments of the Last Supper (1365). The mosaic decoration and the rose window of the cathedral of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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