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Natakapriya Scale
Natakapriya, (pronounced nāţakapriya, meaning ''the one dear to theatre'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 10th '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. According to the Muthuswami Dikshitar school, the 10th melakarta rāgam is called Naţābharanam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is a ''sampoorna'' rāgam - rāgam having all 7 ''swarams''. It is the 4th rāgam in the 2nd ''chakra Netra''. The mnemonic name is ''Netra-Bhu''. The mnemonic phrase is ''sa ra gi ma pa dhi ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes used in this scale are ''shuddha rishabham, sadharana gandharam, shuddha madhyamam, chathusruthi dhaivatham'' an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorian ♭2 Scale
The Dorian 2 scale, also known as Phrygian 6, or the Cappadocian Scale is the second mode of the jazz minor scale (or the ascending melodic minor scale). It is on the second degree of the jazz minor scale. Without the minor second above the root, the scale would just be the Dorian mode. The reason it is also known as Phrygian 6 is because if the scale did not have the major 6th then it would be enharmonic with the Phrygian mode. This scale is commonly used in Assyrian music, most especially in the folk dance genre. Though to add color and to retain the Phrygian tradition of Assyrian music, the major sixth may at times be simultaneously altered to the minor sixth during the course of the composition. Rimmer, Joan, ''Ancient Musical Instruments of Western Asia in the British Museum'', London 1969, p. 39.f.pl.21, 17, 18, 199 See also * Jazz scale A jazz scale is any musical scale used in jazz. Many "jazz scales" are common scales drawn from Western European classical music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nallan Chakravartula Krishnamacharyulu
Nallan Chakravartula Krishnamacharyulu (1924–2006) was a scholar, musician, teacher and exponent of the art of hari katha. He belongs to the lineage of Saint Tyagaraja. He was a first generation disciple of Sriman Parupalli Krishnaiyyah pantulu. Being a top grade artist, his reach went above and beyond being a violinist and a musician. He was also a pandit in Sanskrit and Telugu literature who wrote and composed numerous Kritis, yaksha ganas, poems and harikathas. He was awarded the Vaggeyakara award by the Madras music academy in 2005. Compositions Notes and references See also *List of Carnatic composers List of composers of Carnatic music, a subgenre of Indian classical music. Chronologically they can be grouped into 4 different Eras: Pre-Trinity Era, Trinity Era, Post Trinity Era and Modern Era. Composers are listed here based on this classif ... References A Tribute to Sri Nallan Chakravartula Krishnamacharyulu * Thyagaraja Geyartha Kunchika {{DEFAULT ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charukesi
Charukesi (pronounced chārukēśi) is a rāga in Carnatic music (musical scale of South Indian classical music). It is the 26th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Tarangini in Muthuswami Dikshitar school of Carnatic music. ''Charukesi'' is known to incite feelings of pathos and devotion in the listener. Structure and Lakshana It is the 2nd rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Sri''. The mnemonic phrase is ''sa ri gu ma pa dha ni''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : (''chathusruthi rishabham, anthara gandharam, shuddha madhyamam, shuddha dhaivatham, kaisiki nishadham'') It is a ''sampoorna'' rāgam - a rāgam that has all seven ''swaras'' (notes). It is the ''shuddha madhyamam'' equivalent of ''Rish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vachaspati (ragam)
Vachaspati (pronounced Vāchaspati, meaning ''Lord of speech'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 64th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It is known as Bhushāvati according to the Muthuswami Dikshitar school.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It was borrowed into Hindustani music, like many other ragas from Carnatic rāgams. Structure and Lakshana It is the 4th rāgam in the 11th ''chakra Rudra''. The mnemonic name is ''Rudra-Bhu''. The mnemonic phrase is ''sa ri gu mi pa dhi ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : This scales uses the notes and . It is a ''sampoorna'' rāgam - a rāgam that has all seven ''swaras'' (notes). It is the equivalent of '' Harikambhoji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graha Bhedam
''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''murchhana''. Expressed in Western music theory terms, this is the process of arriving at a different scale by shifting to another mode in the key. ''Graha'' literally means ''position'' and ''Bhedam'' means ''change''. Since the position of the ''śruti'' is changed (pitch of the base note or drone), it is also sometimes called ''Swara Bhedam'' or ''Śruti Bhedam'' though ''Śruti Bhedam'' and ''Graha Bhedam'' have some technical differences. Definition Modal shift of the Tonic note to higher notes of a rāgam, while retaining the note's positions (swara sthānas – sthāna means position/ pitch), results in different rāgams. This is called ''Graha Bhedam''. Practical demo A simple practical demonstration of ''Graha Bhedam'' can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arunmozhi
Arunmozhi ( ta, அருண்மொழி) (also called Napoleon Selvaraj) (born 1951) is an Indian playback singer and well-known flutist. He has sung songs composed by leading Indian film industry music directors, including Ilaiyaraaja, Shankar Ganesh, Deva, S. A. Rajkumar, Viji Manuel, Swararaj, Harris Jayaraj, Sirpy, Vidyasagar, Soundaryan, Karthik Raja, Siva, Masa, Dhina and Yuvan Shankar Raja. He has also performed in live concerts across the world. He is a part of Ilaiyaraaja's musical troupe, playing flute. Arunmozhi is very familiar with western musical notes, and used to interpret and explain those written by Ilaiyaraaja to other musicians in the group. Introduced by Ilaiyaraaja as a playback singer, Arunmozhi has sung some very popular hit songs. Early life Arunmozhi was born in Thirukandiswaram village, near Nannilam in Tiruvarur district, Tamil Nadu. Arunmozhi, a self-taught musician, started playing flute at the age of nine, with a flute that was made by him. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mogamul
''Mogamul'' is a 1995 Tamil language film directed by Gnana Rajasekaran based on a novel written by Thi. Janakiraman. The film stars Archana Joglekar, Nedumudi Venu and Abhishek, while Vivek and Vennira Aadai Moorthy play supporting roles. The score and soundtrack were composed by Ilaiyaraaja. The film opened in May 1995 to critical acclaim. Plot A musician falls in love with a woman who is the illegitimate daughter of a Brahmin from his village. But she refuses to accept him since she is 10 years older to him. Cast *Archana Joglekar as Yamuna *Nedumudi Venu as Ranganna * Abhishek as Babu *Vennira Aadai Moorthy *Vivek *Shanmugasundaram *Delhi Ganesh *Krishnankutty Nair *Kamala Kamesh as Ranganna's wife Production The film marked the directorial debut of Gnana Rajasekaran Gnana Rajasekaran (born 23 January 1953) is an Indian filmmaker, screenwriter, playwright and Retired Indian Administrative Service, IAS Officer. His directional debut was ''Mogamul'' (1994) won th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilaiyaraaja
Ilaiyaraaja (born R. Gnanathesikan, 3 June 1943) is an Indian musician, composer, arranger, conductor, orchestrator, instrumentalist, lyricist and singer, popular for his works in Indian Cinema, prominently in Tamil films. Reputed to be one of the most prolific Indian composers, in a career spanning over forty-five years, he has composed over 7,000 songs and provided film scores for over 1,000 films, apart from performing in over 20,000 concerts. Ilaiyaraaja received several awards for his works throughout his career. In 2012, for his creative and experimental works in the field of music, he received the Sangeet Natak Akademi Award, the highest Indian recognition given to people in the field of performing arts. In 2010, he was awarded the Padma Bhushan, the third-highest civilian honour in India; and was conferred the Padma Vibhushan in 2018, the second-highest civilian award by the government of India. He is a nominated Member of Parliament in the Indian upper house, Rajy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mundhanai Mudichu
''Mundhanai Mudichu'' () is a 1983 Indian Tamil language, Tamil-language romantic comedy film directed and written by K. Bhagyaraj and also stars alongside Urvashi (actress), Urvashi (in her major Tamil debut). The film focuses on Parimala, a mischievous girl, who falls in love with a widower who works as a teacher. She marries him by falsely accusing him of having sex with her, but she has to take drastic steps to win his love. Bhagyaraj based the story of ''Mundhanai Mudichu'' on his friend who lost his wife, and a woman who fell in love with him even as others started gossiping about them. Another inspiration was a poster of ''Ramu (1966 film), Ramu'' (1966) which depicted its protagonist as a single father, and Bhagyaraj imagining himself in that position. The film was produced by AVM Productions, photographed by Ashok Kumar (cinematographer), Ashok Kumar and edited by A. Selvanathan. It was the first Tamil film for Urvashi. ''Mundhanai Mudichu'' was released on 22 July 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Language
Tamil (; ' , ) is a Dravidian language natively spoken by the Tamil people of South Asia. Tamil is an official language of the Indian state of Tamil Nadu, the sovereign nations of Sri Lanka and Singapore, and the Indian territory of Puducherry. Tamil is also spoken by significant minorities in the four other South Indian states of Kerala, Karnataka, Andhra Pradesh and Telangana, and the Union Territory of the Andaman and Nicobar Islands. It is also spoken by the Tamil diaspora found in many countries, including Malaysia, Myanmar, South Africa, United Kingdom, United States, Canada, Australia and Mauritius. Tamil is also natively spoken by Sri Lankan Moors. One of 22 scheduled languages in the Constitution of India, Tamil was the first to be classified as a classical language of India. Tamil is one of the longest-surviving classical languages of India.. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). A. K. Ramanujan described it as "the on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyani Varadarajan
Kalyani Varadarajan (8 October 1923 – 28 October 2003), commonly known as Kalyani, was one of Carnatic music's famous twentieth-century composers. She created carnatic compositions in all 72 melakarta ragas, besides scores of janya ragas. Early life Kalyani Varadarajan was born to Sriman Nadadoor Ammal Narasimhachariar and Srimati Singarammal. Her father was a big scholar in Telugu and Sanskrit languages, who served as a teacher, headmaster and finally as educational inspector, while her mother was a musician. Kalyani had a taste to write and compose songs since a young age, and she underwent vocal and Veena training, first under her mother and later under other able gurus. Thereafter, she learnt to play Violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular .... She had her deb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanjavur Shankara Iyer
Thanjavur (), also Tanjore, Pletcher 2010, p. 195 is a city in the Indian state of Tamil Nadu. Thanjavur is the 11th biggest city in Tamil Nadu. Thanjavur is an important center of South Indian religion, art, and architecture. Most of the Great Living Chola Temples, which are UNESCO World Heritage Monuments, are located in and around Thanjavur. The foremost among these, the Brihadeeswara Temple, is located in the centre of the city. Thanjavur is also home to Tanjore painting, a painting style unique to the region. Thanjavur is the headquarters of the Thanjavur District. The city is an important agricultural centre located in the Kaveri Delta and is known as the ''Rice bowl of Tamil Nadu''. Thanjavur is administered by a municipal corporation covering an area of and had a population of 290,720 in 2011. Roadways are the major means of transportation, while the city also has rail connectivity. The nearest airport is Tiruchirapalli International Airport, located away from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
