Mitra (Vedic)
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Mitra (Vedic)
Mitra (Sanskrit ') is a divinity of Indic culture, whose function changed with time. In the Mitanni inscription, Mitra is invoked as one of the protectors of treaties. In the Rigveda, Mitra appears primarily in the ''dvandva'' compound ''Mitra-Varuna'', which has essentially the same attributes as Varuna alone, e.g. as the principal guardian of "Truth, Order". In the late Vedic texts and the ''Brahmana''s, Mitra is increasingly associated with the light of dawn and the morning sun (while Varuna becomes associated with the evening, and ultimately the night). In the post-Vedic texts – in which Mitra practically disappears – Mitra evolved into the patron divinity of friendship, and because he is "friend", abhors all violence, even when sacred. Onomastics The Indo-Iranian common noun *''mitra'' means "(that which) causes trato bind i-, hence Sanskrit ''mitram'', "covenant, contract, oath", the protection of which is Mitra's role in both the Rigveda and in the Mitan ...
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Rigvedic Deities
Rigvedic deities are deities mentioned in the sacred texts of Rigveda, the principal text of the historical Vedic religion of the Vedic period (1500–500 BCE). There are 1,028 hymns (sūkta) in the Rigveda. Most of these hymns are dedicated to specific deities. The most prominent deity is Indra, slayer of Vritra and destroyer of the Vala, liberator of the cows and the rivers; Agni the sacrificial fire and messenger of the gods; and Soma, the ritual drink dedicated to Indra, are additional principal deities. Deities by prominence List of Rigvedic deities by a number of dedicated hymns, after Griffith. Some dedications are to paired deities, such as Indra-Agni, Mitra-Varuna, Soma-Rudra, here counted double. Vishvadevas (all gods together) have been invoked 70 times. *Indra 250 *Agni 200 *Soma 123 *Aśvins 56 *Varuna 46 *Maruts 38 * Mitra 28 *Ushas 21 *Vayu (Wind) 12 *Savitr 11 *the Rbhus 11 *Pushan 10 *the Apris 9 *Brhaspati 8 *Surya (Sun) 8 * Dyáuṣ Pitṛ́ and Pṛthvī Mā ...
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Asura
Asuras (Sanskrit: असुर) are a class of beings in Indian religions, Indic religions. They are described as power-seeking clans related to the more benevolent Deva (Hinduism), Devas (also known as Suras) in Hinduism. In its Buddhism, Buddhist context, the word is sometimes translated "Titan (mythology), titan", "demigod", or "antigod". According to Hindu texts, Hindu scriptures, the asuras are in constant battle with the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called ''Danava (Hinduism), Danavas'' and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are call ...
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Ghee
Ghee is a type of clarified butter, originating from India. It is commonly used in India for cooking, as a traditional medicine, and for religious rituals. Description Ghee is typically prepared by simmering butter, which is churned from cream (traditionally made by churning the topmost layer of curd, which is also called the ''Bilona'' method), skimming any impurities from the surface, then pouring and retaining the clear liquid fat while discarding the solid residue that has settled to the bottom. Spices can be added for flavor. The texture, color, and taste of ghee depend on the quality of the butter, the milk source used in the process, and the duration of boiling time. Etymology The word ''ghee'' comes from sa, घृत (', ) 'clarified butter', from ''ghṛ-'' 'to sprinkle'. In Dravidian languages, it is also known as te, నెయ్యి '('neyyi''), ta, நெய் or துப்பகம் (''tuppakam''), ml, നെയ്യ് (''ney'') and kn, ತ ...
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Apotropaic Magic
Apotropaic magic (from Greek "to ward off") or protective magic is a type of magic intended to turn away harm or evil influences, as in deflecting misfortune or averting the evil eye. Apotropaic observances may also be practiced out of superstition or out of tradition, as in good luck charms (perhaps some token on a charm bracelet), amulets, or gestures such as crossed fingers or knocking on wood. Many different objects and charms were used for protection throughout history. Symbols and objects Ancient Egyptian Apotropaic magical rituals were practiced throughout the ancient Near East and ancient Egypt. Fearsome deities were invoked via ritual in order to protect individuals by warding away evil spirits. In ancient Egypt, these household rituals (performed in the home, not in state-run temples) were embodied by the deity who personified magic itself, Heka. The two gods most frequently invoked in these rituals were the hippopotamus-formed fertility goddess, Taweret, and the ...
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Mandala 3
The third Mandala of the Rigveda has 62 hymns, mainly to Agni and Indra. It is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda, which were composed in early Vedic period (1500 - 1000 BCE). Most hymns in this book are attributed to '' '' The verse 3.62.10 gained great importance in Hinduism as the Gayatri Mantra. List of incipits The dedication as given by Griffith is in square brackets 3.1 (235) [ Agni.] 3.2 (236) gni. 3.3 (237) gni. 3.4 (238) [ Apris.] 3.5 (239) gni. 3.6 (240) gni. 3.7 (241) gni. 3.8 (242) acrificial Post. 3.9 (243) gni. 3.10 (244) gni. 3.11 (245) gni. 3.12 (246) [ Indra Indra (; Sanskrit: इन्द्र) is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war.  volumes/ref> I ...-Agni.] 3.13 (247) gni. 3.14 (248) gni. 3.15 (249) gni. 3.16 (250) gni. 3.17 (251) gni. 3.18 (252) gni. ...
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Mandala 10
The tenth mandala of the Rigveda has 191 hymns. Together with Mandala 1, it forms the latest part of the Rigveda, containing much mythological material, including the Purusha sukta (10.90) and the dialogue of Sarama with the Panis (10.108), and notably containing several dialogue hymns. The subjects of the hymns cover a wider spectrum than in the other books, dedicated not only to deities or natural phenomena, including deities that are not prominent enough to receive their own hymns in the other books ( Nirrti 10.59, Asamati 10.60, Ratri 10.127, Aranyani 10.146, Indrani 10.159), but also to objects like dice (10.34), herbs (10.97), press-stones (for Soma, 10.94, 175) and abstract concepts like liberality (towards the rishi, 10.117), creation (10.129 (the Nasadiya Sukta), 130, 190), knowledge (10.71), speech, spirit (10.58), faith (10.151), a charm against evil dreams (10.164). 10.15, dedicated to the forefathers, contains a reference to the emerging rite of cremation in verse 1 ...
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Mandala 8
The eighth Mandala of the Rigveda has 103 hymns. Other than the "family books" (Mandalas 2–7, dated as an old part of the RV) and RV 1 and RV 10 (dated as the latest portion of hymns composed shortly before redaction of the Rigveda into shakhas), Mandala 8 cannot straightforwardly be dated as a whole relative to the other books, and its hymns may include both ancient and late specimens. Most hymns in this book are attributed to the kāṇva family. The hymns 8.49 to 8.59 are the apocryphal vālakhilya, the majority of them are devoted to Indra; these are accepted as a recent portion, properly already post-Rigvedic. The hymns are dedicated to Indra, Agni, the Asvins, the Maruts, the Adityas, Varuna, Mitra-Varuna, the Vishvadevas, and Soma. 8.100 is dedicated to Indra and Vak (Speech). Of the Valakhilya, six hymns are dedicated to Indra, and one each to the Asvins, the Vishvadevas and Indra-Varuna. 8.55 and 8.56 praise "Praskanva's Gift", the reward given to the rishi by Dasyav ...
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Mandala 7
The seventh Mandala of the Rigveda ("book 7", "RV 7") has 104 hymns. In the Rigveda Anukramani, all hymns in this book are attributed to ''Vashista''. Hymn 32 is additionally credited to Sakti Vashista, and hymns 101-102 (to Parjanya) are additionally credited to Kumara Agneya. It is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda, which were composed in early vedic period(1500-1000 BCE). The hymns are dedicated to Agni, Indra, the Visvadevas, the Maruts, Mitra-Varuna, the Asvins, Ushas (Dawn), Indra-Varuna, Varuna, Vayu (Wind), two each to Sarasvati, Rudra, the Waters, the Adityas, Vishnu, Vastospati, Brhaspati, one each to the Apris, to Vashista, Savitar, Bhaga, the Dadhikras, the Rbhus, Dyaus and Prthivi (Heaven and Earth), Parjanya (Rain) and Indra-Soma. 7.103 is dedicated to the frogs. The rivers mentioned in the 7th Mandala are the Sarasvati, Asikni, Parusni and possibly the Yamuna (in 7.18.19 the name of a helper of Indra, maybe also the na ...
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Mandala 6
The sixth Mandala of the Rigveda has 75 hymns, mainly to Agni and Indra. Most hymns in this book are attributed to the ' family of Angirasas, especially to Bharadvaja. It is one of the "family books" (mandalas 2–7), the oldest core of the Rigveda, which were composed in early vedic period(1500-1000 BCE). Deities addressed besides Indra and Agni include the Vishvadevas, Pushan, the Asvins, Ushas (Dawn), the Maruts, Dyaus and Prthivi (Heaven and Earth), Savitar, Brhaspati and Soma-Rudra. The rivers mentioned in the sixth Mandala are the Sarasvati, Yavyavati and Hariupiya. RV 6.61 is entirely dedicated to Sarasvati. In RV 6.45.31 the term Ganga occurs which refers to the River Ganges. Talageri (2000), based on his proposition of an ''westward'' expansion early Rigvedic culture from Haryana (contrary to the nearly universally assumed eastward expansion from Gandhara) and his identification of some Rigvedic rivers, claims this Mandala as the oldest of the family books.Talageri, Shr ...
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Mandala 5
The fifth Mandala of the Rigveda has 87 hymns. Most hymns in this book are attributed to the Atri family. The mandala is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda, which were composed in early vedic period(1500-1000 BCE). The hymns are dedicated mainly to Agni and Indra, the Visvadevas, the Maruts, the twin-deity Mitra-Varuna and the Asvins. Two hymns each are dedicated to Ushas (the dawn) and to Savitar, one each to the Apris, Parjanya (rain), Prthivi (the Earth) and Varuna. 5.40 addresses Surya and Atri besides Indra. List of incipits The dedication as given by Griffith is in square brackets 5.1 (355) gni. 5.2 (356) gni. 5.3 (357) gni. 5.4 (358) gni. 5.5 (359) pris. 5.6 (360) gni. 5.7 (361) gni. 5.8 (362) gni. 5.9 (363) gni. 5.10 (364) gni. 5.11 (365) gni. 5.12 (366) gni. 5.13 (367) gni. 5.14 (368) gni. 5.15 (369) gni. 5.16 (370) gni. 5.17 (371) gni. 5.18 (372) gni. 5.19 (373) gni. 5.20 (374) gni. 5.21 (375) gni. 5.22 (376) ...
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Mandala 1
The first Mandala ("book") of the Rigveda has 191 hymns. Together with Mandala 10, it forms the latest part of the Rigveda. Its composition likely dates to the late vedic period (1000-500 BCE) or the Early Iron Age (around 1000 BCE). Contents Hymn 1.1 is addressed to Agni, arranged so that the name of this god is the first word of the ''Rigveda''. The remaining hymns are mainly addressed to Agni and Indra. Hymns 1.154 to 1.156 are addressed to Vishnu. Hymn 1.3 is dedicated to the Ashvins. Hymn 1.164.46, part of a hymn to the Vishvadevas, is often quoted as an example of emerging monism or monotheism. It forms the basis for the well-known statement "Truth is one, sages call it by various names": :' :' :"They call him Indra, Mitra, Varuna, Agni / and he is heavenly nobly-winged Garutman." :"To what is One, sages give many a title / they call it Agni, Yama, Matarisvan." (trans. Griffith) : – ''Rigveda 1.164.46'' Interpretation Max Muller described the character of the Vedic hym ...
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