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Mandala 10
The tenth mandala of the Rigveda has 191 hymns. Together with Mandala 1, it forms the latest part of the Rigveda, containing much mythological material, including the Purusha sukta (10.90) and the dialogue of Sarama with the Panis (10.108), and notably containing several dialogue hymns. The subjects of the hymns cover a wider spectrum than in the other books, dedicated not only to deities or natural phenomena, including deities that are not prominent enough to receive their own hymns in the other books ( Nirrti 10.59, Asamati 10.60, Ratri 10.127, Aranyani 10.146, Indrani 10.159), but also to objects like dice (10.34), herbs (10.97), press-stones (for Soma, 10.94, 175) and abstract concepts like liberality (towards the rishi, 10.117), creation (10.129 (the Nasadiya Sukta), 130, 190), knowledge (10.71), speech, spirit (10.58), faith (10.151), a charm against evil dreams (10.164). 10.15, dedicated to the forefathers, contains a reference to the emerging rite of cremation in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigveda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts ('' śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. The sounds and texts of the ''Rigveda'' have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the northwestern region of the Indian subcontinent (see) Rigvedic rivers), most likely between 1500 and 1000 BCE, although a wider approximation of 19001200 BCE has also been given. The text is layered, consisting of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śraddhā
Śraddhā ( sa, श्रद्धा) is often glossed in English as ''faith''. ''Āsthā'' is used for faith, religious beliefs and God. The term figures importantly in the literature, teachings, and discourse of Hinduism, Jainism, and Buddhism. It can be associated with faith, trust, confidence, and loyalty. The teacher Ammachi describes it as the "constant alertness arising from Love", and when choosing a single word to translate it into English, has used "awareness". Other writers have also described the concept with emphasis on the intersection of faith and mindfulness, and it has been translated in this vein with words such as "diligence". Sri Aurobindo Sri Aurobindo (born Aurobindo Ghose; 15 August 1872 – 5 December 1950) was an Indian philosopher, yogi, maharishi, poet, and Indian nationalist. He was also a journalist, editing newspapers such as ''Vande Mataram''. He joined the ... describes Śraddhā as "the soul's belief in the Divine's existence, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atharvaveda
The Atharva Veda (, ' from ' and ''veda'', meaning "knowledge") is the "knowledge storehouse of ''atharvāṇas'', the procedures for everyday life".Laurie Patton (2004), Veda and Upanishad, in ''The Hindu World'' (Editors: Sushil Mittal and Gene Thursby), Routledge, , page 38 The text is the fourth Veda, and is a late addition to the Vedic scriptures of Hinduism.Laurie Patton (1994), Authority, Anxiety, and Canon: ys in Vedic Interpretation, State University of New York Press, , page 57 The language of the Atharvaveda is different from Vedic Sanskrit, preserving pre-Vedic Indo-European archaisms. It is a collection of 730 hymns with about 6,000 mantras, divided into 20 books.Maurice BloomfieldThe Atharvaveda Harvard University Press, pages 1-2 About a sixth of the Atharvaveda texts adapts verses from the Rigveda, and except for Books 15 and 16, the text is mainly in verse deploying a diversity of Vedic meters. Two different recensions of the text – the and the – have s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph T
Ralph (pronounced ; or ,) is a male given name of English, Scottish and Irish origin, derived from the Old English ''Rædwulf'' and Radulf, cognate with the Old Norse ''Raðulfr'' (''rað'' "counsel" and ''ulfr'' "wolf"). The most common forms are: * Ralph, the common variant form in English, which takes either of the given pronunciations. * Rafe, variant form which is less common; this spelling is always pronounced , as are all other English spellings without "l". * Raife, a very rare variant. * Raif, a very rare variant. Raif Rackstraw from H.M.S. Pinafore * Ralf, the traditional variant form in Dutch, German, Swedish, and Polish. * Ralfs, the traditional variant form in Latvian. * Raoul, the traditional variant form in French. * Raúl, the traditional variant form in Spanish. * Raul, the traditional variant form in Portuguese and Italian. * Raül, the traditional variant form in Catalan. * Rádhulbh, the traditional variant form in Irish. Given name Middle Age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nasadiya Sukta
The Nāsadīya Sūkta (after the incipit ', or "not the non-existent"), also known as the Hymn of Creation, is the 129th hymn of the 10th mandala of the Rigveda (10:129). It is concerned with cosmology and the origin of the universe. Nasadiya Sukta begins with the statement: "Then, there was neither existence, nor non-existence." It ponders when, why, and through whom the universe came into being in a contemplative tone, and provides no definite answers. Rather, it concludes that the gods too may not know, as they came after creation, and that even the surveyor of that which has been created, in the highest heaven may or may not know. To this extent, the conventional English title ''Hymn of Creation'' is perhaps misleading, since the poem does not itself present a cosmogony or creation myth akin to those found in other religious texts, instead provoking the listener to question whether one can ever know the origins of the universe. Interpretations The hymn has attracted a larg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prajapati
Prajapati ( sa, प्रजापति, Prajāpati, lord and protector of creation) is a Vedic deity of Hinduism. In later literature, Prajapati is identified with the creator god Brahma, but the term also connotes many different gods, depending on the Hindu text, ranging from being the creator god to being same as one of the following: Viswakarma, Agni, Indra, Daksha, and many others, reflecting the diverse Hindu cosmology. In classical and medieval era literature, Prajapati is equated to the metaphysical concept called Brahman as Prajapati-Brahman (Svayambhu Brahman), or alternatively Brahman is described as one who existed before Prajapati. Etymology Prajapati (Sanskrit: ) is a compound of "praja" (creation, procreative powers) and "pati" (lord, master). The term means "lord of creatures", or "lord of all born beings". In the later Vedic texts, Prajapati is a distinct Vedic deity, but whose significance diminishes. Later, the term is synonymous with other gods, particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahma
Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 212–226. He is associated with creation, knowledge, and the '' Vedas''. Brahma is prominently mentioned in creation legends. In some '' Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, everything that is, owes its existence to Brahman. In this sense, Hinduism is ultimately monotheistic or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiranyagarbha
Hiraṇyagarbha (Sanskrit: हिरण्यगर्भः ; literally the 'golden womb', poetically translated as 'universal womb') is the source of the creation of universe or the manifested cosmos in Vedic philosophy. It finds mention in one hymn of the Rigveda ( RV 10.121), known as the Hiraṇyagarbha Sūkta, suggesting a single creator deity (verse 8: ', Griffith: "He is the God of gods, and none beside him."), identified in the hymn as Prajāpati. The concept of the "golden womb" is first mentioned in the Vishvakarma Sūkta (RV 10.82.5,6) which picturized the "primeval womb" as being rested set upon the navel of Vishvakarman. This imagery was later transferred to Vishnu and Surya. The Upanishad calls it the Soul of the Universe or Brahman, and elaborates that Hiraṇyagarbha floated around in emptiness and the darkness of the non-existence for about a year, and then broke into two halves which formed the ''Svarga'' and the '' Pṛthvi''. In Modern science its often comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmic Egg
The world egg, cosmic egg or mundane egg is a mythological motif found in the cosmogonies of many cultures that is present in Proto-Indo-European culture and other cultures and civilizations. Typically, the world egg is a beginning of some sort, and the universe or some primordial being comes into existence by "hatching" from the egg, sometimes lain on the primordial waters of the Earth. Eggs symbolize the unification of two complementary principles (represented by the egg white and the yolk) from which life or existence, in its most fundamental philosophical sense, emerges. Vedic mythology The earliest idea of the "cosmic egg" comes from some of the Sanskrit scriptures. The Sanskrit term for it is Brahmanda (ब्रह्माण्ड) which is derived from two words – 'Brahma' (ब्रह्मा) the 'creator god' in Hinduism and 'anda' (अण्ड) meaning 'egg'. Certain Puranas such as the Brahmanda Purana speak of this in detail. The Rig Veda (RV 10.121 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monotheism
Monotheism is the belief that there is only one deity, an all-supreme being that is universally referred to as God. Cross, F.L.; Livingstone, E.A., eds. (1974). "Monotheism". The Oxford Dictionary of the Christian Church (2 ed.). Oxford: Oxford University Press. A distinction may be made between exclusive monotheism, in which the one God is a singular existence, and both inclusive and pluriform monotheism, in which multiple gods or godly forms are recognized, but each are postulated as extensions of the same God. Monotheism is distinguished from henotheism, a religious system in which the believer worships one God without denying that others may worship different gods with equal validity, and monolatrism, the recognition of the existence of many gods but with the consistent worship of only one deity. The term '' monolatry'' was perhaps first used by Julius Wellhausen. Monotheism characterizes the traditions of Bábism, the Baháʼí Faith, Cheondoism, Christianity,Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiranyagarbha Sukta
Hiraṇyagarbha (Sanskrit: हिरण्यगर्भः ; literally the 'golden womb', poetically translated as 'universal womb') is the source of the creation of universe or the manifested cosmos in Vedic philosophy. It finds mention in one hymn of the Rigveda ( RV 10.121), known as the Hiraṇyagarbha Sūkta, suggesting a single creator deity (verse 8: ', Griffith: "He is the God of gods, and none beside him."), identified in the hymn as Prajāpati. The concept of the "golden womb" is first mentioned in the Vishvakarma Sūkta (RV 10.82.5,6) which picturized the "primeval womb" as being rested set upon the navel of Vishvakarman. This imagery was later transferred to Vishnu and Surya. The Upanishad calls it the Soul of the Universe or Brahman, and elaborates that Hiraṇyagarbha floated around in emptiness and the darkness of the non-existence for about a year, and then broke into two halves which formed the ''Svarga'' and the '' Pṛthvi''. In Modern science its often comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ushas
Ushas (Vedic Sanskrit: / ') is a Vedic goddess of dawn in Hinduism. She repeatedly appears in the Rigvedic hymns, states David Kinsley, where she is "consistently identified with dawn, revealing herself with the daily coming of light to the world, driving away oppressive darkness, chasing away evil demons, rousing all life, setting all things in motion, sending everyone off to do their duties". She is the life of all living creatures, the impeller of action and breath, the foe of chaos and confusion, the auspicious arouser of cosmic and moral order called the Ṛta in Hinduism. Ushas is the most exalted goddess in the ''Rig Veda'', but not as important or central as the three male Vedic deities Agni, Soma, and Indra. She is on par with other major male Vedic deities. She is portrayed as a beautifully adorned young woman riding in a golden chariot or a hundred chariots, drawn by golden red horses or cows, on her path across the sky, making way for the Vedic sun god Surya, who is r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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