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Medieval Poetry
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours and the minnesänger are known for their lyric poetry about courtly love. Among the most famous of secular poetry is ''Carmina Burana'', a manuscript collection of 254 poems. Twenty-four poems of ''Carmina Burana'' were later set to music by German composer Carl Orff in 1936. Examples of medieval poetry Old English religious poetry includes the poem ''Christ'' by Cynewulf and the poem ''The Dream of the Rood'', preserved in both manuscript form and on the Ruthwell Cross. We do have some secular poetry; in fact a great deal of medieval literature was written in verse, including the Old English epic ''Beowulf''. Scholars are fairly sure, based on a few fragments and on references in historic texts, that much lost secular poetry was set to music, and was spread by traveling minstrels, or bards, across Europe. Thus, the few poems written eventually became ballads or lays, and never ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadours
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as receiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commercium Songs
Commercium songs are traditional academic songs that are sung during academic feasts: commercia and tablerounds. Some very old commercium songs are in Latin, like '' Meum est propositum'' or '' Gaudeamus igitur''. In some countries, hundreds of commercium songs are compiled in commercium books. * Allgemeines Deutsches Kommersbuch (Germany) * Le petit bitu (Belgium) * Studentencodex (Belgium) * Carpe Diem (Belgium) * Codex Studiosorum Bruxellensis (Belgium) See also * De Brevitate Vitae * Academic Festival Overture * Im schwarzen Walfisch zu Askalon * Biernagel External links English and Latin commercium songs Medieval Latin Students' Songs Translated into English Verse by John Addington Symonds John Addington Symonds, Jr. (; 5 October 1840 – 19 April 1893) was an English poet and literary critic. A cultural historian, he was known for his work on the Renaissance, as well as numerous biographies of writers and artists. Although m ... {{anthem-stub * * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamblers Mass
Drinkers Masses, to include Gamblers Masses (Latin: ''Missa Potatorum, Officium Lusorum''), was a genre of medieval Latin poetry which parodied the Roman Catholic Latin Mass in order to make fun of drinking and gambling monks and clerics. These masses were written between about 1100 and 1700 by clerici vagantes (''wandering clerics''), with the first example being the gamblers mass (''officium lusorum''), found in the ''Carmina Burana''. The genre is somewhat related to other medieval ecclesiastic parody, such as the Feast of Fools and the Feast of the Ass. Description These parody masses generally follow line for line the words of the Latin Mass, as well as quotations from the Latin Vulgate. They are carefully reworded to create a parody of the Mass, with themes such as Bacchus, the god of wine, and Decius, the god of dice (Decius was also the name of a Roman emperor), replacing the "Dominus" and " Deus" (Lord and God) of the Mass. There is much imagery of dice being used in g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christianity
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global population. Its adherents, known as Christians, are estimated to make up a majority of the population in 157 countries and territories, and believe that Jesus is the Son of God, whose coming as the messiah was prophesied in the Hebrew Bible (called the Old Testament in Christianity) and chronicled in the New Testament. Christianity began as a Second Temple Judaic sect in the 1st century Hellenistic Judaism in the Roman province of Judea. Jesus' apostles and their followers spread around the Levant, Europe, Anatolia, Mesopotamia, the South Caucasus, Ancient Carthage, Egypt, and Ethiopia, despite significant initial persecution. It soon attracted gentile God-fearers, which led to a departure from Jewish customs, and, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vowel Length
In linguistics, vowel length is the perceived length of a vowel sound: the corresponding physical measurement is duration. In some languages vowel length is an important phonemic factor, meaning vowel length can change the meaning of the word, for example in: Arabic, Estonian, Finnish, Fijian, Kannada, Malayalam, Japanese, Latin, Old English, Scottish Gaelic, and Vietnamese. While vowel length alone does not change word meaning in most dialects of English, it is said to do so in a few dialects, such as Australian English, Lunenburg English, New Zealand English, and South African English. It also plays a lesser phonetic role in Cantonese, unlike in other varieties of Chinese. Many languages do not distinguish vowel length phonemically, meaning that vowel length does not change meaning, and the length of a vowel is conditioned by other factors such as the phonetic characteristics of the sounds around it, for instance whether the vowel is followed by a voiced or a voice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stress (linguistics)
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called '' pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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