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Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody Music
Parody music, or musical parody, involves changing or copying existing (usually well known) musical ideas, and/or lyrics, or copying the particular style of a composer or performer, or even a general style of music. In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique, as an unsophisticated re-use of well-known melody to present new words, and as an intentionally humorous, even mocking, reworking of existing musical material, sometimes for satirical effect. Examples of musical parody with completely serious intent include parody masses in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the more common use of the term to refer to parody for humorous effect. Etymology The word "parody" derives from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain. The earliest example of the form is the ''Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin,Dustin H. (1994) ''Satire: A Critical Reintroduction'p.135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily criticized, bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, ''Entertainment Weekly'' recognized Keaton as the seventh-greatest film director, and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema. Working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, Keaton made a series of successful two-reel comedies in the early 1920s, including ''One Week'' (1920), '' The Playhouse'' (1921), '' Cops'' (1922), and ''The Electric House'' (1922). He then moved to feature-leng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Hutcheon
Linda Hutcheon, Royal Society of Canada, FRSC, Order of Canada, O.C. (born August 24, 1947) is a Canadian academic working in the fields of Literary Theory, literary theory and Literary Criticism, criticism, opera, and Canadian studies. She is a University Professor Emeritus in the Department of English and of the Centre for Comparative Literature at the University of Toronto, where she has taught since 1988. In 2000 she was elected the 117th President of the Modern Language Association, the third Canadian to hold this position, and the first Canadian woman. She is particularly known for her influential theories of postmodernism. Works Postmodernism Hutcheon's publications reflect an interest in aesthetic micro-practices such as irony in ''Irony's Edge'' (Routledge, 1994), parody in ''A Theory of Parody'' (Meuthen, 1985), and adaptation in ''A Theory of Adaptation'' (Routledge, 2006). Hutcheon has also authored texts which synthesize and contextualize these practices with rega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Comedy
Old Comedy (''archaia'') is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians.Mastromarco (1994) p.12 The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, effectively define the genre today. Origins and history The Greek word for comedy (''kōmōidía'') derives from the words for 'revel' and 'song' (''kōmos'' and ''ōdē'') and according to Aristotle comic drama actually developed from song. The first official comedy at the City Dionysia was not staged until 487/6 BC, by which time tragedy had already been long established there. The first comedy at the Lenaia was staged later still, only about 20 years before the performance there of ''The Acharnians'', the first of Aristophanes' surviving plays. According to Aristotle, comedy was slow to gain official acceptance because nobody took it seriously, yet only 60 years after come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hegemon Of Thasos
Hegemon of Thasos ( el, Ἡγήμων ό Θάσιος) was a Greek writer of the Old Comedy. Hardly anything is known of him, except that he flourished during the Peloponnesian War. According to Aristotle (''Poetics'', ii. 5) he was the inventor of a kind of parody; by slightly altering the wording in well-known poems he transformed the sublime into the ridiculous. When the news of the disastrous defeat of the Sicilian Expedition reached Athens, his parody of the ''Gigantomachia'' was being performed: it is said that the audience were so amused by it that, instead of leaving to show their grief, they remained in their seats. He was also the author of a comedy called ''Philinne'' (Philine), written in the manner of Eupolis and Cratinus, in which he attacked a well-known courtesan. Athenaeus (p. 698), who preserves some parodic hexameters of his, relates other anecdotes concerning him (pp. 5, 108, 407). Criticisms In Aristotle's '' Poetics'', Aristotle states "Homer, for e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Frogs
''The Frogs'' ( grc-gre, Βάτραχοι, Bátrakhoi, Frogs; la, Ranae, often abbreviated ''Ran.'' or ''Ra.'') is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC and received first place. Plot ''The Frogs'' tells the story of the god Dionysus, who, despairing of the state of Athens' tragedians, travels to Hades (the underworld) to bring the playwright Euripides back from the dead. (Euripides had died the year before, in 406 BC.) He brings along his slave Xanthias, who is smarter and braver than Dionysus. As the play opens, Xanthias and Dionysus argue over what kind of jokes Xanthias can use to open the play. For the first half of the play, Dionysus routinely makes critical errors, forcing Xanthias to improvise in order to protect his master and prevent Dionysus from looking incompetent—but this only allows Dionysus to continue to make mistakes with no consequence. To find ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irony
Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique. Irony can be categorized into different types, including ''verbal irony'', ''dramatic irony'', and ''situational irony''. Verbal, dramatic, and situational irony are often used for emphasis in the assertion of a truth. The ironic form of simile, used in sarcasm, and some forms of litotes can emphasize one's meaning by the deliberate use of language which states the opposite of the truth, denies the contrary of the truth, or drastically and obviously understates a factual connection. Definitions Henry Watson Fowler, in ''The King's English'', says, "any definition of irony—though hundreds might be given, and very few of them would be accepted—must include this, that the surface meaning and the underlying meaning of what is said are not the same." Also, Eric Partrid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Diderot
Denis Diderot (; ; 5 October 171331 July 1784) was a French philosopher, art critic, and writer, best known for serving as co-founder, chief editor, and contributor to the ''Encyclopédie'' along with Jean le Rond d'Alembert. He was a prominent figure during the Age of Enlightenment. Diderot initially studied philosophy at a Jesuit college, then considered working in the church clergy before briefly studying law. When he decided to become a writer in 1734, his father disowned him. He lived a bohemian existence for the next decade. In the 1740s he wrote many of his best-known works in both fiction and non-fiction, including the 1748 novel ''The Indiscreet Jewels''. In 1751, Diderot co-created the ''Encyclopédie'' with Jean le Rond d'Alembert. It was the first encyclopedia to include contributions from many named contributors and the first to describe the mechanical arts. Its secular tone, which included articles skeptical about Biblical miracles, angered both religious and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
