|
Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain. The earliest example of the form is the ''Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin,Dustin H. (1994) ''Satire: A Critical Reintroduction'p.135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily criticized, bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Secchia Rapita
''La Secchia Rapita'' (The kidnapped bucket) is a mock-heroic epic poem by Alessandro Tassoni, first published in 1622. Later successful mock-heroic works in French and English were written on the same plan. Background The invention of the heroi-comic poem in the Baroque period is usually ascribed to Alessandro Tassoni who, in 1622, published in Paris a poem entitled ''La Secchia Rapita''. Written in ottava rima, his "poema eroicomico" consists of twelve substantial cantos and deals with the regional rivalry between Guelphs and Ghibellines, Ghibbeline Modena and Guelph Bologna in the 14th century. To avoid giving offence in a still divided Italy, the book was first published from Paris under the name of Androvinci Melisone, but was soon afterwards reprinted in Venice with illustrations by Gasparo Salviani, and with the author’s real name. The subject of Tassoni's poem was the War of the Bucket, war which the inhabitants of Modena declared against those of Bologna, on the refusal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Tassoni
Alessandro Tassoni (28 September 156525 April 1635) was an Italian poet and writer, from Modena, best known as the author of the mock-heroic poem ''La secchia rapita'' (''The Rape of the Pail'', or ''The stolen bucket''). Life He was born in Modena, to a noble family, from Bernardino Tassoni and Sigismonda Pellicciari. Having lost both parents at an early age, he was raised by the maternal grandfather, Giovanni Pellicciari. It was with Giovanni that, according to tradition, he first visited the bucket, which was later to inspire his major work, in the belfry of Modena's Cathedral. At the age of 13, Alessandro Tassoni was taught Greek and Latin by Lazzaro Labadini, a professor of Literature at the University. He then became a law student, attending university in Modena, then in Bologna, Pisa and Ferrara, where he eventually graduated. He appears to have been a rowdy youth, living for some time in Nonantola, from where he was expelled in 1595, due to several incidents in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque (literature)
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', , accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with , and travesty, and, in its theatrical sense, with [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lippi
Lorenzo Lippi (3 May 1606 – 15 April 1665) was an Italian painter and poet. Biography Born in Florence, he studied painting under Matteo Rosselli. Both Baldassare Franceschini and Francesco Furini were also apprenticed with Rosselli, the influence of whose style, and more especially of that of Santi di Tito, is to be traced in Lippi's works, which are marked by taste, delicacy and a strong turn for portrait-like naturalism. His maxim was to poetize as he spoke, and to paint as he saw. His biography was recounted by Filippo Baldinucci. After painting for some time in Florence, and having married at the age of forty the daughter of the rich sculptor named Giovanni Francesco Susini, Lippi went as court painter to Innsbruck, where he has left many excellent portraits. In Innsbruck, he wrote his humorous poem named ''Malmantile Racquistato'', which was published under the anagrammatic pseudonym of Perlone Zipoli. The ''Malmantile Racquistato'' is a mock-heroic romance, mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parodies
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare Cortese
Giulio Cesare Cortese (1570 in Naples, Italy – 22 December 1622 in Naples) was an Italian author and poet. Life Born to a well-to-do family, nothing is known of Cortese's early life, though it is thought that he was a schoolmate of Giambattista Basile. Receiving a degree in law, he tried life as a courtier in Spain and Florence, without any great success. Cortese apparently had some success in the Medici court as he was sent in 1599 to Spain as a member of a Medici delegation for the marriage of Philip III of Spain with Margaret of Austria (1584–1611), Margherita of Austria. In his "Tuscan" rhymes there is a fruitless attempt to catch the attention of the Counts of Lemos, the foremost representatives of the Spanish crown in Naples. He was a close friend of Luigi Caponaro, who he frequently cites in his work. Regardless of his commemoration by Basile in 1627, it is generally believed, due to several handwritten manuscripts, that Cortese lived at least until 1640 and it is con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Bracciolini
Francesco Bracciolini (26 November 1566 – 31 August 1645) was an Italian poet. Biography Bracciolini was born of a noble family in Pistoia in 1566. On his removing to Florence he was admitted into the academy there, and devoted himself to literature. At Rome he entered the service of Cardinal Maffeo Barberini, with whom he afterwards went to France. After the death of Clement VIII he returned to his own country; and when his patron Barberini was elected pope, under the name of Urban VIII, Bracciolini repaired to Rome and was made secretary to the pope's brother, Cardinal Antonio Marcello Barberini. Bracciolini had also the honor conferred on him of taking a surname from the heraldry, arms of the Barberini family, which were bees; whence he was afterwards known by the name of Bracciolini dell'Api. During Urban's pontificate the poet lived at Rome in considerable reputation, though at the same time he was censored for his sordid avarice. On the death of the pontiff Bracciolini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loreto Vittori
Loreto Vittori (5 September 1600 (baptized) – 23 April 1670) was an Italian castrato and composer. From 1622 until his death, he was a mezzo-soprano singer in the papal chapel in Rome. Life Vittori was born in Spoleto and educated in Rome. He then worked as a singer in Loreto and Spoleto. In 1618 Vittori was placed under the protection of the Medici family. He moved to Rome in 1621, first in the service of Cardinal Ludovico Ludovisi, nephew of Pope Gregory XV, and in 1632 in the service of Cardinal Antonio Barberini, nephew of the future Urban VIII. He died in Rome, aged 69. Vittori sang at the premiere of ''Lo Sposalizio di Medoro et Angelica'' by Jacopo Peri and Marco da Gagliano in 1619, possibly as Angelica. He was Saint Ursula in ''La Regina Sant'Orsola'' by Marco da Gagliano in 1624. Back in Rome, the man was Falsirena in ''La Catena d'Adone'' by Domenico Mazzocchi in 1626. In 1628, Vittori took an unknown role in ''La Flora, ovvero Il natal de' fiori'' (''Flora, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hudibras
''Hudibras'' is a vigorous satirical poem, written in a mock-heroic style by Samuel Butler (1613–1680), and published in three parts in 1663, 1664 and 1678. The action is set in the last years of the Interregnum, around 1658–60, immediately before the restoration of Charles II as king in May 1660. The story shows Hudibras, a knight and colonel in the Parliamentary army, being regularly defeated, sometimes by the skills and courage of women, and ends with a witty and detailed declaration that women are superior to men. ''Hudibras'' is notable for its longevity: from the 1660s, it was more or less always in print, from many different publishers and editors, till the period of the First World War (see below). Apart from Byron’s masterpiece ''Don Juan'' (1819–24), there are few English verse satires of this length (over 11,000 lines) that have had such a long and influential life in print. The satire “delighted the royalists but was less an attack on the puritans than a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batrachomyomachia
The ''Batrachomyomachia'' ( grc, Βατραχομυομαχία, from , "frog", , "mouse", and , "battle") or ''Battle of the Frogs and Mice'' is a comic epic, or a parody of the ''Iliad'', commonly attributed to Homer, although other authors have been proposed. Plot Psycharpax, the Mouse-Prince, having escaped a hunting cat, stops by the shore of a lake to drink, and encounters the Frog King Physignathus. Physignathus offers to show Psycharpax his kingdom, on the other side of the lake, and the Mouse agrees. Psycharpax climbs onto the Frog King's back, and Physignathus begins to swim across the lake. In the middle of the lake, they are confronted by a frightening water snake. Physignathus dives, forgetting about Psycharpax, who cannot swim, and drowns. On the bank, another Mouse witnesses Psycharpax' death, and informs the other Mice, who arm themselves for battle to avenge the Frog King's treachery, and send a herald to the Frogs with a declaration of war. The Frogs blam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustan Literature
Augustan literature (sometimes referred to misleadingly as Georgian literature) is a literary genre, style of British literature produced during the reigns of Anne, Queen of Great Britain, Queen Anne, George I of Great Britain, King George I, and George II of Great Britain, George II in the first half of the 18th century and ending in the 1740s, with the deaths of Alexander Pope and Jonathan Swift, in 1744 and 1745, respectively. It was a literary calendar era, epoch that featured the rapid development of the novel, an explosion in satire, the mutation of drama from political satire into melodrama and an evolution toward poetry of personal exploration. In philosophy, it was an age increasingly dominated by empiricism, while in the writings of political economy, it marked the evolution of mercantilism as a formal philosophy, the development of capitalism and the triumph of trade. The chronological boundary points of the era are generally vague, largely since the label's origin in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
