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Mantrapushpanjali
Mantrapushpanjali (Sanskrit, Devanagari मंत्रपुष्पांजलि, IAST mantrapuṣpāñjali, IPA \mɐn̪t̪rɐpuɕpɑːɲɟɐli\) is a popular prayer in India, it is the unique prayer of hindus and it means “offering flowers in the form of mantra”. It comprises four hymns from Vedic sources, and is the final prayer sung at the end of āratīs. The word Mantrapushpanjali is made up of three elements, ''mantra'' (incantation), pushpa (flower), and anjali (a bowl-shaped cavity formed by hollowing and joining open palms together, as when offering or receiving alms). Mantrapushpanjali is an appendix of a set of traditional recital called Deve (Sanskrit, Devanagari देवे ) from Shukla Yajurveda branch of Vedic tradition. The hymns of Mantrapushpanjali are chanted at an extremely slow pace, elongating all the deergha svarit (Sanskrit, Devanagari दीर्घस्वरित) accents more than usual. Text ॐ यज्ञेन यज्ञम ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arati
''Arti'' (Sanskrit: Ārātrika, Hindi: Ārtī) is a Hindu ritual employed in worship, often part of '' puja'', in which light (usually from a flame) is offered to one or more deities. ''Arti(s)'' also refers to the songs sung in praise of the deity, when the light is being offered. Origin Arti is derived from the Sanskrit word () which means something that removes , darkness (or light waved in darkness before an icon). A Marathi language reference says it is also known as ( sa, महानीराञ्जना). ''Arti'' is said to have descended from the Vedic concept of fire rituals, or '' homa/yajna''. In the traditional ''arti'' ceremony, the flower represents the earth (solidity), the water and accompanying handkerchief correspond with the water element (liquidity), the ghee or oil lamp represents the fire component (heat), the peacock fan conveys the precious quality of air (movement), and the yak-tail fan represents the subtle form of ether (space). The incense rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Āratī
''Arti'' (Sanskrit: Ārātrika, Hindi: Ārtī) is a Hindu ritual employed in worship, often part of '' puja'', in which light (usually from a flame) is offered to one or more deities. ''Arti(s)'' also refers to the songs sung in praise of the deity, when the light is being offered. Origin Arti is derived from the Sanskrit word () which means something that removes , darkness (or light waved in darkness before an icon). A Marathi language reference says it is also known as ( sa, महानीराञ्जना). ''Arti'' is said to have descended from the Vedic concept of fire rituals, or '' homa/yajna''. In the traditional ''arti'' ceremony, the flower represents the earth (solidity), the water and accompanying handkerchief correspond with the water element (liquidity), the ghee or oil lamp represents the fire component (heat), the peacock fan conveys the precious quality of air (movement), and the yak-tail fan represents the subtle form of ether (space). The incense rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taittiriya Aranyaka
The Aranyakas (; sa, आरण्यक; IAST: ' ) are the part of the ancient Indian Vedas concerned with the meaning of ritual sacrifice. They typically represent the later sections of the Vedas, and are one of many layers of the Vedic texts. The other parts of the Vedas are the Samhitas (benedictions, hymns), Brahmanas (commentary), and the Upanishads (spirituality and abstract philosophy).A Bhattacharya (2006), Hindu Dharma: Introduction to Scriptures and Theology, , pages 8-14 ''Aranyakas'' describe and discuss rituals from various perspectives; some include philosophical speculations. For example, the Katha Aranyaka discusses rituals connected with the ''Pravargya''. The Aitareya Aranyaka includes explanation of the ''Mahavrata'' ritual from ritualisitic to symbolic meta-ritualistic points of view. ''Aranyakas'', however, neither are homogeneous in content nor in structure. ''Aranyakas'' are sometimes identified as ''karma-kanda'' (कर्मकाण्ड), ritualisti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganesh Festival
Ganesh Chaturthi (ISO: ), also known as Vinayak Chaturthi (), or Ganeshotsav () is a Hindu festival commemorating the birth of the Hindu god Ganesha. The festival is marked with the installation of Ganesha's clay idols privately in homes and publicly on elaborate pandals (temporary stages). Observances include chanting of Vedic hymns and Hindu texts, such as prayers and ''vrata'' (fasting). Offerings and ''prasada'' from the daily prayers, that are distributed from the pandal to the community, include sweets such as modaka as it is believed to be a favourite of Ganesha. The festival ends on the tenth day after start, when the idol is carried in a public procession with music and group chanting, then immersed in a nearby body of water such as a river or sea, called visarjan on the day of Anant Chaturdashi. In Mumbai alone, around 150,000 statues are immersed annually. Thereafter the clay idol dissolves and Ganesha is believed to return to his celestial abode. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durga
Durga ( sa, दुर्गा, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around combating evils and demonic forces that threaten peace, prosperity, and dharma, representing the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed, and entails destruction to empower creation. Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons. She is widely worshipped by the followers of the goddess-centric sect, Shaktism, and has importance in other denominations like Shaivism and Vaishnavism. The most important texts of Shaktism, Devi Mahatmya, and Devi Bhagavata Purana, revere Devi (the Goddess) as the primordial creator of the universe and the Brah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganesh
Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped Deva_(Hinduism), deities in the Hindu deities, Hindu pantheon and is the Supreme God in Ganapatya sect. His image is found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends Ganesha in world religions, to Jains and Buddhists and includes Nepal, Sri Lanka, Thailand, Indonesia (Java and Bali), Singapore, Malaysia, Philippines, and Bangladesh and in countries with large ethnic Indian populations including Fiji, Guyana, Mauritius, and Trinidad and Tobago. Although Ganesha has many attributes, he is readily identified by his Asiatic Elephant, elephant head. He is widely revered, more specifically, as the remover of obstacles and thought to bring good luck; the patron of The arts, arts and Science, sciences; and the Deva (Hinduism), deva of intellect and wisdom. As the god of beginn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horse Offering
The horse (''Equus ferus caballus'') is a domesticated, one-toed, hoofed mammal. It belongs to the taxonomic family Equidae and is one of two extant subspecies of ''Equus ferus''. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, ''Eohippus'', into the large, single-toed animal of today. Humans began domesticating horses around 4000 BCE, and their domestication is believed to have been widespread by 3000 BCE. Horses in the subspecies ''caballus'' are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, as this term is used to describe horses that have never been domesticated. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior. Horses are adapted to run, allowing them to quickly escape predators, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aitareya Brahmana
The Aitareya Brahmana ( sa, ऐतरेय ब्राह्मण) is the Brahmana of the Shakala Shakha of the Rigveda, an ancient Indian collection of sacred hymns. This work, according to the tradition, is ascribed to Mahidasa Aitareya. Authorship Sayana of Vijayanagara, a 14th century commentator, attributes the entire ''Aitareya Brahmana'' to a single man: Mahidasa Aitareya. In his introduction to the text, Sayana suggests that "Aitareya" is a matronymic name. Mahidasa's mother was "Itaraa" (इतरा), whose name is derived from the Sanskrit word "itara". She was one of the wives of a great rishi (sage). The rishi preferred sons from his other wives over Mahidasa. Once he placed all his other sons on his lap, but ignored Mahidasa. On seeing tears in the eyes of her son, Itara prayed to the earth goddess Bhūmi, her kuladevi (tutelary deity). Bhūmi then appeared and gifted Mahidasa the knowledge contained in the ''Aitareya Brahmana''. Mahidasa is mentioned in other w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atharvaveda
The Atharva Veda (, ' from ' and ''veda'', meaning "knowledge") is the "knowledge storehouse of ''atharvāṇas'', the procedures for everyday life".Laurie Patton (2004), Veda and Upanishad, in ''The Hindu World'' (Editors: Sushil Mittal and Gene Thursby), Routledge, , page 38 The text is the fourth Veda, and is a late addition to the Vedic scriptures of Hinduism.Laurie Patton (1994), Authority, Anxiety, and Canon: ys in Vedic Interpretation, State University of New York Press, , page 57 The language of the Atharvaveda is different from Vedic Sanskrit, preserving pre-Vedic Indo-European archaisms. It is a collection of 730 hymns with about 6,000 mantras, divided into 20 books.Maurice BloomfieldThe Atharvaveda Harvard University Press, pages 1-2 About a sixth of the Atharvaveda texts adapts verses from the Rigveda, and except for Books 15 and 16, the text is mainly in verse deploying a diversity of Vedic meters. Two different recensions of the text – the and the – have sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kubera
Kubera ( sa, कुबेर, translit=Kuberā) also known as Kuvera, Kuber and Kuberan, is the god of wealth, and the god-king of the semi-divine yakshas in Hinduism. He is regarded as Guardians of the directions, the regent of the north (''Dikpala''), and a protector of the world (''Lokapala''). His many epithets extol him as the overlord of numerous semi-divine species, and the owner of the treasures of the world. Kubera is often depicted with a plump body, adorned with jewels, and carrying a money-pot and a club. Originally described as the chief of evil spirits in Veda, Vedic-era texts, Kubera acquired the status of a ''Deva (Hinduism), deva'' (god) only in the Puranas, ''Purana''s and the Hindu epics. The scriptures describe that Kubera once ruled Lanka, but was overthrown by his half-brother Ravana, later settling in the city of Alaka in the Himalayas. Descriptions of the "glory" and "splendour" of Kubera's city are found in many scriptures. Kubera has also been assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Aarti_Thali%2C_Prayer_Plate_India.jpg "Click for more on -> Arati")
