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Mallinātha Sūri
Mallinātha Sūri was a critic, known for his commentaries on the five mahakavyas (great compositions) of Sanskrit. During his times, he is said to have received the titles of Mahamahopadhyaya and Vyakhyana Chakravarti. He lived during the reigns of Rachakonda king Singabhupala and Vijayanagara king Deva Raya I. Based on the evidence from inscriptions, it is estimated that he lived between 1350-1450 CE. Early life Mallinātha was born in a Telugu Brahmin family of the Kamakayanasa gotra with the surname Kolachala, Kolachela, Kolichala or Kolichelama. The village Kolichelama (currently known as Kolchāram) is near Medak, a village and mandal in the Medak District of Telangana. When Kākatīya rule ended, the scholars of the Kolachelama family migrated to Rāchakonḍa, the capital of Singabhūpāla. From the colophons of the Sanjīvani, it is known that Singabhūpāla honoured Mallinātha with the title of Mahāmahopādhyāya, and Mallinātha's younger son with the title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telangana
Telangana is a States and union territories of India, state in India situated in the Southern India, south-central part of the Indian subcontinent on the high Deccan Plateau. It is the List of states and union territories of India by area, eleventh largest state by area and the List of states and union territories of India by population, twelfth most populated state in India, according to the 2011 Census of India, 2011 census. On 2 June 2014, the area was separated from the northwestern part of United Andhra Pradesh as the newly formed States and union territories of India, state of Telangana, with Hyderabad as its capital. Telugu language, Telugu, one of the classical languages of India, is the most widely spoken and the primary official language of Telangana state, whereas Urdu is recognised as the second official language. Additionally, several tribal languages such as Gondi, Kolami, Koya and Lambadi are spoken in different regions of the Telangana state. The economy of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medak
Medak, formerly known as Siddapuram, is a town in Medak district of the Indian state of Telangana. It is a municipality and the headquarters of Medak mandal in Medak revenue division. Etymology and History Medak was originally named ''Methukudurgam'' (మెతుకుదుర్గం / मॆतुकु दुर्गम्) or ''Methuku Seema'' (translated to grain in Telugu) due to the growth of rice here. Geography Medak is located at . It has an average elevation of 442 meters (1450 feet). Climate Demographics census of India, the town had a population of 44,255 with 9011 households. The total population constitute, 21,336 males and 22,919 females —a sex ratio of 1074 females per 1000 males. 4,815 children are in the age group of 0–6 years, of which 2,418 are boys and 2,397 are girls —a ratio of 991 per 1000. The average literacy rate stands at 78.56% with 30,984 literates, significantly higher than the state average of 66.46%. Governance Medak muni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shriharsha
Shri-harsha (IAST: Śrīharṣa) was a 12th century CE Indian philosophy, Indian philosopher and Indian poetry, poet. Śrīharṣa works discuss various themes in Indian philosophy, Indian Philosophy, such as pramana. He has been often interpreted as promoting Advaita Vedanta, Advaita Vedānta in his Khaṇḍanakhaṇḍanakhādya, ''Sweets of Refutation'' (''Khaṇḍanakhaṇḍanakhādya''), however, this interpretation remains controversial among modern scholars. Śrīharṣa's thought was influential for both Nyaya, Nyāya-Vaisheshika, Vaiśeṣika thinkers and also for the Advaita Vedānta tradition. Life Śrīharṣa was born to a Kanyakubja Brahmin Śrīhira and Mamalladevī. His father, Śrīhira, was a poet in the court of the Gahadavala king Vijayachandra. His father was also a guide of common people towards god with vedas, Bhagavad Gita's thoughts etc. His father asked Harsha at the time of his death to study well and become a pandit. He told him to use his shiksha ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shishupala Vadha
The Shishupala Vadha (, IAST: ''Śiśupāla-vadha'', ''lit.'' "the slaying of Shishupala") is a work of classical Sanskrit poetry (''kāvya'') composed by Māgha in the 7th or 8th century. It is an epic poem in 20 ''sarga''s (cantos) of about 1800 highly ornate stanzas, and is considered one of the five Sanskrit ''mahakavya''s, or "great epics". It is also known as the ''Māgha-kāvya'' after its author. Like other ''kavya''s, it is admired more for its exquisite descriptions and lyrical quality than for any dramatic development of plot. Its 19th canto is noted for verbal gymnastics and wordplay; see the section on #Linguistic_ingenuity, linguistic ingenuity below. Contents As with most Sanskrit ''kāvya'', the plot is drawn from one of the epics, in this case the Mahabharata. In the original story, Shishupala, king of the Chedi Kingdom, Chedis in central India, after insulting Krishna several times in an assembly, finally enrages him and has his head struck off. The 10th-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magha (poet)
Magha (c. 7th century) (, ) was a Sanskrit Language, Sanskrit poet at Vatsraj, King Varmalata's court at Bhinmal, Shrimala, the then-capital of Gujarat (presently in Rajasthan state). Magha was born in a Shrimali Brahmins, Shrimali Brahmin family. He was the son of Dattaka Sarvacharya and the grandson of Suprabhadeva. His epic poem (''mahākāvya'') Shishupala Vadha, in 20 ''sarga''s (Canto, cantos), is based on the Mahabharata episode in which Krishna uses his ''Sudarshana Chakra, chakra'' (disc) to behead the defiant king Shishupala. He is thought to have been inspired by, and is often compared with, Bharavi. Life and work Māgha's fame rests entirely on the Shishupala Vadha. Vallabhadeva and Kshemendra quote some verses that are not found in the Shishupala Vadha as that of Māgha, so it is believed that Māgha wrote some other works that are now lost. Unlike most Indian poets who give no autobiographical details or allude to any contemporary events, Māgha gives some autobio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirātārjunīya
''Kirātārjunīya'' (, ''Of Kirata and Arjuna'') is an epic poem by Bhāravi, written in Sanskrit. Believed to have been composed in the 6th century or earlier, it consists of eighteen cantos describing the combat between Shiva (in the guise of a '' kirata'', or "mountain-dwelling hunter"), and Arjuna. Along with the ''Naiṣadhacarita'' and the ''Shishupala Vadha'', it is one of the larger three of the six Sanskrit mahakavyas, or great epics. It is noted among Sanskrit critics both for its gravity or depth of meaning, and for its forceful and sometimes playful expression. This includes a canto set aside for demonstrating linguistic feats, similar to constrained writing. Later works of epic poetry followed the model of the ''Kirātārjunīya''. Synopsis Overview The ''Kirātārjunīya'' predominantly features the ''Vīra rasa'', or the mood of valour. It expands upon a minor episode in the ''Vana Parva'' ("Book of the Forest") of the ''Mahabharata'': While the Pandavas a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharavi
Bharavi () was a 6th century Indian poet known for his epic poem '' Kirātārjunīya'', one of the six '' mahakavyas'' in classical Sanskrit. Date According to multiple grant inscriptions of the Ganga dynasty, such as the Gummareddipura inscription, the Ganga king Durvinita wrote a Kannada-language commentary on the Canto 15 of Bharavi's '' Kirātārjunīya''. The date of the Gummareddipura inscription is debated among scholars, but the end of Durvinita's reign is dated to c. 580 CE, which means that Bharavi lived around or before this time. ''Avanti-sundara-katha'' of Dandin (7th-8th century) suggests that Bharavi was a contemporary of the kings Simha-vishnu, Vishnu-vardhana, and Durvinita; he was also a contemporary of Dandin's fourth-generation ancestor Damodara (see Biography below). Based on this account, Sanskrit scholar G. Harihara Sastri theorizes prince Kubja Vishnuvardhana of Chalukya family was a patron of Bharavi, before he became the Eastern Chalukya king ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meghadūta
''Meghadūta'' (, literally ''Cloud Messenger'') is a lyric poem written by Kālidāsa (c. 4th–5th century CE), considered to be one of the greatest Sanskrit poets. It describes how a '' yakṣa'' (or nature spirit), who had been banished by his master to a remote region for a year, asked a cloud to take a message of love to his wife. The poem became well-known in Sanskrit literature and inspired other poets to write similar poems (known as "messenger-poems", or Sandesha Kavya) on similar themes. Korada Ramachandra Sastri wrote ''Ghanavrttam,'' a sequel to ''Meghaduta''. About the poem A poem of 120 stanzas, it is one of Kālidāsa's most famous works. The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himālaya mountains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumārasambhava
''Kumārasambhavam'' ''( ) (transl. - "The Birth of Kumāra")'' is an epic poem by Kālidāsa. It is widely regarded as the finest work of Kalidasa as well as the greatest kāvya poem in Classical Sanskrit. The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. ''Kumārasaṃbhavam'' basically talks about the birth of Kumāra ( Kārtikeya), the son of Shiva (Śiva) and Pārvatī (Umā). The period of composition is uncertain, although Kalidasa is thought to have lived in the 5th century. A fierce debate has raged over the question as to whether the whole of the seventeen cantos came was penned by Kalidasa. Vitthala Śastrin, who in 1866, published Cantos VIII to XVII in ''The Paņdit'', took them as genuine work of Kalidasa while scholars like Hermann Jacobi took Cantos IX to XVII as a later interpolation. Stylistic inferiority of these cantos, rarity of manuscripts, silence on the part of early commentator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raghuvaṃśa
(Devanagari: , lit. 'lineage of Raghu') is a Sanskrit epic poem ('' mahakavya'') by the celebrated Sanskrit poet Kalidasa. Though an exact date of composition is unknown, the poet is presumed to have flourished in the 5th century CE. It narrates, in 19 ''sarga''s (cantos), the stories related to the Raghu dynasty, namely the family of Dilipa and his descendants up to Agnivarna, who include Raghu, Dasharatha and Rama. The earliest surviving commentary written on the work is that of the 10th-century Kashmiri scholar Vallabhadeva. The most popular and widely available commentary, however, is the ''Sanjivani'', written by Mallinatha (ca.1350–1450). Contents The ''Raghuvaṃśa'' is a mahākāvya (roughly, epic poem) containing 1564 stanzas. It describes the line of kings of the Raghu dynasty (also known as the ''sūryavaṃśa'' or the solar dynasty) that includes Raghu. It is written in 19 ''sarga''s (cantos), that can be regarded as being divided into three parts:Ryde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidasa
Kālidāsa (, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his '' Kumārasambhavam'', the display of his love for Ujjain in '' Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shastra
''Śāstra'' ( ) is a Sanskrit word that means "precept, rules, manual, compendium, book or treatise" in a general sense.Monier Williams, Monier Williams' Sanskrit-English Dictionary, Oxford University Press, Article on 'zAstra'' The word is generally used as a suffix in the Indian literature context, for technical or specialized knowledge in a defined area of practice. ''Śāstra'' has a similar meaning to English ''-logy'', e.g. ecology, psychology, meaning scientific and basic knowledge on a particular subject. Examples in terms of modern neologisms include # 'physics', # 'chemistry', # 'biology', # 'architectural science', # 'science of mechanical arts and sculpture', # 'science of politics and economics', and # 'compendium of ethics or right policy'. In Western literature, ''Śāstra'' is sometimes spelled as Sastra, reflecting a misunderstanding of the IAST symbol 'ś', which corresponds to the English 'sh'. Etymology The word ''Śāstra'' literally means ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
