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Kalidasa
Kālidāsa (''fl.'' 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāngada in '' Raghuvaṃśa'' (sixth ''sarga''). Lakshmi Dhar Kalla (1891–1953), a Sanskrit scholar a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meghadūta
} ''Meghadūta'' ( sa, मेघदूत literally ''Cloud Messenger'') is a lyric poem written by Kālidāsa (c. 4th–5th century CE), considered to be one of the greatest Sanskrit poets. It describes how a ''yakṣa'' (or nature spirit), who had been banished by his master to a remote region for a year, asked a cloud to take a message of love to his wife. The poem become well-known in Sanskrit literature and inspired other poets to write similar poems (known as "messenger-poems", or Sandesha Kavya) on similar themes. Korada Ramachandra Sastri wrote ''Ghanavrttam,'' a sequel to ''Meghduta.'' About the poem A poem of 120 stanzas, it is one of Kālidāsa's most famous works. The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himā ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhijñānaśākuntalam
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaurava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynasty that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raghuvaṃśa
(Devanagari: , lit. 'lineage of Raghu') is a Sanskrit epic poem (''mahakavya'') by the celebrated Sanskrit poet Kalidasa. Though an exact date of composition is unknown, the poet is presumed to have flourished in the 5th century CE. It narrates, in 19 ''sarga''s (cantos), the stories related to the Raghu dynasty, namely the family of Dilipa and his descendants up to Agnivarna, who include Raghu, Dasharatha and Rama. The earliest surviving commentary written on the work is that of the 10th-century Kashmiri scholar Vallabhadeva. The most popular and widely available commentary, however, is the ''Sanjivani'', written by Mallinatha (ca.1350-1450). Contents The ''Raghuvaṃśa'' is a mahākāvya (roughly, epic poem) containing 1564 stanzas. It describes the line of kings of the Raghu dynasty (also known as the ''sūryavaṃśa'' or the solar dynasty) that includes Raghu. It is written in 19 ''sarga''s (cantos), that can be regarded as being divided into three parts:Ryder * A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Drama
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the 3rd-4th century BCE with the composition of the Nātyaśāstra (''lit. The Science of Drama''). Indian classical drama is regarded as the highest achievement of Sanskrit literature. The Buddhist playwright, poet and philosopher Asvaghosa, who composed the ''Buddhacarita'', is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama uses both Sanskrit and Prakrit languages giving i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumārasambhava
''Kumārasaṃbhavam'' ( sa, कुमारसम्भवम् "The Birth of Kumāra") is an epic poem by Kālidāsa. It is widely regarded as the finest work of Kālidāsa as well as the greatest kāvya poem in Classical Sanskrit. The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. ''Kumārasaṃbhavam'' basically talks about the birth of Kumara ( Kārtikeya), the son of Shiva and Parvati. The period of composition is uncertain, although Kālidāsa is thought to have lived in the 5th century. Legend say that Kālidāsa could not complete his epic Kumārasambhava because he was cursed by the goddess Pārvatī, for obscene descriptions of her conjugal life with Śiva in the eighth canto. But later it has inspired the famed sculpture of Khajuraho temples. The English renderings of these Sanskrit plays tend to avoid erotic and explicit aspects due to moral tastes of modern audience. The play depicts Kālid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vikramōrvaśīyam
''Vikramōrvaśīyam'' (Devanagari विक्रमोर्वशीयम्), meaning ''Ūrvaśī Won by Valour'') is a five-act Sanskrit play by ancient Indian poet Kālidāsa, who lived in the 4th or 5th Century CE, on the Vedic love story of King Pururavas and an Apsarā (celestial nymph) named Ūrvaśī, known for her beauty. As per the tradition, while the basic plot has taken elements from the sources such as the Samvāda Sūkta of the Ṛgveda, Mahābhārata and others, Kālidāsa has made significant adaptations to make the presentation more appealing while establishing his prowess as a playwright. ''Vikramorvaśīyam'' is the second of the three plays written by Kālidāsa, the first being '' Mālavikāgnimitram'' and the third being the celebrated ''Abhijñānaśākuntalam''. According to one theory, "Vikrama" in the title alludes to Kālidāsa's patron king Vikramāditya. However, there is no conclusive evidence for this, although both are said to have lived ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kashmir
Kashmir () is the northernmost geographical region of the Indian subcontinent. Until the mid-19th century, the term "Kashmir" denoted only the Kashmir Valley between the Great Himalayas and the Pir Panjal Range. Today, the term encompasses a larger area that includes the Indian-administered territories of Jammu and Kashmir and Ladakh, the Pakistani-administered territories of Azad Kashmir and Gilgit-Baltistan, and the Chinese-administered territories of Aksai Chin and the Trans-Karakoram Tract. Quote: "Kashmir, region of the northwestern Indian subcontinent. It is bounded by the Uygur Autonomous Region of Xinjiang to the northeast and the Tibet Autonomous Region to the east (both parts of China), by the Indian states of Himachal Pradesh and Punjab to the south, by Pakistan to the west, and by Afghanistan to the northwest. The northern and western portions are administered by Pakistan and comprise three areas: Azad Kashmir, Gilgit, and Baltistan, ... The southern and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saffron
Saffron () is a spice derived from the flower of ''Crocus sativus'', commonly known as the "saffron crocus". The vivid crimson stigma and styles, called threads, are collected and dried for use mainly as a seasoning and colouring agent in food. Although some doubts remain on its origin, it is believed that saffron originated in Iran. However, Greece and Mesopotamia have also been suggested as the possible region of origin of this plant. Saffron crocus slowly propagated throughout much of Eurasia and was later brought to parts of North Africa, North America, and Oceania. Saffron's taste and iodoform-like or hay-like fragrance result from the phytochemicals picrocrocin and safranal. It also contains a carotenoid pigment, crocin, which imparts a rich golden-yellow hue to dishes and textiles. Its recorded history is attested in a 7th-century BC Assyrian botanical treatise, and has been traded and used for thousands of years. In the 21st century, Iran produces some 90% of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cedrus Deodara
''Cedrus deodara'', the deodar cedar, Himalayan cedar, or deodar, is a species of cedar native to the Himalayas. Description It is a large evergreen coniferous tree reaching tall, exceptionally with a trunk up to in diameter. It has a conic crown with level branches and drooping branchlets. The leaves are needle-like, mostly long, occasionally up to long, slender ( thick), borne singly on long shoots, and in dense clusters of 20–30 on short shoots; they vary from bright green to glaucous blue-green in colour. The female cones are barrel-shaped, long and broad, and disintegrate when mature (in 12 months) to release the winged seeds. The male cones are long, and shed their pollen in autumn. Chemistry The bark of ''Cedrus deodara'' contains large amounts of taxifolin. The wood contains cedeodarin, ampelopsin, cedrin, cedrinoside, and deodarin (3′,4′,5,6-tetrahydroxy-8-methyl dihydroflavonol). The main components of the needle essential oil include α-terpine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kashmir Musk Deer
The Kashmir musk deer (''Moschus cupreus'') is an endangered species of musk deer native to Afghanistan, India, and Pakistan. Recent studies have shown that the species is also native to western Nepal. This species was originally described as a subspecies to the alpine musk deer, but is now classified as a separate species. The deer stand at tall, and only males have tusks and they use them during mating season to compete for females. The Kashmir musk deer, which is one of seven similar species found throughout Asia, is endangered due to habitat loss and also because of poachers hunting the animal for its prized scent glands. In Afghanistan no musk deer sighting had been scientifically reported from 1948 until 2009. A survey conducted in June 2009 by WCS in the province of Nuristan, Afghanistan found at least three specimens, confirming that the species still persists in this country despite unregulated hunting, extensive deforestation, habitat degradation, and the absence of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist's Impression
An artist's impression, artist's conception, artist's interpretation, or artist's rendition is the representation of an object or a scene created by an artist when no other accurate representation is available. It could be an image, a sound, a video or a model. Artist's impressions are often created to represent concepts and objects that cannot be seen by the naked eye; that are very big, very small, in the past, in the future, fictional, or otherwise abstract. For example, in architecture, artists' impressions are used to showcase the design of planned buildings and associated landscape. Artists' impressions are particularly prominent in space art. File:US Navy 080609-N-9527D-001 An artist's rendering of the planned surgical suite addition for Naval Hospital Jacksonville.jpg, An artist's rendering of a planned hospital File:ChineseJesus.jpg, A Chinese artist's impression of Jesus File:Forestier Nebraska Man 1922.jpg, Artist's impression of primitive man. This 1922 illustration o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemangada
Hemangada (Odia: ହେମଙ୍ଗଦ) was a powerful 4th century C.E.warrior king of the ancient Indian Kingdom of Kalinga (Odisha) who finds elaborate mention in the sixth chapter of Kalidasa's classical Sanskrit literary work, Raghuvansham. According to Kalidasa, Hemangada was present at the Swayamvara of the princess Indumati of Vidarbha as an participant while Sunanda, the counsel of the princess describes his glorious achievements, strength and his kingdom to her. Only besides the mention of Hemangada there are no details about his lineage or the dynasty he belonged to. He could be placed as a vassal of the Gupta rule in Kalinga those days but didn't either belong to the Vindhyatabi Naga or Nala rulers who were prominent or declining in other parts of ancient Tri-Kalinga region in that era. Since the whole work of Raghuvamsham is based on descriptions for the descendants of a mythical king Raghu Raghu () is a ruler of the Suryavamsha dynasty in Hinduism. According t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
