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Abhijñānaśākuntalam
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaurava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynasty that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kālidāsa
Kālidāsa (''fl.'' 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāngada in '' Raghuvaṃśa'' (sixth ''sarga''). Lakshmi Dhar Kalla (1891–1953), a Sanskrit scholar an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Drama
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the 3rd-4th century BCE with the composition of the Nātyaśāstra (''lit. The Science of Drama''). Indian classical drama is regarded as the highest achievement of Sanskrit literature. The Buddhist playwright, poet and philosopher Asvaghosa, who composed the ''Buddhacarita'', is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama uses both Sanskrit and Prakrit languages giving i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata (Mahabharata)
Bharata ( sa, भरत, Bharata) is a legendary king featured in Hindu literature. He is a member of the Chandravamsha dynasty, and becomes the Chakravarti (universal monarch). He is regarded to be the ancestor of the Pandavas, the Kauravas, Brihadhrata, and Jarasandha. The Bhāratas, a prominent historical tribe mentioned in the Rigveda, are regarded in Hinduism to be the descendants of Bharata. The legend of Bharata is featured in the Adi Parva of the Mahabharata, where he is mentioned as the son of Dushyanta and Shakuntala. The story of his parents and his birth is related in Kalidasa's famous play, '' Abhijñānashākuntala''. According to popular tradition, Bhārata, the traditional name of the Indian subcontinent, is named after Bharata. Literature According to the ''Mahabharata'' (''Adi Parva''), Bharata was the son of King Dushyanta and Shakuntala and thus a descendant of the Lunar dynasty of the Kshatriya Varna. He was originally named ''Sarvadamana'' ("the sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma - Mahabharata - Shakuntala
''Raja'' (; from , IAST ') is a royal title used for South Asian monarchs. The title is equivalent to king or princely ruler in South Asia and Southeast Asia. The title has a long history in South Asia and Southeast Asia, being attested from the Rigveda, where a ' is a ruler, see for example the ', the "Battle of Ten Kings". Raja-ruled Indian states While most of the Indian salute states (those granted a gun salute by the British Crown) were ruled by a Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: ; Hereditary salutes of 11-guns : * the Raja of Pindrawal * the Raja of Morni * the Raja of Rajouri * the Raja of Ali Rajpur * the Raja of Bilaspur * the Raja of Chamba * the Raja of Faridkot * the Raja of Jhabua * the Raja of Mandi * the Raja of Manipur * the Raja of Narsinghgarh * the Raja of Pudukkottai * the Raja of Rajgarh * the Raja of Sangli * the Raja of Sailana * the Raja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hastinapura
Hastinapur is a city in the Meerut district in the Indian state of Uttar Pradesh. ''Hastinapura'', described in Hindu texts such as the ''Mahabharata'' and the Puranas as the capital of the Kuru Kingdom, is also mentioned in ancient Jain texts. Hastinapur is located on the right bank of the Ganga river. Etymology In Sanskrit, ''Hastinapura'' translates to 'the City of Elephants' from ''Hastina'' (elephant) and ''pura'' (city). Its history dates back to the period of ''Mahabharata''. It is said that the city was named after King Hasti. It is also mentioned in the ''Ramayana'' (2:68), the 13th and 14th verses of which say (translated): History The early archaeological remains of the region belong to Ochre Coloured Pottery culture which was a Bronze Age culture of Ganga Yamuna doab. Around c.1200 BCE the region transformed to an Iron Age culture. The region was occupied by the Painted Grey Ware culture which corresponds to the Vedic Period. In the ''Mahabharata'', Hastinap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacrificial Fire
Worship or deification of fire (also pyrodulia, pyrolatry or pyrolatria) is known from various religions. Fire has been an important part of human culture since the Lower Paleolithic. Religious or animist notions connected to fire are assumed to reach back to such early pre-''Homo sapiens'' times. Indo-European religions In Indo-European languages, there were two concepts regarding fire: that of an animate type called *''h₁n̥gʷnís'' (cf. Sanskrit ''agni'', English ''ignite'' from Latin ''ignis'', Polish ''ogień'' and Russian ''ogon''), and an inanimate type *''péh₂wr̥'' (cf. English ''fire'', Greek ''pyr'', Sanskrit ''pu''). A similar distinction existed for water. Archaeologically, evidence for Indo-Iranian fire worship and the rite of cremation is found at the transition from the Sintashta-Petrovka to the Andronovo culture around 1500 BC. Fire worship was prevalent in Vedic and the Ancient Iranian religion. Whereas cremation became ubiquitous in Hinduism, it was pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durvasa
In Hindu scriptures, Durvasa ( sa, दुर्वासा, ) also known as Durvasas (Sanskrit: दुर्वासस्), is a legendary rishi (sage). He is the son of Anasuya and Atri. According to some Puranas, Durvasa is a partial avatar of Shiva, known for his short temper. Wherever he goes, he is received with great reverence by humans and devas alike. Curses and boons The rishi Durvasa, being short-tempered, is said to have both cursed and gifted boons to several notable deities and people in the Hindu scriptures. Some of them include: Curses # Indra, whom he cursed to lose all his powers, after Indra's elephant Airavata threw down a rather fragrant garland given by Durvasa to Indra. # Saraswati, whom he cursed to be born as a human because she laughed at his incorrect recitation of the Vedas. # Rukmini, whom he cursed to be separated from her husband, Krishna, because she drank water without seeking Durvasa's permission. # Shakuntala, who avoided Durvasa while at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signet Ring
A seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, or to prevent interference with a package or envelope by applying a seal which had to be broken to open the container (hence the modern English verb "to seal", which implies secure closing without an actual wax seal). The seal-making device is also referred to as the seal ''matrix'' or ''die''; the imprint it creates as the seal impression (or, more rarely, the ''sealing''). If the impression is made purely as a relief resulting from the greater pressure on the paper where the high parts of the matrix touch, the seal is known as a ''dry seal''; in other cases ink or another liquid or liquefied medium is used, in another color than the paper. In most traditional forms of dry seal the design on the seal matrix is in intaglio (cut below the flat surface) and therefore the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; Sanskrit: इन्द्र) is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. volumes/ref> Indra's myths and powers are similar to other Indo-European deities such as Jupiter, Perun, Perkūnas, Zalmoxis, Taranis, Zeus, and Thor, part of the greater Proto-Indo-European mythology. Indra is the most referred deity in the ''Rigveda''. He is celebrated for his powers, and as the one who killed the great evil (a malevolent type of asura) named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rains and sunshine as the saviour of mankind. He is also an important deity worshipped by the Kalash people, indicating his prominence in ancient Hinduism. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asuras
Asuras (Sanskrit: असुर) are a class of beings in Indic religions. They are described as power-seeking clans related to the more benevolent Devas (also known as Suras) in Hinduism. In its Buddhist context, the word is sometimes translated " titan", "demigod", or "antigod". According to Hindu scriptures, the asuras are in constant battle with the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called ''Danavas'' and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are called ''Devas'', while malevolent Asuras compete against these Devas and are considered "enemy of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanva
Kanva (Sanskrit: कण्व '), also called Karnesh, was an ancient Hindu rishi of the ''Treta Yuga'', to whom some of the hymns of the ''Rig Veda'' are ascribed. He was one of the Angirasas. He has been called a son of Ghora, but this lineage belongs to Pragatha Kanva, a subsequent Kanva of which there were many., a reprint of the 1922 London Oxford University Press edition. However, Puranic literature has other different lineages for him, one as the son of Apratiratha and grandson of King Matinara, and another as the son of Ajamidha, who was a descendant in the ninth generation of Tansu, the brother of Apratiratha (Atiratha), or Ajamidha who was a contemporary of Matinara. This last seems to be the modern consensus. He is sometimes included in the list of the seven sages (the Saptarishis). Kanva had a son Medhatithi. Kanva is also mentioned in Mahabharata as the step-father of Shakuntala. * Kanva (Karnesh) is also the name of a founder of a Vedic shakha of the Shukla Yajur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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