MUŻA
MUŻA is an art museum located at Auberge d'Italie in Valletta, Malta. It was formerly located at Admiralty House between 1974 and 2016, when it was known as the National Museum of Fine Arts ( mt, Mużew Nazzjonali tal-Arti). It houses a collection of works by Maltese and foreign artists mainly representing the major European artistic styles. The museum was inaugurated on 7 May 1974, and it was located at Admiralty House, an 18th-century palace which was formerly the official residence of the Commander-in-Chief of the Mediterranean Fleet. The museum was closed down on 2 October 2016. In 2018 the national collection of fine arts was moved and put on display in the new National Community Art Museum, MUŻA (from the Maltese acronym ''Mużew Nazzjonali tal-Arti''), located at Auberge d’Italie in Valletta. History National collection prior to 1974 Its collection had previously formed part of the National Museum at Auberge de Provence. Following the split, the museum at the aube ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Auberge D'Italie
The Auberge d'Italie ( mt, Berġa tal-Italja, it, Albergo d'Italia) is an auberge in Valletta, Malta. It was built at various stages in the late 16th century to house knights of the Order of Saint John from the langue of Italy, and it originally had a Mannerist design by Girolamo Cassar and several other architects. The building continued to be modified throughout the course of the 17th century, with the last major renovation being carried out in the 1680s during the magistracy of Gregorio Carafa, giving the building a Baroque character. After the Order was expelled from Malta in 1798, the auberge was used for a number of purposes, housing a military headquarters, an officers' mess, a museum, a school of arts, a courthouse, the General Post Office and various government departments. Until recently, it housed the Malta Tourism Authority, and there are undergoing works of restoration. It is now converted to host the national collection (previously at National Museum of Fine ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Admiralty House (Valletta)
Admiralty House ( mt, id-Dar tal-Ammirall), formerly known as Casa Miari, Palazzo Don Raimondo and by several other names, is a palace in Valletta, Malta. It was originally built in 1569–70 as two private houses by Fra Jean de Soubiran dit Arafat, a knight of the Order of St. John. The houses were later leased to various owners, including Fra Raimondo de Sousa y Silva, who rebuilt them a single residence between 1761 and 1763. In 1808, Louis Charles, Count of Beaujolais was received at the house, where he died of tuberculosis. From 1821 to 1961, the building was the official residence of the Commander-in-Chief of the Mediterranean Fleet, hence its name. The building housed the National Museum of Fine Arts from 1974 to 2016. Currently there are plans to restore Admiralty House and convert it into the Office of the Attorney General. History Hospitaller rule The site of the Admiralty House was originally occupied by two houses which were built by the French knight Fra Jean de Sou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Valletta
Valletta (, mt, il-Belt Valletta, ) is an Local councils of Malta, administrative unit and capital city, capital of Malta. Located on the Malta (island), main island, between Marsamxett Harbour to the west and the Grand Harbour to the east, its population within administrative limits in 2014 was 6,444. According to the data from 2020 by Eurostat, the Functional Urban Area and metropolitan region covered the whole island and has a population of 480,134. Valletta is the southernmost capital of Europe, and at just , it is the European Union's smallest capital city. Valletta's 16th-century buildings were constructed by the Hospitaller Malta, Knights Hospitaller. The city was named after Jean Parisot de Valette, who succeeded in defending the island from an Ottoman invasion during the Great Siege of Malta. The city is Baroque architecture, Baroque in character, with elements of Mannerist architecture#Mannerist architecture, Mannerist, Neoclassical architecture, Neo-Classical and Mo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Malta
Malta ( , , ), officially the Republic of Malta ( mt, Repubblika ta' Malta ), is an island country in the Mediterranean Sea. It consists of an archipelago, between Italy and Libya, and is often considered a part of Southern Europe. It lies south of Sicily (Italy), east of Tunisia, and north of Libya. The official languages are Maltese and English, and 66% of the current Maltese population is at least conversational in the Italian language. Malta has been inhabited since approximately 5900 BC. Its location in the centre of the Mediterranean has historically given it great strategic importance as a naval base, with a succession of powers having contested and ruled the islands, including the Phoenicians and Carthaginians, Romans, Greeks, Arabs, Normans, Aragonese, Knights of St. John, French, and British, amongst others. With a population of about 516,000 over an area of , Malta is the world's tenth-smallest country in area and fourth most densely populated sovereign cou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the develop ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Matthias Stom
Matthias Stom or Matthias Stomer (c. 1600 – after 1652) was a Dutch, or possibly Flemish, painter who is only known for the works he produced during his residence in Italy. He was influenced by the work of non-Italian followers of Caravaggio in Italy, in particular his Dutch followers often referred to as the Utrecht Caravaggists, as well as by Jusepe de Ribera and Peter Paul Rubens.Matthias Stom, ''Woman counting coins by candlelight'' at the Kremer Collection He did not share the other Northern Caravaggisti's preference for humorous, and sometimes scabrous, genre scenes and elaborate decorative allegories but favored stories from the bible instead. He worked in various locations in Italy where he enjoyed the patronage of religious institutions as well as prominent members of the nobility.< ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giuseppe Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Valentin De Boulogne
Valentin de Boulogne (before 3 January 1591 – 19 August 1632), sometimes referred to as Le Valentin, was a French painter in the tenebrist style. Origins Valentin was born in Coulommiers, France, where he was baptised in the parish of Saint-Denys on 3 January 1591, making 1590 his likely year of birth. The family name, also spelled Boullogne and Boulongne, appears to originate from Boulogne-sur-Mer, a city in northern France in the colony of Pas-de-Calais, though the family had dwelt at Coulommiers since at least 1489. His father, also named Valentin, and his uncle Jean were both painters. In Italy It can be presumed that Valentin would have first started painting in his father's studio prior to moving to Paris or Fontainebleau, and before leaving for Italy. Valentin is recorded in Italy in the ''stati d'anime'' for 1620, when he was living in the parish of Santa Maria del Popolo. While studying in Italy under Simon Vouet, Valentin came under the influence of Michelan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mattia Preti
Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John. Life Born in the small town of Taverna in Calabria, Preti was called ''Il Cavalier Calabrese'' (the Calabrian Knight) after appointment as a Knight of the Order of St. John (Knights of Malta) in 1660. His early apprenticeship is said to have been with the " Caravaggist" Giovanni Battista Caracciolo, which may account for his lifelong interest in the style of Caravaggio. Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Guido Reni, and Giovanni Lanfranco. In Rome, he painted fresco cycles in the churches of Sant'Andrea della Valle and San Carlo ai Catinari. Between 1644 and 1646, he may have spent time in Venice, but remained based in Rome until 1653, returning later ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baroque Painting
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival,Counter Reformation from '''', latest edition, full-article. but the existence of important Baroque art and in non-absolutist and states throughout Western Europe underscores its w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |