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Mattia Preti
Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John. Life Born in the small town of Taverna in Calabria, Preti was called ''Il Cavalier Calabrese'' (the Calabrian Knight) after appointment as a Knight of the Order of St. John (Knights of Malta) in 1660. His early apprenticeship is said to have been with the " Caravaggist" Giovanni Battista Caracciolo, which may account for his lifelong interest in the style of Caravaggio. Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Guido Reni, and Giovanni Lanfranco. In Rome, he painted fresco cycles in the churches of Sant'Andrea della Valle and San Carlo ai Catinari. Between 1644 and 1646, he may have spent time in Venice, but remained based in Rome until 1653, return ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taverna, Calabria
Taverna is a ''comune'' and town in the province of Catanzaro in the Calabria region of Italy. It is located at the feet of the Sila mountains, Sila mountain range. People * Mattia Preti, 17th-century Baroque painter * Gregorio Preti, 17th-century Baroque painter, brother of Mattia Preti References Cities and towns in Calabria {{Calabria-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named '' Accademia degli Incamminati'' (Academy of the "newly embarked", or p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Giord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Nicholas (Preti)
''Saint Nicholas'' is a c. 1653 painting by Mattia Preti, the first work he produced after moving to Naples and showing the three gold balls which are a traditional attribute of the saint. It is now in the Museo nazionale di Capodimonte in the same city. Nicola Spinosa, ''Mattia Preti. Tra Roma, Napoli e Malta'', Napoli, Electa, 1999, ISBN 978-8851001292., p. 128. He also produced a larger version of the work in 1657 which is now in the Pinacoteca civica in Fano, with an early copy after the Capodimonte version now in the church of Santa Teresa degli Scalzi in Naples. History The first archival reference to the work is in a document dated 20 December 1653 in which Isabella Gallo pays the artist 40 ducats to settle a fee (agreed at a total of 50 ducats) for a painting of Nicholas of Bari. She wanted the painting for the church of San Domenico Soriano, the centre of the Calabrian community in Naples and a church for which Preti also painted dome frescoes, destroyed during the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Courtois
Guillaume Courtois or italianized as Guglielmo Cortese, called Il Borgognone or Le Bourguignon ('the Burgundian'), (1628 – 14 or 15 June 1679Simonetta Prosperi Valentini Rodinò, ''Courtois, Guillaume'' in: Treccani, accessed 14 March 2015 ) was a - Italian painter, draughtsman and etcher. He was mainly active in Rome as a and staff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tassi
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cozza (painter)
Francesco Cozza (1605 – 13 January 1682) was an Italian painter of the Baroque period. Life Cozza was born in Stilo in Calabria and died in Rome. As a young man, he went to Rome where he was apprenticed to Domenichino, with whom he traveled to Naples in 1634. He is best known for his expansive panegyric ceiling fresco, ''Apotheosis of Pamphili House'' (1667-1673) in the library of Palazzo Pamphili in Piazza Navona in Rome. During 1658 to 1659, he frescoed the ''Stanza del Fuoco'' in Palazzo Pamphili in Valmontone, working alongside Pier Francesco Mola, Gaspar Dughet, Mattia Preti, Giovanni Battista Tassi (''il Cortonese''), and Guglielmo Cortese.Laura Bartoni, page 424. He also collaborated with Carlo Maratta and Domenico Maria Canuti in the fresco decorations of the Palazzo Altieri. His landscape paintings recall the Carracci style of ''paesi con figure piccole'' (landscapes with small figures). He painted a ''Madonna del Riscatto'' in church of Santa Francesc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspar Dughet
Gaspard Dughet (15 June 1615 – 25 May 1675), also known as Gaspard Poussin, was a French painter born in Rome. Life Dughet was born in Rome, the son of a French pastry-cook and his Italian wife. He has always generally been considered as a French painter, although in fact he never visited France. Between around 1631 and 1635 he became a pupil of Nicolas Poussin, who had married his sister Anne five years earlier. Because of this connection he was widely known as "Gaspard Poussin." After leaving Poussin's studio his works developed a more fluid style and developed his pictures of storms which account for 30 out of his 400 known works. He specialised in painting landscapes of the Roman Campagna becoming, along with his exact contemporary Salvator Rosa, one of the two leading landscape painters of his time. He painted several cycles of frescoes, including one, showing various sites around Rome, at the Colonna Palace. He worked with Pier Francesco Mola, Cozza, and Mattia Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier Francesco Mola
Pier Francesco Mola, called Il Ticinese (9 February 1612 – 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Biography Mola was born at Coldrerio (now in Ticino, Switzerland).''Ecstasy in the Wilderness: Pier Francesco Mola's "The Vision of Saint Bruno" '', Dawson W. Carr, ''The J. Paul Getty Museum Journal'', Vol. 19 (1991), 99. At the age of four, he moved to Rome with his father Giovanni Battista Mola, a painter. With the exception of the years 1633–40 and 1641–47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier d'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece as a fresco painter is widely considered to be the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled ''Joseph making himself known to his Brethren'' (1657). However, Mola is considered to have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valmontone
Valmontone is a ''comune'' (municipality) in the Metropolitan City of Rome in the Italian region Lazio, located about southeast of Rome. Geography The historic part of the town is situated on a tuffaceous hill, above sea level, part of a morphological system of valleys and low relieves, known as Alta Valle del Sacco (High Valley of Sacco River). There are many natural springs due to the high water levels underground. Because of this the landscape is covered by forest and farmland. To preserve this water system, in Valmontone exists the C.E.R.I., a center for the prevention and control of hydro-geological risks. History The origins of Valmontone are uncertain: it seems that a village was founded before the rise of Rome on a hill in the modern municipality of the town, and its ruins were visible until the 18th century. Perhaps these are the remains of the ancient Labicum, which, according to the myth, was founded by Glaucus, Minos’ son: the name of the village derives fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Pamphilj
:''See also Palazzo Doria Pamphilj Palazzo Pamphilj, also spelled Palazzo Pamphili, is a palace facing onto the Piazza Navona in Rome, Italy. It was built between 1644 and 1650. Since 1920, the palace has housed the Brazilian Embassy in Italy. In October 1960, it became the property of the Federative Republic of Brazil in a purchase negotiation led by Ambassador Hugo Gouthier de Oliveira Gondim. The roof terrace is open to the public, with a renowned restaurant and bar that showcases the Roman skyline, and frequent concerts, often featuring Italian opera. History In 1644, Cardinal Giambattista Pamphilj of the powerful Pamphilj family, who already owned a palace between the Piazza Navona and the Via Pasquino, became Pope Innocent X. With this election came the desire for a larger more magnificent building to reflect his family's increased prestige. Further land was bought, the architect Girolamo Rainaldi received the commission and construction began in 1646. The new project was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Biagio, Modena
San Biagio is a Baroque architecture, Roman Catholic church, located on Via del Carmine #4 in central Modena, Italy. History The church, initially dedicated to the Virgin of the Carmine, was built in 1319, as an annex to a Carmelite Order monastery. However, the church we see today was rebuilt in 1649–1658 under the designs of Cristoforo Malagola. When the nearby church of San Biagio, which was located at what is now the Palazzo Montecuccoli degli Erri, was demolished in 1768, the two parishes were united, and renamed ''San Biagio del'' or ''nel Carmine''. This church is mainly known now as ''San Biagio''. The choir and cupola of the church were decorated by the late Baroque master Mattia Preti with a fresco of ''God in Glory surrounded by the Saints''. In the center ceiling of the sacristy are frescoes with ''Elias and the flaming chariot'' with quadratura by Agostino Mitelli and figures by Angelo Colonna. In the 14th-century cloister is a chapel with a fresco of Madonna and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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