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Guillaume Courtois
Guillaume Courtois or italianized as Guglielmo Cortese, called Il Borgognone or Le Bourguignon ('the Burgundian'), (1628 – 14 or 15 June 1679Simonetta Prosperi Valentini Rodinò, ''Courtois, Guillaume''
in: Treccani, accessed 14 March 2015
) was a County of Burgundy, Franc-comtois-Italy, Italian painter, draughtsman and etcher. He was mainly active in Rome as a history painting, history and staffage painter and enjoyed high-level patronage. He was the brother of the painters Jacques Courtois (Giacomo Cortese) and Jean-François Courtois.'Self-portrait of Guilla ...
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Guillaume Courtois - Presumed Self-portrait
Guillaume may refer to: People * Guillaume (given name), the French equivalent of William * Guillaume (surname) Other uses * Guillaume (crater) See also

* ''Chanson de Guillaume'', an 11th or 12th century poem * Guillaume affair, a Cold War espionage scandal that led to the resignation of West German Chancellor Willi Brandt * Saint-Guillaume (other) * Guillaumes, a French commune {{disambig ...
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Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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Pulcheria
Aelia Pulcheria (; grc-gre, Πουλχερία; 19 January 398 or 399 – July 453) was an Eastern Roman empress who advised her brother emperor Theodosius II during his minority and then became wife to emperor Marcian from November 450 to her death in 453. She was the second (and oldest surviving) child of Eastern Roman Emperor Arcadius and Empress Aelia Eudoxia. In 414, the fifteen-year old Pulcheria became the guardian of her younger brother Theodosius II and was also proclaimed Augusta. Through her religious devotion and involvement in the contemporary ecclesiastical scene, Pulcheria had significant, though changing, influence and political power during her brother's reign. When Theodosius II died on 26 July 450, Pulcheria married Marcian on 25 November 450, while simultaneously not violating her vow of virginity. She died three years later, in July 453. Pulcheria influenced the Christian Church and its theological development by being involved in the Council of Ephesu ...
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Khosrau II
Khosrow II (spelled Chosroes II in classical sources; pal, 𐭧𐭥𐭮𐭫𐭥𐭣𐭩, Husrō), also known as Khosrow Parviz (New Persian: , "Khosrow the Victorious"), is considered to be the last great Sasanian king (shah) of Iran, ruling from 590 to 628, with an interruption of one year. Khosrow II was the son of Hormizd IV (reigned 579–590), and the grandson of Khosrow I (reigned 531–579). He was the last king of Iran to have a lengthy reign before the Muslim conquest of Iran, which began five years after his execution. He lost his throne, then recovered it with the help of the Byzantine emperor Maurice, and, a decade later, went on to emulate the feats of the Achaemenids, conquering the rich Roman provinces of the Middle East; much of his reign was spent in wars with the Byzantine Empire and struggling against usurpers such as Bahram Chobin and Vistahm. After the Byzantines killed Maurice, Khosrow II began a war in 602 against the Byzantines. Khosrow II's forces ca ...
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Heraclius
Heraclius ( grc-gre, Ἡράκλειος, Hērákleios; c. 575 – 11 February 641), was List of Byzantine emperors, Eastern Roman emperor from 610 to 641. His rise to power began in 608, when he and his father, Heraclius the Elder, the Exarchate of Africa, exarch of Africa, led a revolt against the unpopular usurper Phocas. Heraclius's reign was marked by several military campaigns. The year Heraclius came to power, the empire was threatened on multiple frontiers. Heraclius immediately took charge of the Byzantine–Sasanian War of 602–628. The first battles of the campaign ended in defeat for the Byzantines; the Persian army fought their way to the Bosphorus but Constantinople was protected by impenetrable walls and a strong navy, and Heraclius was able to avoid total defeat. Soon after, he initiated reforms to rebuild and strengthen the military. Heraclius drove the Persians out of Asia Minor and pushed deep into their territory, defeating them decisively in 627 at the ...
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Mary (mother Of Jesus)
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusal ...
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Sant'Ignazio Church, Rome
la, Ecclesia Sancti Ignatii a Loyola in Campo Martio , image = Sant'Ignazio Church, Rome.jpg , imagesize = 300px , caption = Façade of Sant'Ignazio , mapframe =yes , mapframe-caption =Click on the map for a fullscreen view , mapframe-zoom =12 , mapframe-marker =religious-christian , coordinates = , location = Via del Caravita, 8ARome , country = Italy , denomination = Roman Catholic , website = , former name = , bull date = , founded date = , founder = , dedication = , dedicated date = , consecrated date = 1722 , relics = , status = Parish churchtitular churchregional church , functional status = Active , heritage designation = , designated date = , architect = Orazio G ...
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Pontifical Gregorian University
The Pontifical Gregorian University ( it, Pontificia Università Gregoriana; also known as the Gregorian or Gregoriana,) is a higher education ecclesiastical school ( pontifical university) located in Rome, Italy. The Gregorian originated as a part of the Roman College, founded in 1551 by Ignatius of Loyola, and included all grades of schooling. Its chairs of philosophy and theology received Papal approval in 1556, making it the first institution founded by the Society of Jesus (Jesuits). In 1584, the Roman College was given a new home by Pope Gregory XIII, after whom it was renamed the Gregorian University. It had distinguished scholars in ecclesiastical fields as well as in natural science and mathematics. Only the theology and philosophy departments of the Gregorian survived the political turmoil in Italy after 1870. Today, the Gregorian has an international faculty and around 2,750 students from over 150 countries. History Founding Ignatius of Loyola, the founder of the ...
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War Art
Military art is art with a military subject matter, regardless of its style or medium. The battle scene is one of the oldest types of art in developed civilizations, as rulers have always been keen to celebrate their victories and intimidate potential opponents. The depiction of other aspects of warfare, especially the suffering of casualties and civilians, has taken much longer to develop. As well as portraits of military figures, depictions of anonymous soldiers away from the battlefield have been very common; since the introduction of military uniforms such works often concentrate on showing the variety of these. Naval scenes are very common, and battle scenes and "ship portraits" are mostly considered as a branch of marine art; the development of other large types of military equipment such as warplanes and tanks has led to new types of work portraying these, either in action or at rest. In 20th century wars official war artists were retained to depict the military in ac ...
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Netherlands Institute For Art History
The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times. All of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, and make art research available, most notably in the field of Dutch Masters. Via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca. 150,000 are auction catalogs. There are ca. 3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the standard record format includes a lin ...
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Antonio Dupré
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ...
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