Saint Nicholas (Preti)
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Saint Nicholas (Preti)
''Saint Nicholas'' is a c. 1653 painting by Mattia Preti, the first work he produced after moving to Naples and showing the three gold balls which are a traditional attribute of the saint. It is now in the Museo nazionale di Capodimonte in the same city. Nicola Spinosa, ''Mattia Preti. Tra Roma, Napoli e Malta'', Napoli, Electa, 1999, ISBN 978-8851001292., p. 128. He also produced a larger version of the work in 1657 which is now in the Pinacoteca civica in Fano, with an early copy after the Capodimonte version now in the church of Santa Teresa degli Scalzi in Naples. History The first archival reference to the work is in a document dated 20 December 1653 in which Isabella Gallo pays the artist 40 ducats to settle a fee (agreed at a total of 50 ducats) for a painting of Nicholas of Bari. She wanted the painting for the church of San Domenico Soriano, the centre of the Calabrian community in Naples and a church for which Preti also painted dome frescoes, destroyed during the 19 ...
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Mattia Preti, San Nicola Di Bari, 1653, Q258
Mattia is an Italian given name for males and, less frequently, females. Also a surname, it may refer to: Given name * Mattia Altobelli (born 1983), professional Italian footballer *Mattia Battistini (1856–1928), Italian operatic baritone *Mattia Benedetti, Italian painter *Mattia Biso (born 1977), Italian midfielder for Frosinone Calcio *Mattia Bodano (born 1990), Italian midfielder *Mattia Bortoloni (1696–1750), Italian painter of the Rococo period *Mattia Cadorin (mid 17th century), an Italian engraver and publisher who flourished at Padua c. 1648 *Mattia Carpanese (born 1985 in Padova, Italy), a speedway rider *Mattia Cassani (born 1983), Italian footballer *Mattia Cherubini (born 1988), Italian professional football player *Mattia Coletti (born 1984), Italian ski mountaineer *Mattia Dal Bello (born 1984), Italian professional football player *Mattia de Rossi (1637–1695), Italian architect of the Baroque period, active mainly in Rome and surrounding towns *Mattia De Scigl ...
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Saint John The Baptist (Preti)
300px, ''Saint John the Baptist'' (c. 1653-1656) by Mattia Preti ''Saint John the Baptist'' is a c.1653-1656 oil on canvas painting by Mattia Preti, now in the Museo nazionale di Capodimonte in Naples. Nicola Spinosa, Mattia Preti. ''Tra Roma, Napoli e Malta'', Napoli, Electa, 1999, ISBN 978-8851001292, p. 132. It shows the saint in a pose that became typical in Preti's work, using foreshortening, chiaroscuro, and several red colours, especially in the saint's cloak. He had already used this treatment of the human figure in the lunette frescoes at the church of San Biagio in Modena, whose Saint John the Baptist seems to be a prototype for the work now in Naples. That treatment later reached its apogee in his ''Saint Sebastian'' , produced for the church of Santa Maria ad Ogni Bene dei Sette Dolori and now also in the Museo di Capodimonte. History The work's provenance is identical to that of the same artist's '' Judith and Holofernes''. The first written reference to it is in t ...
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1653 Paintings
Events January–March * January 3 – By the Coonan Cross Oath, the Eastern Church in India cuts itself off from colonial Portuguese tutelage. * January– The Swiss Peasant War begins after magistrates meeting at Lucerne refuse to hear from a group of peasants who have been financially hurt by the devaluation of the currency issued from Bern. * February 2 – New Amsterdam (later renamed New York City) is incorporated. * February 3 – Cardinal Mazarin returns to Paris from exile. * February 10 – Swiss peasant war of 1653: Peasants from the Entlebuch valley in Switzerland assemble at Heiligkreuz to organize a plan to suspend all tax payments to the authorities in the canton of Lucerne, after having been snubbed at a magisterial meeting in Lucerne. More communities in the canton join in an alliance concluded at Wolhusen on February 26. * February – The Morning Star Rebellion (''Morgonstjärneupproret'') of peasants breaks out in Sweden ...
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Paintings In The Collection Of The Museo Di Capodimonte
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Roberto Longhi
Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters Caravaggio and Piero della Francesca. Early life and career Longhi was born in December 1890 in Alba in Piedmont. His parents were from Emilia. He studied with Pietro Toesca, in Turin, and Adolfo Venturi in Rome. The latter made him book reviews editor of the journal ''L'Arte'' in 1914. Between 1913 and 1917, Longhi, primarily an essayist, published text in ''L'Arte'' and ''La Voce'' on Mattia Preti, Piero della Francesca, Orazio Borgianni and Orazio Gentileschi. Over the course of his career Longhi developed a fascination with Caravaggio and his followers. his book ''Quesiti caravaggeschi'' uestions on Caravaggio(1928–34), was followed by ''Ultimi studi caravaggeschi'' atest Caravaggio studies(1943). In 1951, Longhi curated a ground-breaking exhibition on Caravaggio at the Royal Palace in Milan, ''Mostra di Caravaggio e dei ...
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Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ...
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National Archaeological Museum Of Naples
The National Archaeological Museum of Naples ( it, Museo Archeologico Nazionale di Napoli, italic=no, sometimes abbreviated to MANN) is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as Real Museo Borbonico ("the Royal Bourbon Museum"). Building The building was built as a cavalry barracks in 1585. From 1616 to 1777 it was the seat of the University of Naples. During the 19th century, after it became a museum, it suffered many changes to the main structure. Collections The museum hosts extensive collections of Greek and Roman antiquities. Their core is from the Farnese Collection, which includes a collection of engraved gems (including the Farnese Cup, a Ptolemaic bowl made of sardonyx agate and the most famous piece in the "Treasure of the Magnificent" ...
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Judith And Holofernes (Preti)
''Judith and Holofernes'' is an oil on canvas painting by Italian artist Mattia Preti, datable to around 1653–1656. It is held at the Museo di Capodimonte, in Naples.Nicola Spinosa, ''Mattia Preti. Tra Roma, Napoli e Malta'', Naples, Electa, 1999 (Italian), ISBN 978-8851001292 History The canvas is mentioned for the first time in the last will of the Calabrian lawyer Domenico di Somma, dated of 1659, where another work by Preti, the ''St John the Baptist'' is also named. The legacy of di Somma passed to his collaborator and friend, also from Calabria, Antonino Laratta. Both of them were Preti lawyers during the controversy that the painter had a few years earlier against the priests of the Church of Sant'Andrea della Valle in Rome, for a diatribe relating to fees due for the cycles of frescoes that Preti executed on the life of Saint Andrew. On the death of Laratta, in 1685, the painting, together with that of St. John the Baptist, passed to the Church of San Domenico Soriano ...
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Catanzaro
Catanzaro (, or ; scn, label= Catanzarese, Catanzaru ; , or , ''Katastaríoi Lokrói''; ; la, Catacium), also known as the "City of the two Seas", is an Italian city of 86,183 inhabitants (2020), the capital of the Calabria region and of its province and the second most populated comune of the region, behind Reggio Calabria. The archbishop's seat was the capital of the province of Calabria Ultra for over 200 years. It houses the University "Magna Græcia", the second-largest university in Calabria. Catanzaro is an urban centre, with much activity, including some coastal towns, such as Sellia Marina and Soverato, and the municipalities of Silas, with a total of 156,196 inhabitants. Catanzaro is being consolidated to form a greater metropolitan area, by the Region of Calabria, and in connection with the town of Lamezia Terme, comprising 10 municipalities. This will lead to the creation of an integrated area involving over 200,000 inhabitants. During the summer months, the Ion ...
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Mattia Preti
Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John. Life Born in the small town of Taverna in Calabria, Preti was called ''Il Cavalier Calabrese'' (the Calabrian Knight) after appointment as a Knight of the Order of St. John (Knights of Malta) in 1660. His early apprenticeship is said to have been with the " Caravaggist" Giovanni Battista Caracciolo, which may account for his lifelong interest in the style of Caravaggio. Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Guido Reni, and Giovanni Lanfranco. In Rome, he painted fresco cycles in the churches of Sant'Andrea della Valle and San Carlo ai Catinari. Between 1644 and 1646, he may have spent time in Venice, but remained based in Rome until 1653, returning later ...
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Calabria
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Nicholas Of Bari
Saint Nicholas of Myra, ; la, Sanctus Nicolaus (traditionally 15 March 270 – 6 December 343), also known as Nicholas of Bari, was an early Christian bishop of Greek descent from the maritime city of Myra in Asia Minor (; modern-day Demre, Turkey) during the time of the Roman Empire. Because of the many miracles attributed to his intercession, he is also known as Nicholas the Wonderworker. Saint Nicholas is the patron saint of sailors, merchants, archers, repentant thieves, children, brewers, pawnbrokers, unmarried people, and students in various cities and countries around Europe. His reputation evolved among the pious, as was common for early Christian saints, and his legendary habit of secret gift-giving gave rise to the traditional model of Santa Claus ("Saint Nick") through Sinterklaas. Little is known about the historical Saint Nicholas. The earliest accounts of his life were written centuries after his death and probably contain legendary elaborations. He is said t ...
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