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Lorenzo Lippi (of Cole)
Lorenzo Lippi (3 May 1606 – 15 April 1665) was an Italian painter and poet from Florence. Biography Born in Florence, he studied painting under Matteo Rosselli. Both Baldassare Franceschini and Francesco Furini were also apprenticed with Rosselli, the influence of whose style, and more especially of that of Santi di Tito, is to be traced in Lippi's works, which are marked by taste, delicacy and a strong turn for portrait-like naturalism. His maxim was to poetize as he spoke, and to paint as he saw. His biography was recounted by Filippo Baldinucci. After painting for some time in Florence, and having married at the age of forty the daughter of the rich sculptor named Giovanni Francesco Susini, Lippi went as court painter to Innsbruck, where he has left many excellent portraits. In Innsbruck, he wrote his humorous poem named '' Il Malmantile racquistato'', which was published under the anagrammatic pseudonym of Perlone Zipoli. The ''Malmantile racquistato'' is a mock-her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain. The earliest example of the form is the ''Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin,Dustin H. (1994) ''Satire: A Critical Reintroduction'p.135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily criticized, bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Gaetano, Florence
San Gaetano, also known as Santi Michele e Gaetano, is a Baroque church in Florence, Italy, located on the Piazza Antinori, entrusted to the Institute of Christ the King Sovereign Priest. History A Romanesque architecture, Romanesque church, dedicated solely to ''Saint Michael the Archangel'', had been located at the site for centuries prior to its Baroque reconstruction. Patronized by the Theatine order, the new church was dedicated to Saint Cajetan, one of the founders of the order, though the church could not formally be named after him until his canonisation in 1671. Funding for this reconstruction was obtained from the noble families in Florence, including the Medicis. Cardinal Carlo de' Medici was particularly concerned with the work, and his name is inscribed on the façade. Building took place between 1604 and 1648. The original designs were by Bernardo Buontalenti but a number of architects had a hand in building it, each of whom changed the design. The most important ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittoria Della Rovere
Vittoria della Rovere (7 February 1622 – 5 March 1694) was Grand Duchess of Tuscany as the wife of Grand Duke Ferdinando II. She had four children with her husband, two of whom would survive infancy: the future Cosimo III, Tuscany's longest-reigning monarch, and Francesco Maria, a prince of the Church. At the death of her grandfather Francesco Maria della Rovere, she inherited the Duchies of Rovere and Montefeltro, which reverted to her second son, Francesco Maria, at her death. She was later entrusted with the care of her three grandchildren. Her marriage brought a wealth of treasures to the House of Medici, which can today be seen in the Palazzo Pitti and the Uffizi Gallery in Florence. Infancy Vittoria della Rovere was the only child of Federico Ubaldo della Rovere, son of the then incumbent Duke of Urbino, Francesco Maria. Her mother was Claudia de' Medici, a sister of Cosimo II de' Medici, Grand Duke of Tuscany and the Duchess of Mantua. As an infant it was expected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudia De' Medici
Claudia de' Medici (4 June 1604 – 25 December 1648) was Regent of the Austrian County of Tyrol during the minority of her son from 1632 until 1646. She was a daughter of Ferdinando I de' Medici, Grand Duke of Tuscany and Christina of Lorraine. She was born in Florence, and was named after her grandmother Claude of Valois, herself granddaughter of Claude, Duchess of Brittany, consort to King Francis I of France. Biography Duchess of Urbino In 1620, she married Federico Ubaldo della Rovere, the only son of Francesco Maria II della Rovere, Duke of Urbino. Their only child, Vittoria, went on to marry the Grand Duke of Tuscany. Federico Ubaldo della Rovere died suddenly on 29 June 1623. Archduchess of Tyrol After her husband's premature death, she was married, on 19 April 1626, to Leopold V, Archduke of Austria, and thus became Archduchess consort of Austria. Regent of Tyrol On the death of her husband in 1632, she assumed a regency in the name of her son Ferdinand Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Leopoldine Of Austria
Maria Leopoldine of Austria-Tyrol (6 April 1632 – 7 August 1649), was by birth Archduchess of Austria and member of the Tyrolese branch of the House of Habsburg and by marriage the second spouse of her first cousin, Holy Roman Emperor Ferdinand III. As such, she was Empress of the Holy Roman Empire, German Queen and Queen consort of Hungary and Bohemia. She died in childbirth. Life Early years Maria Leopoldine was born in InnsbruckWurzbach 1861, p. 52. on 6 April 1632 as the third (but second surviving) daughter and the fifth and youngest child of Leopold V, Archduke of Further Austria, and Claudia de' Medici. Her father died on 13 September 1632, when she was five months old. On her father's side, her grandparents were Charles II, Archduke of Inner Austria and his wife and niece Princess Maria Anna of Bavaria and on her mother's side her grandparents were Ferdinando I de' Medici, Grand Duke of Tuscany and his wife Princess Christina of Lorraine. In addition to her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420 he was admitted to the community of Carmelite friars of the Priory of Our Lady of Mount Carmel in Florence, taking religious vows in the Order the following year, at the age of sixteen. He was ordained as a priest in approximately 1425 and remained in residence of that priory until 1432. Giorgio Vasari, the first art historian of the Renaissance, writes that Lippi was inspired to become a painter by watching Masaccio at work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Galle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Bimbi
image:Bartolomeo Bimbi.jpg, left, 180px, Medici citrus collection, 1715 Bartolomeo Bimbi (15 May 1648 – 1729) was a Florence, Florentine painter of still lifes, commissioned by his patrons including Cosimo III de' Medici, Grand Duke of Tuscany, Cosimo III, Grand Duke of Tuscany to paint large canvases of flora and fauna for the Medici Villa dell'Ambrogiana and della Topaia, now conserved in the Pitti Palace and the Museo Botanico dell'Universita. Life and Work Son of Nicolò, he was born in Settignano on May 15, 1648; in about 1661 he entered the workshop of Lorenzo Lippi, where he remained until the death of the master (1665); then he joined Onorio Marinari as his apprentice. After a trip to Rome with Cardinal Leopoldo de' Medici, he began working for the Florentine court and aristocracy. Although his training made him suitable for figure painting, Bimbi is known almost exclusively for his activity as a painter of still lifes and portraits. Bimbi died in Florence on 14 Janua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angiolo Galli
Angelo is an Italian masculine given name and surname meaning "angel", or "messenger". People People with the given name *Angelo Accattino (born 1966), Italian prelate of the Catholic Church *Angelo Acciaioli (bishop) (1298–1357), Italian Roman Catholic bishop from Florence *Angelo Achini or Angiolo Achini (1850–1930), Italian painter *Angelo Agostini (1843–1910), illustrator, journalist and founder of several publications, and although born in Italy, is considered the first Brazilian cartoonist * Angelo Aimo (born 1964), Italian footballer *Angelo Albanesi (late 1765–1784), Italian engraver *Angelo Alistar (born 1975), Romanian footballer * Angelo Ambrogini Poliziano (1454–1494), Florentine classical scholar and poet *Angelo Andres (1851–1934), Italian zoologist *Angelo Anelli (1761–1820), Italian *Angelo Angeli (1864–1931), Italian chemist *Angelo Anquilletti (1943–2015), Italian football defender *Angelo Antonino Pipitone (born 1943), member of the Sicilian M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
