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Kunchu Kurup
Guru Kunju Kurup (1881–1970) was a Kathakali dancer from south Kerala, India. Life Born in a Poypallilkulam family of Thakazhi village of Kuttanad in present-day Alappuzha district, Kurup was initiated into Kathakali at the age of 13 by his own uncles Kochappi Panikker and Rama Panikker. He later joined the famous Kaliyogam (repertory) of the renowned Mathur Kunhu Pillai Panikker, and subsequently had tutelage under gurus Champakulam Sankara Pillai and Thottam Sankaran Namboodiri. His grooming later under Vechur Ayyappa Kurup paved the way for his entry into the Kochi and Malabar belts. Kunju Kurup's marriage with a relative of Palayil Karunakara Menon, a Kathakali exponent living near Palakkad in 1910, cemented his ties with central Kerala. Soon, he was made a tutor at the famous Kerala Kalamandalam following an invitation from its co-founder, poet Vallathol Narayana Menon. He later had brief stints as a Kathakali guru in Bangalore (1943) and Madras (or Chennai, in 1914, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thakazhi
Thakazhi Sivasankara Pillai (17 April 1912 – 10 April 1999), popularly known as Thakazhi after his place of birth, was an Indian novelist and short story writer of Malayalam literature. He wrote over 30 novels and novellas and over 7 short stories focusing on the lives of the oppressed classes. Known for his works such as ''Kayar'' (Coir, 1978) and ''Chemmeen'' (Prawns, 1956), Pillai was a recipient of the Padma Bhushan, the third highest Indian civilian award. He was also a recipient of the Jnanpith, India's highest literary award, awarded in 1984 for the novel ''Kayar''. Biography Thakazhi Sivasankara Pillai was born on April 17, 1912 in Thakazhy, a small village in Kuttanad in present-day Alappuzha district of Kerala to Poypallikalathil Sankara Kurup, who was the brother of Guru Kunchu Kurup, a doyen of Kathakali and Aripurathuveettil Parvathy Amma. After early tutoring by his father and Chakkampurathu Kittu Asan, a local teacher, Pillai had his primary education at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalamandalam Krishnan Nair
Kalamandalam Krishnan Nair (27 March 1914 – 15 August 1990) was a Kathakali dancer from Kerala in India. Life He learned and exhibited various styles of Kathakali. A Padma Shri and Sangeet Natak Akademi Awardee, A native of Cheruthazham in Payyanur Taluk of Kannur district in North Malabar, Kerala he was initiated into Kathakali in his early teenage years under the tutelage of Guru Chandu Panikker. By 19, he got noticed by Kerala Kalamandalam co-founder, poet Vallathol Narayana Menon, and inducted Krishnan Nair into his institute, then near Mulankunnathukavu, north of Thrissur in central Kerala. It was there that Krishnan Nair was trained under gurus of varied style—like Pattikkamthodi Ravunni Menon, Thakazhi Kunchu Kurup, Kavalappara Narayanan Nair and Mani Madhava Chakyar. Krishnan Nair had his higher studies on ''Rasa-abhinaya'' (facial emotions which stressed on eye exercises) from the celebrated Kudiyattam maestro Natyacharya Māni Mādhava Chākyār, who too wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali Exponents
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central Sangeet Natak Akademi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and became functional the following year, with the appointment of its first chairman, Dr. P. V. Rajamannar. Dr Rajendra Prasad, the first President of India, inaugurated it on 28 January 1953 in a special function held in the Parliament House. The academy's Fellowship and Award are considered very prestigious. Functions The academy functions as the apex body of the performing arts in the country to preserve and promote the vast cultural heritage of India expressed in music, dance and drama. It also works with governments and art academies in states and territories of the country. SNA established several institutions over the years: * Manipur Dance Academy, Imphal * Sattriya Centre * Kathak Kendra (National Institute of Kathak Dance), New D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Akademi Award
Sangeet Natak Akademi Award (IPA: Saṅgīta Nāṭaka Akādamī Puraskāra), also known as the Akademi Puraskar, is an award given by the Sangeet Natak Akademi Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and be ..., India's National Academy of Music, Dance & Drama. It is the highest Indian recognition given to people in the field of performing arts. The award earlier in 2003, consisted of Rupee, Rs. 50,000, a citation, an ''Angvastra, angavastram'' (a shawl), and a ''tamrapatra'' (a brass plaque). Since 2009 cash prize has been increased to ₹1,00,000. The awards are given in the categories of music, dance, theatre, other traditional arts and puppetry, and for contribution/scholarship in performing arts. Award recipients The recipients of the Sangeet Natak Akademi award in vario ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keechaka
In the Hindu epic ''Mahabharata'', Kichaka or Keechaka is the commander-in-chief of Matsya kingdom, the country ruled by King Virata. He was the 1st Younger Brother of Sudeshna, the queen of Virata. Kichaka was a very powerful man and had immense strength. He saved Virata's kingdom many times from foes. He was killed by Bhima because he was harassing Draupadi and received a punishment. In the Mahabharata Birth and family Sudeshna, was the Elder Sister for Kichaka & 105 Upakichakas. Total : 106 Younger Brothers ( Kichaka, Upakichakas ) for Queen Sudeshna. Total Children : 107 ( Sudeshna, Kichaka, Upakichakas ). Malavi, Kekaya : The King of the ''Sutas'', was the : Mother & Father of : Queen Sudeshna, Kichaka, Upakichakas. Kichaka, was their Eldest Son and had 105 Younger Brothers known as the Upakichakas. All of them were born from the aspects of Banasura. Kichaka became Virata's brother-in-law after Queen Sudeshna married King Virata. The year of incognito Draupadi, the wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravana
Ravana (; , , ) is a rakshasa king of the island of Lanka, and the chief antagonist of the Hindu epic ''Ramayana'' and its adaptations. In the ''Ramayana'', Ravana is described to be the eldest son of sage Vishrava and rakshasi Kaikesi. He abducted Prince Rama's wife Sita and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Later, Rama, with the support of vanara King Sugriva and his army of vanaras, launched an invasion against Ravana in Lanka. Ravana was subsequently slain and Rama rescued his beloved wife Sita. Ravana is widely portrayed to be an evil character, though he also has many qualities that make him a learned scholar. He was well-versed in the six shastras and the four Vedas. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are seen associated with Shiva at some temples. He also appears in the Buddhist Mahayana text ''Laṅkāvatāra Sūtra'', in Buddhist Ramayanas and Jatakas, as well as in Jain Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arjuna
Arjuna (Sanskrit: अर्जुन, ), also known as Partha and Dhananjaya, is a character in several ancient Hindu texts, and specifically one of the major characters of the Indian epic Mahabharata. In the epic, he is the third among Pandavas, the five sons of Pandu. The family formed part of the royal line of the Kuru Kingdom. In the Mahabharata War, Arjuna was a key warrior from the Pandava side and slew many warriors including Karna and Bhisma. Before the beginning of the war, his mentor, Krishna, gave him the supreme knowledge of Bhagavad Gita to overcome his moral dilemmas. Arjuna was born when Indra, the god of rain, blessed Kunti and Pandu with a son. From childhood, Arjuna was a brilliant student and was favoured by his beloved teacher, Drona. Arjuna is depicted as a skilled archer, winning the hands of Draupadi, who married the five brothers because of Kunti's misunderstanding and Mahadeva boons. Arjuna is twice exiled, first for breaking a pact with his brothers; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nala
Nala (Sanskrit: नल) is a character in the ''Vana Parva'' book of the ''Mahabharata''. He was the king of Nishadha Kingdom and the son of Veerasena. Nala was known for his skill with horses and for his culinary expertise. He married princess Damayanti, of the Vidarbha Kingdom. He was blessed by goddess Kali. He was also a great cook and wrote the first-ever book on cookery, Pakadarpanam (Sanskrit: पाकदर्पण). Even today, a consistently good chef/cook is credited as someone with Nala-Bhagam to mean that their dish tastes as if Nala has prepared it. He is said to have been able to cook a full meal without lighting fire. Story Nala's story is told in the Vana Parva of the Mahabharata and was adapted into various versions. According to the 12th century text Nishadha Charita, one of the five ''mahakavyas'' (great epic poems) in the canon of Sanskrit literature, written by Sriharsha, Nala, King of Nishadha, found a beautiful swan in a forest. The swan told him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhinaya
Abhinaya (Sanskrit ''abhi-'' 'towards' + ''nii-'' 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (') of a sentiment ('). The concept, derived from Bharata Muni's ''Natya Shastra'', is used as an integral part of all Indian classical dance styles. ''Abhinaya'' can be divided into four, according to the ''Natya Shastra''. pp. 131–186 Expression of the limbs (''Āṅgika Abhinaya'') Angika Abhinaya denotes the movements of angas like head, hands, waist and face. Pratyangas like shoulder, shoulder arm's, thighs, knees and elbows and upangas like eyes, eyelid, cheeks, nose, lips and teeth. Additional hastas (hand gestures) have always played a significant role in conveyance of the emotion and through of a soul. Many of the natural gestures are found common to mankind and their meaning easily understood. Expression of speech (''Vāchika Abhinaya'') Speech is used in drama and also in music when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
