Kling Klang Studio
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Kling Klang Studio
Kling Klang (also spelled as Klingklang) is the private music studio of the band Kraftwerk. The name is taken from the first song on the ''Kraftwerk 2'' album. The studio was originally located at Mintropstraße 16 in Düsseldorf, Germany, adjacent to Düsseldorf Hauptbahnhof, but in mid-2009 moved to Meerbusch-Osterath, around 10 kilometers west of Düsseldorf. The band also operate a record label named Kling Klang, which they use to release their music. Background Kling Klang (an onomatopœia; in English: ''ding dong'') began as a studio in 1970; the band marked this as the real beginning of Kraftwerk.''Electronics & Music Maker'', September 1981 The studio began as an empty room in a workshop premises located in an industrial part of Düsseldorf. The building exterior was clad in yellow tiles with a large electric shuttered doorway leading to an enclosed courtyard. On the right was a loading stage used by an electrical installation company that used the upper floor. The st ...
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Studio Kling Klang
A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. The term is also used for the workroom of dancers, often specified to dance studio. The word ''studio'' is derived from the , from , from ''studere'', meaning to study or zeal. The French term for studio, ''atelier'', in addition to designating an artist's studio is used to characterize the studio of a fashion designer. ''Studio'' is also a metonym for the group of people who work within a particular studio. :uz:Studiya Art studio The studio of any artist, especially from the 15th to the 19th centuries, characterized all the assistants, thus the designation of paintings as "from the workshop of..." or "studio of..." An art studio is sometimes called an atelier, e ...
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Horn Loudspeaker
A horn loudspeaker is a loudspeaker or loudspeaker element which uses an horn (acoustic), acoustic horn to increase the overall efficiency of the driving element(s). A common form ''(right)'' consists of a compression driver which produces sound waves with a small metal diaphragm vibrated by an electromagnet, attached to a horn, a flaring duct to conduct the sound waves to the open air. Another type is a woofer driver mounted in a loudspeaker enclosure which is divided by internal partitions to form a zigzag flaring duct which functions as a horn; this type is called a ''folded horn'' speaker. The horn serves to improve the coupling efficiency between the speaker driver and the air. The horn can be thought of as an "acoustic transformer" that provides impedance matching between the relatively density, dense diaphragm material and the less-dense air. The result is greater acoustic output power from a given driver. The narrow part of the horn next to the driver is called the "throat" ...
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Music Publisher (popular Music)
A music publisher is a type of publisher that specializes in distributing music. Music publishers originally published sheet music. When copyright became legally protected, music publishers started to play a role in the management of the intellectual property of composers. Music print publishing The term music publisher originally referred to publishers who issued hand-copied or printed sheet music. Examples (who are actively in business ) include: * Breitkopf & Härtel, Leipzig, founded 1719 * Schott Music, Schott, Mainz, 1770 * Oxford University Press, Oxford, founded 18th century * Edition Peters, Leipzig, 1800 * Casa Ricordi, Milan, founded 1808 (now owned by Universal Music Publishing Group) * G. Schirmer, Inc., New York, founded 1861 (now owned by Wise Music Group) * Universal Edition, Vienna, 1901 * Bärenreiter, founded 1923 * Boosey & Hawkes, London, founded 1930 (now owned by Concord (entertainment company), Concord) * Hans Sikorski, Hamburg, 1935 (now owned by Conco ...
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Vanity Label
A vanity label (see related topic on vanity press) is an informal name sometimes given to a record label A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the produ ... founded as a wholly or partially owned subsidiary of another, larger, and better established (at least at the time of the vanity label's founding) record label, where the subsidiary is (at least nominally) controlled by a successful recording artist, designed to allow this artist to release music by other artists they admire. The parent label handles the production and distribution and funding of the vanity label, but the album is usually released with the vanity brand name prominent. Usually, the artist/head of the vanity label is signed to the parent label, and this artist's own recordings will be released under the vanity bra ...
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Neuss-Grevenbroicher Zeitung
''Rheinische Post'' is a major German regional daily newspaper published since 1946 by the ''Rheinische Post Verlagsgesellschaft GmbH'' company, and headquartered in Düsseldorf. The Post is especially dominant in the western part of North Rhine-Westphalia. The Post's online platforms are called RP ONLINE and Tonight.de. History and profile ''Rheinische Post'' is one of the allied new foundations in the post-World War II era. NSDAP-opponents Karl Arnold, Anton Betz, Erich Wenderoth and (soon resigned) Friedrich Vogel received a British newspaper license. The newspaper was established in 1946 and belongs to the Arnold, Betz, Droste, Alt and Ebel families. It is part of the ''Rheinische Post Mediengruppe'' which also owns newspapers like the ''Saarbrücker Zeitung'', the ''Lausitzer Rundschau'' or the ''Trierischer Volksfreund''. The core distribution area stretches from the Bergischen Land to the Dutch border. There are 31 local editions, among them other regional newspapers, li ...
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Computer World
''Computer World'' (german: link=no, Computerwelt) is the eighth studio album by German electronic band Kraftwerk, released on 10 May 1981. The album deals with the themes of the rise of computers within society. In keeping with the album's concept, Kraftwerk showcased their music on an ambitious world tour. The compositions are credited to Ralf Hütter, Florian Schneider, and Karl Bartos. As was the case with the two previous albums, ''Computer World'' was released in both German- and English-language editions. Concept and recording ''Computer World'' has been described as a futuristic conceptual work that predicts the presence of computer technology in every day life. Featuring themes such as home computers and digital communication, the album has been seen as both a celebration of computer technology as well as a warning about its potential to exert power on society with social control and digital surveillance. Despite its theme, the production of the album was completely a ...
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Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ...
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Bonn
The federal city of Bonn ( lat, Bonna) is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. It is a university city and the birthplace of Ludwig van Beethoven. Founded in the 1st century BC as a Roman settlement in the province Germania Inferior, Bonn is one of Germany's oldest cities. It was the capital city of the Electorate of Cologne from 1597 to 1794, and residence of the Archbishops and Prince-electors of Cologne. From 1949 to 1990, Bonn was the capital of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. The era when Bonn served as the capital of West Germany is referred to by historians as the Bonn Republic. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – ...
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Trans-Europe Express (album)
''Trans-Europe Express'' (german: link=no, Trans Europa Express) is the sixth studio album by German band Kraftwerk. Recorded in 1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. It saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes include celebrations of the titular European railway service and Europe as a whole, and meditations on the disparities between reality and appearance. ''Trans-Europe Express'' charted at 119 on the American charts and was ranked number 30 in ''The Village Voice''s 1977 Pazz & Jop critics' poll. Two singles were released: " Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continues to receive acclaim. In 2014, the ''Los Angeles Times'' called it "the most important pop album of the last 40 years". Background After the release and tour for the album ''Radio-Activit ...
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Karl Bartos
Karl Bartos (born 31 May 1952) is a German musician and composer known for his contributions to the electronic band Kraftwerk. Career Karlheinz Bartos was born on 31 May 1952 in Marktschellenberg, Germany, named after his grandfathers Karl and Heinz. He was the drummer in a college band called The Jokers (later The Jolly Jokers in 1975) as Carlos Bartos, around 1965 to 1975. Between 1975 and 1991, he was, along with Wolfgang Flür, a member of the electronic music band Kraftwerk. This lineup of the group remains the most stable and productive yet assembled. He was originally recruited to play on Kraftwerk's US "Autobahn" tour where he changed his name to "Karl", as the band member's names were displayed on stage in neon lighting; "Karlheinz" was deemed too long and thus too expensive by Kraftwerk's front man Ralf Hütter. In addition to his percussion playing, Bartos was credited with songwriting on the ''Man-Machine'', ''Computer World'', and ''Electric Café'' albums and sang ...
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Wolfgang Flür
Wolfgang Flür (born 17 July 1947) is a German musician, best known for playing percussion in the electronic group Kraftwerk from 1973 to 1987. Flür claims that he invented the electric drums the group used throughout the 1970s. However, patent records dispute this, citing Florian Schneider and Ralf Hütter as the creators. Background In the 1960s, Flür played an acoustic drum kit in the Düsseldorf band The Spirits of Sound, along with guitarist Michael Rother, who would also go on to play in Kraftwerk, and who would later form Neu! with Kraftwerk drummer Klaus Dinger. Post-Kraftwerk In 1997, Flür founded the band Yamo and released the album ''Time Pie'', a collaboration with Mouse on Mars. Yamo's next release, the 12" ''I Was a Robot'', reached number 6 in the German club charts. Collaborations with Pizzicato Five and Der Plan founding member Pyrolator were announced, and the lyrics to a song called "Greed" appeared in Flür's autobiography, but this material remains ...
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EMS Synthi AKS
The EMS Synthi A and the EMS Synthi AKS, is a portable modular analog synthesiser made by EMS of England. The Synthi A model debuted in May 1971, and then Sythni AKS model appeared in March 1972 a with a built-in keyboard and sequencer. The EMS Sythi models are notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment. When launched in 1972, the Synthi AKS retailed for around £450. There was an optional three octave (37 note) DK1 monophonic keyboard available for it, later the DK2 (Dynamic Keyboard 2) was available, this allowed independent control of two Oscillators, thus enabling the player to play two notes together. The Synthi instruments were used widely in progressive rock and electronic music. As with the VCS3, a Synthi AKS was worth considerably more ...
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