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Wolfgang Flür
Wolfgang Flür (born 17 July 1947) is a German musician, best known for playing percussion in the electronic group Kraftwerk from 1973 to 1987. Flür claims that he invented the electric drums the group used throughout the 1970s. However, patent records dispute this, citing Florian Schneider and Ralf Hütter as the creators. Background In the 1960s, Flür played an acoustic drum kit in the Düsseldorf band The Spirits of Sound, along with guitarist Michael Rother, who would also go on to play in Kraftwerk, and who would later form Neu! with Kraftwerk drummer Klaus Dinger. Post-Kraftwerk In 1997, Flür founded the band Yamo and released the album ''Time Pie'', a collaboration with Mouse on Mars. Yamo's next release, the 12" ''I Was a Robot'', reached number 6 in the German club charts. Collaborations with Pizzicato Five and Der Plan founding member Pyrolator were announced, and the lyrics to a song called "Greed" appeared in Flür's autobiography, but this material remains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankfurt
Frankfurt, officially Frankfurt am Main (; Hessian: , "Frank ford on the Main"), is the most populous city in the German state of Hesse. Its 791,000 inhabitants as of 2022 make it the fifth-most populous city in Germany. Located on its namesake Main River, it forms a continuous conurbation with the neighboring city of Offenbach am Main and its urban area has a population of over 2.3 million. The city is the heart of the larger Rhine-Main metropolitan region, which has a population of more than 5.6 million and is Germany's second-largest metropolitan region after the Rhine-Ruhr region. Frankfurt's central business district, the Bankenviertel, lies about northwest of the geographic center of the EU at Gadheim, Lower Franconia. Like France and Franconia, the city is named after the Franks. Frankfurt is the largest city in the Rhine Franconian dialect area. Frankfurt was a city state, the Free City of Frankfurt, for nearly five centuries, and was one of the most import ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (or electro- funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer World
''Computer World'' (german: link=no, Computerwelt) is the eighth studio album by German electronic band Kraftwerk, released on 10 May 1981. The album deals with the themes of the rise of computers within society. In keeping with the album's concept, Kraftwerk showcased their music on an ambitious world tour. The compositions are credited to Ralf Hütter, Florian Schneider, and Karl Bartos. As was the case with the two previous albums, ''Computer World'' was released in both German- and English-language editions. Concept and recording ''Computer World'' has been described as a futuristic conceptual work that predicts the presence of computer technology in every day life. Featuring themes such as home computers and digital communication, the album has been seen as both a celebration of computer technology as well as a warning about its potential to exert power on society with social control and digital surveillance. Despite its theme, the production of the album was completely a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man-Machine
''The Man-Machine'' (german: link=no, Die Mensch-Maschine) is the seventh studio album by German electronic music band Kraftwerk. It was released on May 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms. It includes the singles " The Model" and " The Robots". Although the album was initially unsuccessful on the UK Albums Chart, it reached a new peak position of number nine in February 1982, becoming the band's second highest-peaking album in the United Kingdom after ''Autobahn'' (1974). Artwork The artwork for the cover was produced by Karl Klefisch, based on the work of the Russian suprematist El Lissitzky – the words "Inspired by El Lissitzky" are noted on the cover. The back cover image is an adaptation of a graphic from Lissitzky's book for children ''About Two Squares: A Suprematist Tale of Two Squares in Six Constructions''. Release ''The Man-Mac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trans-Europe Express (album)
''Trans-Europe Express'' (german: link=no, Trans Europa Express) is the sixth studio album by German band Kraftwerk. Recorded in 1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. It saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes include celebrations of the titular European railway service and Europe as a whole, and meditations on the disparities between reality and appearance. ''Trans-Europe Express'' charted at 119 on the American charts and was ranked number 30 in ''The Village Voice''s 1977 Pazz & Jop critics' poll. Two singles were released: " Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continues to receive acclaim. In 2014, the ''Los Angeles Times'' called it "the most important pop album of the last 40 years". Background After the release and tour for the album ''Radio-Activit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio-Activity
''Radio-Activity'' (German title: ''Radio-Aktivität'') is the fifth studio album by German electronic music band Kraftwerk, released in October 1975. The band's first entirely electronic album is also a concept album organized around the themes of radioactive decay and radio communication. All releases of the album were bilingual, with lyrics in both English and German. The album was accompanied by single release of the title track, which was successful in France and Belgium. Background Following the success of its 1974 predecessor ''Autobahn'', an album based on Germany's eponymous motorway network, Kraftwerk embarked on a tour of the United States with the "classic" lineup of the band formed by Ralf Hütter, Florian Schneider, Karl Bartos—who has joined February 1975—and Wolfgang Flür in April and May 1975. Album title ''Radio-Activitys album title displays Kraftwerk's typical deadpan humour, being a pun on the twin themes of the songs, half being about radioactivity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autobahn (album)
''Autobahn'' is the fourth studio album by German electronic music band Kraftwerk, released in November 1974 by Philips Records. The album marked several personnel changes in the band, which was initially a duo consisting of Florian Schneider and Ralf Hütter; later, the group added Klaus Röder on guitar and flute, and Wolfgang Flür on percussion. The album also completed the group's transition from the experimental krautrock style of their earlier work to an electronic pop sound consisting mostly of synthesizers and drum machines. Recording started at the group's own Kling Klang facility, but was predominantly made at Conny Plank's studio. ''Autobahn'' also includes lyrics and a new look for the group that was suggested by Emil Schult, an associate of Schneider and Hütter. Most of the album is taken up by the 22-minute "Autobahn", featuring lyrics by Schneider, Hütter, and Schult. The song was inspired by the group's joy of driving on Germany's autobahns, and recorded musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complete Works
The complete works of an artist, writer, musician, group, etc., is a collection of all of their cultural works. For example, ''Complete Works of Shakespeare'' is an edition containing all the plays and poems of William Shakespeare. A ''Complete Works'' published edition of a text corpus is normally accompanied with additional information and critical apparatus. It may include notes, introduction, a biographical sketch, and may pay attention to textual variants. Similarly, the term body of work may be used to describe the entirety of the creative or academic output produced by a particular individual or unit. Terminology Complete works may be titled by a single word, "Works". "Collected works" is often treated as a synonym. A distinction began to be seen clearly in the second half of the 18th century. The Latin language equivalent ''Opera Omnia'' is still used in English, for example, to refer to the works of Galen or Leonhard Euler. German usage distinguishes :de:Gesamtwerk a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midge Ure
James Ure (born 10 October 1953) is a Scottish musician, singer-songwriter and record producer. His stage name, Midge, is a phonetic reversal of Jim, the diminutive form of his actual name. Ure enjoyed particular success in the 1970s and 1980s in bands including Slik, Thin Lizzy, Rich Kids and Visage, and as the frontman of Ultravox. In 1984, he co-wrote and produced the charity single "Do They Know It's Christmas?", which has sold 3.7 million copies in the UK. The song is the second highest-selling single in UK chart history. Ure co-organised Band Aid, Live Aid and Live 8 with Bob Geldof. He acts as a trustee for the charity and also serves as an ambassador for Save the Children. Ure is the producer and writer of several other synth-pop and new wave hit singles of the 1980s, including " Fade to Grey" (1980) by Visage and the Ultravox signature songs "Vienna" (1980) and "Dancing with Tears in My Eyes" (1984). He achieved his first UK top 10 solo hit in 1982 with " No Regrets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Hook
Peter Hook (born Woodhead; 13 February 1956) is an English musician, best known as the bassist and co-founder of the rock bands Joy Division and New Order. Hook often used the bass as a lead instrument, playing melodies on the high strings with a signature heavy chorus effect. In New Order, he would do this, leaving the actual basslines to keyboards or sequencers. Hook formed the band which was to become Joy Division with Bernard Sumner in 1976. Following the death of lead singer Ian Curtis in 1980, the band reformed as New Order, and Hook played bass with them until 2007. Hook has recorded one album with Revenge (''One True Passion''), two albums with Monaco ('' Music for Pleasure'' and ''Monaco'') and one album with Freebass ('' It's a Beautiful Life''), serving as bassist, keyboardist and lead vocalist. He is currently the lead singer and one of the bassists for Peter Hook and the Light. Biography Early life Hook was born Peter Woodhead on 13 February 1956, in Broug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Bartos
Karl Bartos (born 31 May 1952) is a German musician and composer known for his contributions to the electronic band Kraftwerk. Career Karlheinz Bartos was born on 31 May 1952 in Marktschellenberg, Germany, named after his grandfathers Karl and Heinz. He was the drummer in a college band called The Jokers (later The Jolly Jokers in 1975) as Carlos Bartos, around 1965 to 1975. Between 1975 and 1991, he was, along with Wolfgang Flür, a member of the electronic music band Kraftwerk. This lineup of the group remains the most stable and productive yet assembled. He was originally recruited to play on Kraftwerk's US "Autobahn" tour where he changed his name to "Karl", as the band member's names were displayed on stage in neon lighting; "Karlheinz" was deemed too long and thus too expensive by Kraftwerk's front man Ralf Hütter. In addition to his percussion playing, Bartos was credited with songwriting on the ''Man-Machine'', ''Computer World'', and ''Electric Café'' albums and sang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll Hall Of Fame
The Rock and Roll Hall of Fame (RRHOF), sometimes simply referred to as the Rock Hall, is a museum A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make thes ... and hall of fame located in downtown Cleveland, Ohio, United States, on the shore of Lake Erie. The museum documents the history of rock music and the artists, producers, engineers, and other notable figures who have influenced its development. The Rock and Roll Hall of Fame Foundation was established on April 20, 1983, by Ahmet Ertegun, founder and chairman of Atlantic Records. After a long search for the right city, Cleveland was chosen in 1986 as the Hall of Fame's permanent home. Architect I. M. Pei designed the new museum, and it was dedicated on September 1, 1995. Rock and Roll Hall of Fame Foundation The RRHOF Foundation was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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