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Kalleshvara Temple, Ambali
The Kalleshvara temple (also spelt Kalleshwara or Kallesvara) is located in the town of Ambali in Bellary district of Karnataka state, India. According to an Old Kannada inscription (dated 1083) placed in the ''sabhamantapa'' (''lit'', "gathering hall"), the temple was constructed during the reign of the Western Chalukya Empire King Vikramaditya VI (also called Tribhuvana Malla). This temple is protected as a monument of national importance by the Archaeological Survey of India. Temple plan Art historian Adam Hardy categorizes the architectural style of the temple as "12th century, trans-Tungabhadra branch of the Lakkundi school, related to Kuruvatti (Mallikarjuna temple) with some non-mainstream affinities". The temple is a single shrine (''vimana'') construction with an adjoining hall (''mantapa''). The basic building material is Soap stone. The original superstructure over the shrine is lost.Hardy (1995), p.320 The temple which faces east comprises a sanctum (''garbhagriha''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bellary District
Bellary, officially known as Ballari (pronounced ), is a major district in Karnataka. It is located at north-eastern part of Karnataka. This district belongs to Kalyana-Karnataka. This district was one of the biggest districts in Karnataka until the Vijayanagara district was carved out of Ballari district in 2021 officially. This district has the highest deposits of iron ore in India. Historical sites, farm land and rich minerals characterize Ballari district. Recently making headlines with mining industry, Ballari, the district's capital, is known as Steel City and Gani Nadu (City of Mining). History Earlier Ballari district was part of Madras presidency. The area was severely affected by the Great Famine of 1876–78. After Indian independence, when the Indian states were reorganized along linguistic lines, Ballari became part of the Kalyana-Karnataka region of the state of Karnataka, now renamed as Kalyana-Karnataka. In 1882, Anantapur District was formed by carving ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestibule (architecture)
A vestibule (also anteroom, antechamber, or foyer) is a small room leading into a larger space such as a lobby, entrance hall or passage, for the purpose of waiting, withholding the larger space view, reducing heat loss, providing storage space for outdoor clothing, etc. The term applies to structures in both modern and classical architecture since ancient times. In modern architecture, a vestibule is typically a small room next to the outer door and connecting it with the interior of the building. In ancient Roman architecture, a vestibule ( la, vestibulum) was a partially enclosed area between the interior of the house and the street. Ancient usage Ancient Greece Vestibules were common in ancient Greek temples. Due to the construction techniques available at the time, it was not possible to build large spans. Consequently, many entranceways had two rows of columns that supported the roof and created a distinct space around the entrance. In ancient Greek houses, the prothyru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durga
Durga ( sa, दुर्गा, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around combating evils and demonic forces that threaten peace, prosperity, and dharma, representing the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed, and entails destruction to empower creation. Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons. She is widely worshipped by the followers of the goddess-centric sect, Shaktism, and has importance in other denominations like Shaivism and Vaishnavism. The most important texts of Shaktism, Devi Mahatmya, and Devi Bhagavata Purana, revere Devi (the Goddess) as the primordial creator of the universe and the Brah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairava
Bhairava (Sanskrit: भैरव ) or Kala Bhairava is a Shaivite and Vajrayāna deity worshiped by Hindus and Buddhists. In Shaivism, he is a powerful manifestation, or avatar, of Shiva associated with annihilation. In Trika system ''Bhairava'' represents Supreme Reality, synonymous to Para Brahman.Christopher WalliTantra Illuminated/ref> Generally in Hinduism, Bhairava is also called Dandapani (" e who holds theDanda in ishand"), as he holds a rod or Danda to punish sinners, and Svaśva, meaning "whose vehicle is a dog". In Vajrayana Buddhism, he is considered a fierce emanation of boddhisatva Mañjuśrī, and also called Heruka, Vajrabhairava, and Yamantaka. He is worshiped throughout India, Nepal and Sri Lanka as well as in Tibetan Buddhism. Etymology Bhairava originates from the word ''bhīru'', which means "fearsome". Bhairava means "terribly fearsome form". It is also known as one who destroys fear or one who is beyond fear. One interpretation is that he protects hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surya
Surya (; sa, सूर्य, ) is the sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan. The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. In the Mahabharata and Ramayana, Surya is represented as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deity
A deity or god is a supernatural being who is considered divine or sacred. The ''Oxford Dictionary of English'' defines deity as a god or goddess, or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life". Religions can be categorized by how many deities they worship. Monotheistic religions accept only one deity (predominantly referred to as "God"), whereas polytheistic religions accept multiple deities. Henotheistic religions accept one supreme deity without denying other deities, considering them as aspects of the same divine principle. Nontheistic religions deny any supreme eternal creator deity, but may accept a pantheon of deities which live, die and may be reborn like any other being. Although most monotheistic religions traditionall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshmi
Lakshmi (; , sometimes spelled Laxmi, ), also known as Shri (, ), is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with ''Maya'' ("Illusion"). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Within the goddess-oriented Shaktism, Lakshmi is venerated as the prosperity aspect of the Mother goddess. Lakshmi is both the consort and the divine energy (''shakti'') of the Hindu god Vishnu, the Supreme Being of Vaishnavism; she is also the Supreme Goddess in the sect and assists Vishnu to create, protect, and transform the universe. She is an especially prominent figure in Sri Vaishnavism, in which devotion to Lakshmi is deemed to be crucial to reach Vishnu. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively. The eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gajalakshmi
Gajalakshmi (), also spelt as Gajalaxmi, is one of the most significant ''Ashtalakshmi'' aspects of the Hindu goddess of prosperity, Lakshmi. Mythology In Hindu mythology, Gajalakshmi is regarded to have restored the wealth and power lost by Indra when she rose from the Samudra Manthana, the churning of the ocean. She is the form of the goddess who stands for animal wealth, as well as other symbols of wealth that represent strength. Iconography In a sixth century BCE sculpture, the goddess is depicted holding a lotus in her left hand and a lotus cornucopia in her right hand. There are two lions at her feet, two elephants bathing her with life giving waters, and two female attendants to her left and right side holding flywhisks. Depictions An image is found from the 2nd century BCE, possibly in Buddhist contexts, and appears on the railings from the Buddhist site of Bharhut, from 125-100 BCE. It appears on a 1st-century BCE coin of Azilises, and a 3rd-century CE coin fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lintel
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented structural item. In the case of windows, the bottom span is instead referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern day lintels are made using prestressed concrete and are also referred to as beams in beam and block slabs or ribs in rib and block slabs. These prestressed concrete lintels and blocks are components that are packed together and propped to form a suspended floor concrete slab. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods, by ''Merriam-Webster'' definition, a lintel is a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (visual Arts)
In art and iconography, a motif () is an element of an image. The term can be used both of figurative and narrative art, and ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and other ancient textiles. Where the main subject of an artistic work such as a painting is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art such as a painting on a vase. Ornamental or decorative art can usually be analysed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doorjamb
A jamb (from French ''jambe'', "leg"), in architecture, is the side-post or lining of a doorway or other aperture. The jambs of a window outside the frame are called “reveals.” Small shafts to doors and windows with caps and bases are known as “jamb-shafts”; when in the inside arris of the jamb of a window, they are sometimes called "scoinsons." A doorjamb, door jamb (also sometimes doorpost) is the vertical portion of the door frame onto which a door is secured. The jamb bears the weight of the door through its hinges, and most types of door latches and deadbolts extend into a recess in the doorjamb when engaged, making the accuracy of the plumb (i.e. true vertical) and strength of the doorjambs vitally important to the overall operational durability and security of the door. The word ''jamb'' is also used to describe a wing of a building, perhaps just in Scottish architecture. John Adam added a 'jamb' to the old Leith Customs house in the Citadel of Leith in 1754–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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