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Joaquín Torres-García
Joaquín Torres García (28 July 1874 – 8 August 1949) was a Uruguayan-Spanish artist who was born in Montevideo, Uruguay. Torres-García emigrated to Catalunya, Spain as an adolescent, where he began his career as an artist in 1891. For the next three decades, Torres-García embraced the Catalan identity and led the cultural scene in Barcelona and Europe. As a painter, sculptor, muralist, novelist, writer, teacher, and theorist, Torres-García was considered a "renaissance" or "universal man." He used a simple metaphor to deal with eternal struggles he faced between the old and the new, between classical and avant-garde, between reason and feeling, and between figuration and abstraction: there is no contradiction or incompatibility. Like Goethe, Torres-García sought to integrate classicism and modernity. Although he lived and worked primarily in Spain, Torres-García was also active in the United States, Italy, France, and Uruguay; he influenced European and North Americ ...
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Sagrada Família
The Basílica i Temple Expiatori de la Sagrada Família, shortened as the Sagrada Família, is an unfinished church in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica. On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the church's crypt. At the time of his death in 1926, less than a quarter of the project was complete. Relying solely on private donations, the S ...
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Palma Cathedral
The Cathedral of Santa Maria of Palma (Cathedral of St. Mary of Palma), more commonly referred to as La Seu (a title also used by many other churches), is a Gothic Roman Catholic cathedral located in Palma, Mallorca, Spain. Description Built by the Crown of Aragón on the site of a Moorish-era mosque, the cathedral is 121 metres long, 40 metres wide and its nave is 44 metres tall. By way of comparison, the height of the central nave reaches 33m in Notre Dame de Paris, 38m in Reims, 42m in Notre-Dame d'Amiens and 48m in Saint-Pierre de Beauvais, the highest of all Gothic cathedrals. Designed in the Catalan Gothic style but with Northern European influences, it was begun by King James I of Aragon in 1229 but only finished in 1601. It sits within the old city of Palma atop the former citadel of the Roman city, between the Royal Palace of La Almudaina and the episcopal palace. It also overlooks the ''Parc de la Mar'' and the Mediterranean Sea. In 1901, fifty years after a re ...
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United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territories, nine Minor Outlying Islands, and 326 Indian reservations. The United States is also in free association with three Pacific Island sovereign states: the Federated States of Micronesia, the Marshall Islands, and the Republic of Palau. It is the world's third-largest country by both land and total area. It shares land borders with Canada to its north and with Mexico to its south and has maritime borders with the Bahamas, Cuba, Russia, and other nations. With a population of over 333 million, it is the most populous country in the Americas and the third most populous in the world. The national capital of the United States is Washington, D.C. and its most populous city and principal financial center is New York City. Paleo-Americ ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This depa ...
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Cercle Et Carré
Cercle et Carré (Circle and Square) was a group of abstract artists in Paris, founded 1929 by Joaquín Torres García and Michel Seuphor. The group published a journal with the same name. In 1930 they organised an exhibition in Paris showing 130 abstract works by various artists. "Notre programme fût "Construction", fusse figuratif ou non-figuratif" ( Our formula was "Construccion" whether it was figurative or non-figurative). When the Abstraction-Création was founded in 1931 it absorbed the group. From 1936 Joaquín Torres García continued publication of the journal from Montevideo in Spanish and French with the title ''Círculo y Cuadrado'' "La seconde epoque de "Cercle et Carre" (Circle and Square, the second period) with the same logo. From abroad artists sent letters and articles to be published: Jean Hélion, Piet Mondrian, Umberto Boccioni, etc. 1930 Exhibition April 1930 the group opened an exhibition in ''Galerie 23'' at Rue La Boétie with works by Hans Arp, Wil ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This depa ...
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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Primitivism
Primitivism is a mode of aesthetic idealization that either emulates or aspires to recreate a "primitive" experience. It is also defined as a philosophical doctrine that considers "primitive" peoples as nobler than civilized peoples and was an offshoot of nostalgia for a lost Eden or Golden Age. In Western art, primitivism typically has borrowed from non-Western or prehistoric people perceived to be "primitive", such as Paul Gauguin's inclusion of Tahitian motifs in paintings and ceramics. Borrowings from "primitive" or non-Western art have been important to the development of modern art. Primitivism has often been critiqued for reproducing the racist stereotypes about non-European peoples used by Europeans to justify colonial conquest. The term "primitivism" is often applied to the painting styles that pervaded prior to the Avant-garde. It also refers to the style of naïve or folk art produced by amateurs like Henri Rousseau without commercial intent and solely for the purp ...
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De Stijl
''De Stijl'' (; ), Dutch for "The Style", also known as Neoplasticism, was a Dutch art movement founded in 1917 in Leiden. De Stijl consisted of artists and architects. In a more narrow sense, the term ''De Stijl'' is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to vertical and horizontal, using only black, white and primary colors. ''De Stijl'' is also the name of a journal that was published by the Dutch painter, designer, writer, and critic Theo van Doesburg that served to propagate the group's theories. Along with van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, Bart van der Leck, and the architects Gerrit Rietveld, Robert van 't Hoff, and J. J. P. Oud. The artistic philosophy that formed a basis for the group's work is known as ''Neoplas ...
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Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artist Richard Huelsenbeck slid a paper knife (letter-opener) ...
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Cubism
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul C ...
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Universal Constructivism
Universal Constructivism (sometimes called Constructive Universalism) was a style of art created and developed by Joaquín Torres-García. Through the study and incorporation of basic geometric structure (Constructive) in the ancient and modern world creates the ability to create art that will be meaningful (Universal) to anyone who has viewed his artworks. He took the principles of Constructivism that Russian artists had developed in the 1920s and had influenced De Stijl and Bauhaus movements, and integrated what he considered to be universal pictographs, such as those for sun, moon, man, and woman. The goal of this art movement was to seek for the definition of what it means to be American by dominating constructive art and the use of primitive art that was rooted in the traditions of the continent. This style is best known for its synthesis of grid compositions and schematic signs. When Torres-García started Taller Torres Garcia in 1944, many of the participants incorpora ...
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