Johann Strauß
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brothe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tritsch-Tratsch-Polka
, Op. 214, is a polka in A major by Johann Strauss II, written in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. It was first performed in a concert in Vienna on 24 November 1858. Johann Strauss-Gesellschaft Wien (chit-chat) refers to the Viennese passion for . Strauss may also have been referencing the ' by the famous Austrian dramatist and actor [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gradual
The gradual ( la, graduale or ) is a chant or hymn in the Mass, the liturgical celebration of the Eucharist in the Catholic Church, and among some other Christians. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the ambo or altar. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Alleluia, or, during penitential seasons, before the tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite is the Roman Gradual (). Other such books include the Dominican Gradual. History The Gradual, like the Alleluia and Tract, is one of the responsorial chants of the Mass. Responsorial chants de ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joseph Drechsler
Joseph Drechsler (26 May 1782 – 27 February 1852) was an Austrian organist, teacher, composer and conductor; in Vienna he was organist and choirmaster at several churches, and theatre conductor and composer of incidental music. Life Drechsler was born in Wällisch Birken, (Vlachovo Březí, now in the Czech Republic), son of a teacher. He was a choirboy in Passau and in Vornbach Abbey, where he studied basso continuo with the organist Dionys Grotz. He studied law and theology in Prague. He moved to Vienna in 1807, being invited by Karl Friedrich Hensler to direct the orchestra of the Theater in der Leopoldstadt; he turned down this offer and remained in Vienna as a music teacher. In 1810 he was répétiteur and from 1812 assistant director at the Royal Court Theatre."Drechsler (Traxler), Joseph" '' [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Franz Amon
Franz Amon was the lead violinist and concertmaster of the dance orchestra of Johann Strauss I. As the elder Strauss was against a musical career for his sons, Amon was contracted secretly by Anna Strauss to teach her son Johann Strauss II, to play the violin. Johann paid for the lessons by giving piano lessons to other students. References Austrian violinists Male violinists 19th-century Austrian people Year of birth missing Year of death missing {{Austria-musician-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Neubau
Neubau (; Central Bavarian: ''Neibau'') is the seventh district of Vienna (german: 7. Bezirk). It is located near the center of Vienna and was established as a district in 1850, but borders changed later. Neubau is a heavily populated urban area, with a major shopping area and residential buildings. Wien.gv.at webpage (see below: References). It has a population of 32,027 people (as of 2016-01-01) within an area of 1.61 km² (0.62 sq.mi.). It consists of the former Vorstädte of Neubau, Altlerchenfeld, St. Ulrich, Schottenfeld and Spittelberg. The district borders are formed by Lerchenfelder Straße in the north, Mariahilfer Straße in the south, Neubaugürtel in the west, and Museumstraße and Museumsplatz in the east. __TOC__ History In the 18th century, Neubau was the location of the city's silk factories. At this time, the area became densely populated. Today, it is an important shopping district, especially in the Mariahilfer Straße and Neubaugasse. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johann Strauss I (2)
Johann Baptist Strauss I (; also Johann Strauss Sr., the Elder, the Father; 14 March 1804 – 25 September 1849) was an Austrian composer of the Romantic Period. He was famous for his light music, namely waltzes, polkas, and galops, which he popularized alongside Joseph Lanner, thereby setting the foundations for his sons—Johann, Josef and Eduard—to carry on his musical dynasty. He is best known for his composition of the Radetzky March (named after Joseph Radetzky von Radetz). Life and work Johann Strauss was born in Leopoldstadt (now in Vienna). Strauss's parents, Franz Borgias Strauss (10 October 1764 – 5 April 1816) and Barbara Dollmann (3 December 1770 – 28 August 1811), were innkeepers (). He was born a Roman Catholic. Strauss’ mother died of 'creeping fever' when he was seven and five years later his father drowned, possibly as a result of suicide, in the Danube river. Strauss' guardian, the tailor Anton Müller, placed him as an apprentice to the bookbinder ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fraktur
Fraktur () is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. The blackletter lines are broken up; that is, their forms contain many angles when compared to the curves of the Antiqua (common) typefaces modeled after antique Roman square capitals and Carolingian minuscule. From this, Fraktur is sometimes contrasted with the "Latin alphabet" in northern European texts, which is sometimes called the "German alphabet", simply being a typeface of the Latin alphabet. Similarly, the term "Fraktur" or "Gothic" is sometimes applied to ''all'' of the blackletter typefaces (known in German as , "Broken Script"). The word derives from Latin ("a break"), built from , passive participle of ("to break"), the same root as the English word "fracture". Characteristics Besides the 26 letters of the ISO basic Latin alphabet, Fraktur includes the ( ), vowels with umlauts, and the (''long s''). Some Fraktur typefaces also include a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Long S
The long s , also known as the medial s or initial s, is an archaism, archaic form of the lowercase letter . It replaced the single ''s'', or one or both of the letters ''s'' in a 'double ''s''' sequence (e.g., "ſinfulneſs" for "sinfulness" and "poſſeſs" or "poſseſs" for "possess"—but never asterisk#Ungrammaticality, *"poſſeſſ"). The modern letterform is known as the 'short', 'terminal', or 'round' s. In typography, it is known as a type of swash letter, commonly referred to as a "swash s". The long s is the basis of the first half of the grapheme of the German alphabet Orthographic ligature, ligature letter , (''eszett'' or [sharp s]). Rules This list of rules for the long s is not exhaustive, and it applies only to books printed during the 17th and 18th centuries in English-speaking countries. Similar rules exist for other European languages. * A round s is always used at the end of a word ending with s: "his", "complains", "ſucceſs" ** However, long s is m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eduard Strauss
Eduard "Edi" Strauss (15 March 1835 – 28 December 1916) was an Austrian composer who, together with his brothers Johann Strauss II and Josef Strauss made up the Strauss musical dynasty. He was the son of Johann Strauss I and Maria Anna Streim. The family dominated the Viennese light music world for decades, creating many waltzes and polkas for many Austrian nobility as well as dance-music enthusiasts around Europe. He was affectionately known in his family as 'Edi'. Life and music Eduard Strauss' style was individual and did not attempt to emulate the works of his other brothers or his contemporaries. But he was primarily remembered and recognized as a dance music conductor rather than as a major composer in the , and his popularity was overshadowed by that of his elder brothers. Realising this, he stamped his own mark with the quick polka, known in German as the "polka-schnell". Among the more popular polkas that he penned for the Strauss Orchestra, which he continued to co ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |