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Fraktur
Fraktur () is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. The blackletter lines are broken up; that is, their forms contain many angles when compared to the curves of the Antiqua (common) typefaces modeled after antique Roman square capitals and Carolingian minuscule. From this, Fraktur is sometimes contrasted with the "Latin alphabet" in northern European texts, which is sometimes called the "German alphabet", simply being a typeface of the Latin alphabet. Similarly, the term "Fraktur" or "Gothic" is sometimes applied to ''all'' of the blackletter typefaces (known in German as , "Broken Script"). The word derives from Latin ("a break"), built from , passive participle of ("to break"), the same root as the English word "fracture". Characteristics Besides the 26 letters of the ISO basic Latin alphabet, Fraktur includes the ( ), vowels with umlauts, and the (''long s''). Some Fraktur typefaces also include a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fraktur In Unicode
Fraktur () is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. The blackletter lines are broken up; that is, their forms contain many angles when compared to the curves of the Antiqua (common) typefaces modeled after antique Roman square capitals and Carolingian minuscule. From this, Fraktur is sometimes contrasted with the "Latin alphabet" in northern European texts, which is sometimes called the "German alphabet", simply being a typeface of the Latin alphabet. Similarly, the term "Fraktur" or "Gothic" is sometimes applied to ''all'' of the blackletter typefaces (known in German as , "Broken Script"). The word derives from Latin ("a break"), built from , passive participle of ("to break"), the same root as the English word "fracture". Characteristics Besides the 26 letters of the ISO basic Latin alphabet, Fraktur includes the ( ), vowels with umlauts, and the (''long s''). Some Fraktur typefaces also include a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackletter
Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s, and for the German language until the 1940s, when Hitler's distaste for the supposedly "Jewish-influenced" script saw it officially discontinued in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is incorrectly referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule was the direct ancestor of blackletter. Blacklett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackletter
Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s, and for the German language until the 1940s, when Hitler's distaste for the supposedly "Jewish-influenced" script saw it officially discontinued in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is incorrectly referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule was the direct ancestor of blackletter. Blacklett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Language
German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sütterlin
(, " script") is the last widely used form of , the historical form of German handwriting that evolved alongside German blackletter (most notably ') typefaces. Graphic artist Ludwig Sütterlin was commissioned by the Prussian Ministry of Science, Art and Culture (') to create a modern handwriting script in 1911. His handwriting scheme gradually replaced the older cursive scripts that had developed in the 16th century at the same time that letters in books had developed into Fraktur. The name ' is nowadays often used to refer to all varieties of old German handwriting, although only this specific script was taught in all German schools from 1915 to 1941. History The ministry had asked for "modern" handwriting scripts to be used in offices and to be taught in school. created two scripts in parallel with the two typefaces that were in use (see Antiqua–Fraktur dispute). The scripts were introduced in Prussia in 1915, and from the 1920s onwards, it began to replace the relative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Languages Of Europe
Most languages of Europe belong to the Indo-European language family. Out of a total European population of 744 million as of 2018, some 94% are native speakers of an Indo-European language. Within Indo-European, the three largest phyla are Romance, Germanic, and Slavic, they have more than 200 million speakers each and together account for close to 90% of Europeans. Smaller phyla of Indo-European found in Europe include Hellenic (Greek, 13 million), Baltic ( 7 million), Albanian ( 5 million), Celtic ( 4 million), Armenian ( 4 million) and Indo-Aryan (Romani, 1.5 million). Of the approximately 45 million Europeans speaking non-Indo-European languages, most speak languages within either the Uralic or Turkic families. Still smaller groups — such as Basque (language isolate), Semitic languages ( Maltese, 0.5 million), and various languages of the Caucasus — account for less than 1% of the European population between them. Immigration has added sizeable communities of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiqua (typeface Class)
Antiqua () is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. Letters are designed to flow and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur-style typefaces where the individual strokes are broken apart. The two typefaces were used alongside each other in the germanophone world, with the Antiqua–Fraktur dispute often dividing along ideological or political lines. After the mid-20th century, Fraktur fell out of favor and Antiqua-based typefaces became the official standard. History Antiqua typefaces are typefaces designed between 1470 and 1600 AD, specifically those by Nicolas Jenson and the Aldine roman commissioned by Aldus Manutius and cut by Francesco Griffo. The letterforms were based on a synthesis of Roman inscriptional capitals and Carolingian writing. Florentine poet Petrarch was one of the few medieval authors to have touched on the handwriti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lower Case
Letter case is the distinction between the letters that are in larger uppercase or capitals (or more formally ''majuscule'') and smaller lowercase (or more formally ''minuscule'') in the written representation of certain languages. The writing systems that distinguish between the upper and lowercase have two parallel sets of letters, with each letter in one set usually having an equivalent in the other set. The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are treated identically when sorting in alphabetical order. Letter case is generally applied in a mixed-case fashion, with both upper and lowercase letters appearing in a given piece of text for legibility. The choice of case is often prescribed by the grammar of a language or by the conventions of a particular discipline. In orthography, the uppercase is primarily reserved for special purposes, such as the first letter of a Sentence (linguistics), sentence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majuscule
Letter case is the distinction between the letters that are in larger uppercase or capitals (or more formally ''majuscule'') and smaller lowercase (or more formally ''minuscule'') in the written representation of certain languages. The writing systems that distinguish between the upper and lowercase have two parallel sets of letters, with each letter in one set usually having an equivalent in the other set. The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are treated identically when sorting in alphabetical order. Letter case is generally applied in a mixed-case fashion, with both upper and lowercase letters appearing in a given piece of text for legibility. The choice of case is often prescribed by the grammar of a language or by the conventions of a particular discipline. In orthography, the uppercase is primarily reserved for special purposes, such as the first letter of a sentence or of a proper noun (ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Andreae
Hieronymus Andreae, or Andreä, or Hieronymus Formschneider, (died 7 May 1556) was a German woodblock cutter ("formschneider"), printer, publisher and typographer closely associated with Albrecht Dürer. Andreae's best known achievements include the enormous, 192-block Triumphal Arch woodcut, designed by Dürer for Maximilian I, Holy Roman Emperor, and his design of the characteristic German "blackletter" Fraktur typeface ("Gothic" to most English-speakers), on which German typefaces were based for several centuries. He was also significant as a printer of music. In the opinion of Adam von Bartsch, although Andreae never designed woodcuts (as opposed to designing typefaces), the quality of his work was such that he, along with Hans Lützelburger and Jost de Negker, should be considered an artist. Life and work There is some evidence that he matriculated at the University of Leipzig in 1504, although this might also mean that he worked for the university rather than being a stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ligature (typography)
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters æ and œ used in English and French, in which the letters 'a' and 'e' are joined for the first ligature and the letters 'o' and 'e' are joined for the second ligature. For stylistic and legibility reasons, 'f' and 'i' are often merged to create 'fi' (where the tittle on the 'i' merges with the hood of the 'f'); the same is true of 's' and 't' to create 'st'. The common ampersand (&) developed from a ligature in which the handwritten Latin letters 'E' and 't' (spelling , Latin for 'and') were combined. History The earliest known script Sumerian cuneiform and Egyptian hieratic both include many cases of character combinations that gradually evolve from ligatures into separately recognizable characters. Other notable ligatures, such as the Brahmic abugidas and the Germanic bind rune, figure prominently throughout ancient m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long S
The long s , also known as the medial s or initial s, is an archaism, archaic form of the lowercase letter . It replaced the single ''s'', or one or both of the letters ''s'' in a 'double ''s''' sequence (e.g., "ſinfulneſs" for "sinfulness" and "poſſeſs" or "poſseſs" for "possess"—but never asterisk#Ungrammaticality, *"poſſeſſ"). The modern letterform is known as the 'short', 'terminal', or 'round' s. In typography, it is known as a type of swash letter, commonly referred to as a "swash s". The long s is the basis of the first half of the grapheme of the German alphabet Orthographic ligature, ligature letter , (''eszett'' or [sharp s]). Rules This list of rules for the long s is not exhaustive, and it applies only to books printed during the 17th and 18th centuries in English-speaking countries. Similar rules exist for other European languages. * A round s is always used at the end of a word ending with s: "his", "complains", "ſucceſs" ** However, long s is m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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