Jikryeong
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Jikryeong
Jikryeong (), sometimes written as jikryung or jingnyeong and also known as jikryeongpo (), is a type of po with a straight neckline. It could be worn as an outwear by men and was sometimes worn under the danryeong. The jikryeong was worn in ordinary times and was worn all year round. It was also worn as a mourning attire during the Joseon period. Following the Japanese invasion (1592–1598), its usage as an outerwear decreased and was more often used as an undergarment. After the latter half of the 17th century, the jikryeong was turned into an inner lining for the danryeong, thus turning to a single lined garment. Design and construction The collar of the jikryeong as its name indicate is straight collar, closing to the right side. It may also come with rectangular side panels (무, moo) on each side of the robe. Textile and colour The jikryeong could be unlined, lined, and padded. It was natural raw hemp white in colour when used as a mourning attire. Similar-looking ...
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Po (clothing)
''Po'' is a generic term referring to an outer robe or overcoat. There are two general types of ''po'', the Korean type and the Paofu, Chinese type. The Korean type is a common style from the Three Kingdoms of Korea period, and it is used in modern day. A belt was used until it was replaced by a ribbon during late Joseon dynasty. ''Durumagi'' is a variety of ''po'' that was worn as protection against cold. It had been widely worn as an outer robe over ''jeogori'' and ''baji''. It is also called ''jumagui'', ''juchaui'', or ''juui''. The Chinese type is different styles of ''po'' from China. Starting from North-South states period, they were used through history until nation-wide adoption of the Korean type ''durumagi'' in 1895. Types * Changeui (창의, 氅衣) *Terlig, Cheollik *Round collar robe, Danryeongpo (단령포/團領袍) – a type of round collar robe, worn by men and women. *Dapho – a short sleeved overcoat. * Dopo (clothing), Dopo (도포/道袍) – a type o ...
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Round Collar Robe
Round collar robe, also called () and in China, (; ; ) in Korea, was a style of , a Chinese robe, worn in ancient China, which was long enough to cover the entire body of its wearer. The Chinese was developed under the influences of the worn by the and by the (including the Xianbei). Depending on time period, the Chinese also had some traces of influences from the worn by the Sogdian. The Chinese continued to evolve, developing distinctive Chinese characteristics with time and lost its connotation. It eventually became fully integrated in the system for the imperial and court dress attire. Under the influence of ancient China, the Chinese was adopted by the rest of the East Asian cultural sphere. History China The appearance of collars in , including those used in the round collar robe, occurred during the Eastern Han dynasty where clothing with round collars started to be used as an inner garment under the of the . Later on, the clothing customs of the ...
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Japanese Invasions Of Korea (1592–1598)
The Japanese invasions of Korea of 1592–1598 involved two separate yet linked invasions: an initial invasion in 1592 (), a brief truce in 1596, and a second invasion in 1597 (). The conflict ended in 1598 with the withdrawal of Japanese forcesTurnbull, Stephen. Samurai Invasions of Korea 1592–1598, p. 85 from the Korean Peninsula after a military stalemateHistory of the Ming chapter 322
Japan "前後七載 (For seven years),喪師數十萬 (Hundreds of thousands of soldiers were killed),糜餉數百萬 (Millions of cost of war was spent),中朝與朝鮮迄無勝算 (There were no chances of victory in China and Korea),至關白死兵禍始休。 (By Hideyoshi's death ended the war.)"
in Korea's southern provinces. The invasions were launched by Toyotomi Hideyoshi with the inte ...
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Lining (sewing)
In sewing and tailoring, a lining is an inner layer of fabric, fur, or other material inserted into clothing, hats, luggage, curtains, handbags and similar items. Linings provide a neat inside finish and conceal interfacing, padding, the raw edges of seams, and other construction details. A lining reduces the wearing strain on clothing, extending the useful life of the lined garment. A smooth lining allows a coat or jacket to slip on over other clothing easily, and linings add warmth to cold-weather wear. Linings are typically made of solid colors to coordinate with the garment fabric, but patterned and contrasting-colored linings are also used. Designer Madeleine Vionnet introduced the ensemble in which the coat was lined in the fabric used for the dress worn with it, and this notion remains a characteristic of the Chanel suit, which often features a lining and blouse of the same fabric. In tailoring, home sewing, and ready-to-wear clothing construction, linings are usually c ...
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Durumagi
(), also (), (), (), is a variety of , or overcoat, in , the Korean traditional garment. It is a form of outwear which is usually worn as the topmost layer of clothing; that is it worn over (jacket) and (pants). History The origin of traces back to at least the Three Kingdoms of Korea, where it originated from a long coat worn by the northern nomadic clothing to fend off cold weather in ancient times. Tomb murals from Goguryeo were primarily painted in two regions, Ji'an () and Pyeongyang, which are the second and third capitals of the Goguryeo from the middle of the 4th to the middle of the 7th centuries respectively. The paintings datings from this period in the region of Jian typically shows the characteristics of the people of Goguryeo in terms of morals and customs while those in the regions of Pyeongyang would typically show Korean dress, including figures dressed in nomadic style had governed this geographical region for approximately 400 years. According Samuel ...
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Durumagi
(), also (), (), (), is a variety of , or overcoat, in , the Korean traditional garment. It is a form of outwear which is usually worn as the topmost layer of clothing; that is it worn over (jacket) and (pants). History The origin of traces back to at least the Three Kingdoms of Korea, where it originated from a long coat worn by the northern nomadic clothing to fend off cold weather in ancient times. Tomb murals from Goguryeo were primarily painted in two regions, Ji'an () and Pyeongyang, which are the second and third capitals of the Goguryeo from the middle of the 4th to the middle of the 7th centuries respectively. The paintings datings from this period in the region of Jian typically shows the characteristics of the people of Goguryeo in terms of morals and customs while those in the regions of Pyeongyang would typically show Korean dress, including figures dressed in nomadic style had governed this geographical region for approximately 400 years. According Samuel ...
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Zhiduo (clothing)
( viz. : and and ), also known as (; ) when it is decorated with outside pendulums, and (), refers to two types of traditional () or (-structured) which were worn as outer robes by men in the broad sense; i.e. the casual in and the priests’ , in the broad sense. As a specific term, the refers to the former. The was also called by Wang Zhishen in the Ming dynasty although the refers to another kind of . Nowadays, the is sometimes referred as . In present days Taiwan, the is also worn by the Zhenyi Taoist priests. The term "" can also be a specific term which refers to the long black or yellow robe worn by Buddhist monks. The was also introduced in both Japan and Korea where Chinese Buddhism had been spread. In Japan, the was pronounced . In Korea, the was pronounced as (), and was also referred as the () of the Buddhist monks; the was worn under the Kasaya until the early Joseon period. Origins and history The Buddhist monk's was worn as early as ...
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Shenyi
(; ; yr: ''sim.ui''), also called Deep garment in English, means "wrapping the body deep within the clothes" or "to wrap the body deep within cloth". The is an iconic form of robe in , which was recorded in and advocated in Zhu Xi's 《朱子家禮》. As cited in the , the is a long robe which is created when the ''"upper half is connected to the bottom half to cover the body fully"''. The , along with its components, existed prior to the Zhou dynasty and appeared at least since the Shang dynasty. The was then developed in Zhou dynasty with a complete system of attire, being shaped by the Zhou dynasty's strict hierarchical system in terms of social levels, gender, age, and situation and was used as a basic form of clothing. The then became the mainstream clothing choice during the Qin and Han dynasties. By the Han dynasty, the had evolved into two types of robes: the () and the ' (). The later gradually declined in popularity around the Wei, Jin, and Northern and Sou ...
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Hanbok
The (; term used in South Korean standard language, South Korea), also called () n North Korean standard language, North Korea and China, is an Hyponymy and hypernymy, umbrella term which is used to refer to traditional ethnic Koreans, Korean clothes, including the traditional clothing of the (Korean Chinese), an officially recognized Ethnic minorities in China, ethnic minority in China. The term literally means "Korean clothing". Due to the isolation from each other for about 50 years, the styles of in South Korea, North Korea, and China, worn by the Korean ethnics from these three countries have developed separately from each other. Since the 1990s, the South Korean-style and the North Korean-style have been looking more and more similar to each other. Similarly, since the Chinese economic reform of China, there have been more exchanges with both Koreas leading to both the development and changes in Korean-Chinese-style in China; some of designs of the Korean-Chinese-sty ...
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Paofu
(), also known as () for short, is a form of a long, one-piece robe in , which is characterized by the natural integration of the upper and lower part of the robe which is cut from a single fabric. The term is often used to refer to the and the . The was worn since the Zhou dynasty and became prominent in the Han dynasty.' The was a unisex, one-piece robe; while it was worn mainly by men, women could also wear it. It initially looked similar to the ancient ; however, these two robes are structurally different from each other.'''' With time, the ancient disappeared while the evolved gaining different features in each succeeding dynasties; the continues to be worn even in present day. The term refers to the "long robe" worn by ancient Chinese, and can include several form of Chinese robes of various origins and cuts, including '','' , '','' ', ', '. Terminology The term () is composed of the Chinese characters 《》, which literally means "robe", and 《》which literal ...
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