|
In Vanda's Room
''In Vanda's Room'' ( Portuguese: ''No Quarto da Vanda'', 2000) is a docufiction (a subgenre of cinéma vérité) film by Portuguese director Pedro Costa. This is the second film in his Fontainhas trilogy. Overview The film follows the daily life of Vanda Duarte, a heroin addict, in the Fontainhas district, a shanty outskirt of Lisbon. The film's focus is also on the community of the district and its townscape. ''No Quarto da Vanda'' follows the drama film '' Ossos'' (1997) in which Vanda Duarte plays as an actress. The film took a year to shoot after the (initially) one-person crew settled in the location, where Vanda and the community including Cape Verdean immigrants lived depressed lives. In spite of its three-hour length, the director Pedro Costa made the film in a realist style by using fixed shots entirely. Melancholic life of the community was shot on digital video in a low-key way. Costa said about his impression of the district in a conversation with Jean-Pier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Costa
Pedro Costa (born 30 December 1958) is a Portuguese film director. He is best known for his sequence of films set in Lisbon, which focuses on the lives of the impoverished residents of a slum in the Fontainhas neighbourhood. Biography After completing a degree in History from the University of Lisbon, Costa worked as an assistant for Jorge Silva Melo, VÃtor Gonçalves and João Botelho. He released his debut film O Sangue at the age of 30. Costa's films would receive acclaim from critics consistently throughout his career. He collected the France Culture Award (Foreign Cineaste of the Year) at 2002 Cannes Film Festival for directing ''In Vanda's Room''. ''Colossal Youth'' was selected for the 2006 Cannes Film Festival and earned the Independent/Experimental prize (Los Angeles Film Critics Association) in 2008. Horse Money was awarded the Leopard for Best Director in 2014, while his Vitalina Varela was awarded the Gold Leopard for Best Film in 2019. Style and influences He is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Video
Digital video is an electronic representation of moving visual images (video) in the form of encoded digital data. This is in contrast to analog video, which represents moving visual images in the form of analog signals. Digital video comprises a series of digital images displayed in rapid succession. Digital video is audio and video mixed together to make a production. the data gathered used to create a video, rather than a series of photos put together. Digital video have many advantages such as easy copying, multicasting, easy sharing and storage. Video recorded on tape is used on a computer on media player. Digital video is made of images displayed rapidly frequencies of 15, 24,30, and 60 frames per second. Digital video was first introduced commercially in 1986 with the Sony D1 format, which recorded an uncompressed standard-definition component video signal in digital form. In addition to uncompressed formats, popular compressed digital video formats today include H.264 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via an online streaming service that the company operates. History The company was founded in 1984 by Robert Stein, Aleen Stein and Joe Medjuck, who later were joined by Roger Smith. In 1985, the Steins, William Becker and Jonathan B. Turell f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinéma Vérité
Cinéma vérité (, , ; "truthful cinema") is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct Cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth. History Cinéma và ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnofiction
Ethnofiction refers to a subfield of ethnography which produces works that introduces art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into peer-reviewed academic works. In addition to written texts, the term has also been used in the context of filmmaking, where it refers to ethnographic docufiction, a blend of documentary and fictional film in the area of visual anthropology. It is a film type in which, by means of fictional narrative or creative imagination, often improvising, the portrayed characters (natives) play their own roles as members of an ethnic or social group. Jean Rouch is considered to be the father of ethnofiction. An ethnologist, he discovered that a filmmaker interferes with the event he registers. His camera is never a ''candid camera''. The behavior of the portrayed individuals, the natives, will be affected by its presence. Contrary to the principles of Marcel Griaule, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Docufiction Films
{{Short description, none This is a list of docufiction feature-length films ordered chronologically. Please search for references inside each article: *1926: '' Moana'' by Robert Flaherty, USA *1930: '' Maria do Mar'' by Leitão de Barros, Portugal *1931: ''Tabu'' by Robert Flaherty and F. W. Murnau, USA *1932: '' L'or des mers'' by Jean Epstein, France *1934: ''Man of Aran'' by Robert Flaherty, UK *1945: '' Ala-Arriba!'' by Leitão de Barros, Portugal *1948: '' La Terra Trema'' by Luchino Visconti, Italy *1948: ''Louisiana Story'' by Robert Flaherty, USA *1952: ''Children of Hiroshima'' by Kaneto Shindo, Japan *1956: ''On the Bowery'' by Lionel Rogosin, USA *1958: ''Moi, un noir'' (Me, A Black Man) by Jean Rouch, France *1958/59 '' Indie Matra Bhumi'' (The Motherland) by Roberto Rossellini, Italy *1959: ''Come Back, Africa'' by Lionel Rogosin, USA *1961: '' La pyramide humaine'' (The Human Pyramid) by Jean Rouch, France *1962: '' Rite of Spring'' by Manoel de Oliveira, Portugal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. The neologism docuf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colossal Youth (film)
''Colossal Youth'' ( pt, Juventude em Marcha, literally "Youth on the March") is a 2006 docufiction feature film directed by Portuguese director Pedro Costa. It was third feature by Costa set in Lisbon's Fontainhas neighborhood (after ''Ossos'' and ''In Vanda's Room''), and the first to feature the recurring character Ventura. ''Colossal Youth'' was shot on DV in long, static takes; it also mixes documentary and fiction storytelling. The film is a meditation on the aftermath of the Carnation Revolution and its consequences for Portugal's poverty-stricken Cape Verdean immigrants. It was part of the Official Competition at the 2006 Cannes Film Festival. Plot "''Many of the lost souls of Ossos and In Vanda’s Room return in the spectral landscape of Colossal Youth,.... What results is a form of ghost story, a tale of derelict, dispossessed people living in the past and present at the same time...''" The film opens with a shot of a doorway in a run-down neighborhood. Furniture com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2002 Cannes Film Festival
The 55th Cannes Film Festival started on 15 May and ran until 26 May 2002. The Palme d'Or went to the Polish-French-German-British co-produced film '' The Pianist'' directed by Roman Polanski. The festival opened with ''Hollywood Ending'', directed by Woody Allen and closed with '' And Now... Ladies and Gentlemen'', directed by Claude Lelouch. Virginie Ledoyen was the mistress of ceremonies. Director Woody Allen was also presented with the inaugural Honorary Palme d'Or given to a director who had achieved a notable body of work but who had never won a competitive Palme d'Or. Juries Main competition The following people were appointed as the Jury for the feature films of the 2002 Official Selection: * David Lynch, Jury President * Sharon Stone * Michelle Yeoh * Christine Hakim * Régis Wargnier * Bille August * Raúl Ruiz * Claude Miller * Walter Salles Un Certain Regard The following people were appointed as the Jury of the 2002 Un Certain Regard: * Anne Fontaine (director) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamagata International Documentary Film Festival
The Yamagata International Documentary Film Festival is a documentary film festival held biennially in Yamagata, Japan ( ). It was first held in October 1989, which makes it one of the longest running documentary film festivals in the world and the most distinguished such festival in Asia. Its emphasis is on showcasing best achievements in documentary filmmaking, as well as promoting and popularizing the genre and documentary filmmaking in the region. The festival was most recently held in October 2007. 1,633 films from 109 countries were submitted, with 238 films screened as part of the international and regional competitions. The festival attracted an audience of around 23,000 people. Since 2001, the competition includes films shot in DV. In 1991, a Young Asian Talents section was established. Awards A number of prizes are awarded at the festival, including: * For films in the international competition: ** Robert and Frances Flaherty Prize ''(The Grand Prize)'' ** Mayor's Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FIPRESCI
The International Federation of Film Critics (FIPRESCI, short for Fédération Internationale de la PRESse CInématographique) is an association of national organizations of professional film critics and film journalists from around the world for "the promotion and development of film culture and for the safeguarding of professional interests." It was founded in June 1930 in Brussels, Belgium. At present it has members in more than 50 countries worldwide. In reaction to the 2022 Russian invasion of Ukraine, FIPRESCI announced that it will not participate in festivals and other events organized by the Russian government and its offices, and canceled a colloquium in St. Petersburg, that was to make it familiar with new Russian films. FIPRESCI Award The FIPRESCI often gives out awards during film festivals (such as at the Berlin International Film Festival, the Cannes Film Festival, Vienna International Film Festival, the Toronto International Film Festival, the Venice Film Festiva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via an online streaming service that the company operates. History The company was founded in 1984 by Robert Stein, Aleen Stein and Joe Medjuck, who later were joined by Roger Smith. In 1985, the Steins, William Becker and Jonathan B. Turell f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
