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List Of Docufiction Films
{{Short description, none This is a list of docufiction feature-length films ordered chronologically. Please search for references inside each article: *1926: '' Moana'' by Robert Flaherty, USA *1930: '' Maria do Mar'' by Leitão de Barros, Portugal *1931: ''Tabu'' by Robert Flaherty and F. W. Murnau, USA *1932: '' L'or des mers'' by Jean Epstein, France *1934: ''Man of Aran'' by Robert Flaherty, UK *1945: '' Ala-Arriba!'' by Leitão de Barros, Portugal *1948: '' La Terra Trema'' by Luchino Visconti, Italy *1948: ''Louisiana Story'' by Robert Flaherty, USA *1952: ''Children of Hiroshima'' by Kaneto Shindo, Japan *1956: ''On the Bowery'' by Lionel Rogosin, USA *1958: ''Moi, un noir'' (Me, A Black Man) by Jean Rouch, France *1958/59 '' Indie Matra Bhumi'' (The Motherland) by Roberto Rossellini, Italy *1959: ''Come Back, Africa'' by Lionel Rogosin, USA *1961: '' La pyramide humaine'' (The Human Pyramid) by Jean Rouch, France *1962: '' Rite of Spring'' by Manoel de Oliveira, Portugal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. The neologism docuf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Children Of Hiroshima
is a 1952 Japanese drama film directed by Kaneto Shindō. It was entered into the 1953 Cannes Film Festival. Plot Takako Ishikawa ( Nobuko Otowa) is a teacher on an island in the inland sea off the coast of post-war Hiroshima. During her summer holiday, she takes the ferry to her hometown Hiroshima to visit the graves of her parents and younger sister, who were killed in the Atomic bombing. She sees a beggar and recognises him as Iwakichi (Osamu Takizawa), a former servant of her parents, now burned on the face and partially blind. She follows him to his poor shack, where he is looked after by a woman living next door, and asks about his family. With his wife, his son and daughter-in-law dead, Iwakichi's only surviving relative is his grandson Tarō, who lives in an orphanage. Takako visits the orphanage and finds the children barely have enough to eat. She offers to take Iwakichi and his grandson back with her, but Iwakichi refuses, running away. Takako goes on to visit Natsue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pour La Suite Du Monde
''Pour la suite du monde'' (also known as ''For Those Who Will Follow''; ''Of Whales, the Moon, and Men'', or ''The Moontrap'' in English) is a 1963 Canadian documentary film directed by Michel Brault, Marcel Carrière and Pierre Perrault. It was entered into the 1963 Cannes Film Festival. Synopsis The film is a work of ethnofiction. It shows life in a small isolated community, when the influence of the Catholic Church in Quebec was still strong. For centuries the inhabitants of Ile-aux-Coudres, a small island in the St. Lawrence River, trapped beluga whales by sinking a weir of saplings into the offshore mud at low tide. After 1920, the practice was abandoned. In 1962, a team of National Film Board of Canada filmmakers led by director Perrault and cinematographer Brault arrived on the island to make a cinéma-vérité documentary about the people and their isolated life. They encouraged the islanders to revive the practice of beluga fishing. The live animal they caught was t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manoel De Oliveira
Manoel Cândido Pinto de Oliveira (; 11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. He first began making films in 1927, when he and some friends attempted to make a film about World War I. In 1931 he completed his first film '' Douro, Faina Fluvial'', a documentary about his home city Porto made in the city symphony genre. He made his feature film debut in 1942 with ''Aniki-Bóbó'' and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director. In 1971, Oliveira directed his second feature narrative film, '' Past and Present'', a social satire that both set the standard for his film career afterwards and gained him recognition in the global film community. He continued making films of growing ambition throughout the 1970s and 1980s, gaining critical acclaim and numerous awards. Beginning in the late 1980s he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rite Of Spring (film)
''Rite of Spring'' (Portuguese: Acto da Primavera) is a 1963 Portuguese film directed by Manoel de Oliveira, his second feature. The poet and director António Reis was the film's assistant director, and his influence can be felt deeply throughout it. (The film was included in the film program ''The School of Reis'' in 2012.) Synopsis The inhabitants of Curalha, a small village in western Portugal, perform the Passion of Jesus every year according to text from about the 16th century, a tradition upon which Oliveira stumbled during the production of a film in 1963. The film is also remembered for "a furious apocalyptic montage that links Christ's death to the violence and lunacy of the Vietnam era". Harvard Film School, 1999, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Human Pyramid (1961 Film)
''The Human Pyramid'' (french: La Pyramide humaine) is a 1961 Ivorian docufiction film directed by Jean Rouch. Rouch forced black African and white French students to improvise interactions with each other at an integrated high school in Abidjan. Plot Rouch took the title of his film from a poem by the Surrealist Paul Eluard. In Abidjan in newly-independent Ivory Coast, the film sees a mixed-race lycée class in which the filmmaker asks why white and black students do not mix together socially after class. They are interviewed separately and together, and are shown in their home environments and meeting together socially. They also improvise scenes of fantasized events. Racial tensions intensify when a new female student from Paris starts dating an African student. The film is both ethnofiction and a documentary account of making ethnofiction:Graham JonesA Diplomacy of Dreams: Jean Rouch and Decolonization ''American Anthropologist'', Vol. 107, No. 1 (March 2005), pp.118–120. co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Back, Africa
''Come Back, Africa'' is a 1959 film, the second feature-length film written, produced, and directed by American independent filmmaker Lionel Rogosin. The film had a profound effect on African cinema, and remains of great historical and cultural importance as a document preserving the heritage of the townships in South Africa in the 1950s. It may be classified as reportage, documentary, historical movie or political cinema, since it portrays real events and people. On the other hand, it reveals an interpretation of meaningful social facts and a strong ethical assumption towards human behaviours like racism. Like Rogosin's feature debut ''On the Bowery'', ''Come Back, Africa'' is a scripted film based on fictional narrative, in which actors play invented roles. However, unlike mainstream films and against Hollywood traditions, its actors are street people, improvising lived experiences: they play their own lives or those of people like them. That is why ''Come Back, Africa'' is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Rossellini
Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director, producer, and screenwriter. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as ''Rome, Open City'' (1945), ''Paisan'' (1946), and ''Germany, Year Zero'' (1948). Early life Rossellini was born in Rome. His mother, Elettra (née Bellan), was a housewife born in Rovigo, Veneto, and his father, Angiolo Giuseppe "Peppino" Rossellini, who owned a construction firm, was born in Rome from a family originally from Pisa, Tuscany. His mother was of partial French descent, from immigrants who had arrived in Italy during the Napoleonic Wars. He lived on the Via Ludovisi, where Benito Mussolini had his first Roman hotel in 1922 when Fascism obtained power in Italy. Rossellini's father built the first cinema in Rome, the "Barberini", a theatre where movies could be projected, granting his son an unlimited free pass; the young R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Matra Bhumi
Indie is a short form of "independence" or "independent"; it may refer to: Arts, entertainment, and media Gaming *Independent video game development, video games created without financial backing from large companies *Indie game, any game (board-based, video, or otherwise) published or produced outside mainstream means; a subset of third party game **Indie Fund, an organization created by several independent game developers to help fund budding indie video game development **Indie Game Jam, an effort to rapidly prototype video game designs and inject new ideas into the game industry **Indie role-playing game, a role-playing game published outside of traditional, "mainstream" means ***Indie RPG Awards, annual, creator-based awards for Indie role-playing game products Music *Independent music, subculture music that is independent of major producers **Indie dance, or alternative dance, a type of dance music rooted in indie rock and indie pop **Indie electronic, a music genre **Indie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Rouch
Jean Rouch (; 31 May 1917 – 18 February 2004) was a French filmmaker and anthropologist. He is considered one of the founders of cinéma vérité in France. Rouch's practice as a filmmaker, for over 60 years in Africa, was characterized by the idea of ''shared anthropology''. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style: ethnofiction. The French New Wave filmmakers hailed Rouch as one of their own. Commenting on Rouch's work as someone "in charge of research for the Musée de l'Homme" in Paris, Godard said, “Is there a better definition for a filmmaker?". Biography Rouch began his long association with Nigerien subjects in 1941, when he arrived in Niamey as a French colonial hydrology engineer to supervise a construction project in Niger. There he met Damouré Zika, the son of a Songhai traditional healer and fisherman, near the town of Ayorou, on the Niger River. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moi, Un Noir
''Moi, un noir'' (, "Me, a Black [person]"; also released as ''I, a Negro'') is a 1958 French ethnofiction film directed by Jean Rouch. The film is set in Abidjan, Ivory Coast. Synopsis The film depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor in Treichville, envious of the bordering quarters of The Plateau (the business and industrial district) and the old African quarter of Adjame. These young immigrants are Oumarou Ganda (portraying himself under the pseudonym of Edward G. Robinson, a nickname he adopts because of his idolization of the eponymous movie star), Petit Tourè (portraying himself as Eddie Constantine), Alassane Maiga (Tarzan), Amadou Demba (Élite), Seydou Guede (Postman), and Karidyo Daoudou (Petit Jules). The film traces a week in these immigrants’ lives, blurring the line between their characters’ routines and their own. Every morning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Rogosin
Lionel Rogosin (January 22, 1924, New York City, New York – December 8, 2000, Los Angeles, California) was an independent American filmmaker. Rogosin worked in political cinema, non-fiction partisan filmmaking and docufiction, influenced by Italian neorealism and Robert Flaherty. Biography Early life Born and raised on the East Coast of the United States, he was the only son of textile industry mogul and philanthropist Israel Rogosin. Lionel Rogosin attended Yale University and obtained a degree in chemical engineering in order to join his father's business. He served in the United States Navy during World War II. Upon his return, he spent his free time traveling in war-ridden Eastern Europe and Western Europe and Israel as well as a trip to Africa in 1948. He then worked in his father's company until 1954, while teaching himself film with a 16mm Bolex camera. Concerned with political issues including racism and fascism, Rogosin participated in a United Nations film titled '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
