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Rite Of Spring (film)
''Rite of Spring'' (Portuguese: Acto da Primavera) is a 1963 Portuguese film directed by Manoel de Oliveira, his second feature. The poet and director António Reis was the film's assistant director, and his influence can be felt deeply throughout it. (The film was included in the film program ''The School of Reis'' in 2012.) Synopsis The inhabitants of Curalha, a small village in western Portugal, perform the Passion of Jesus every year according to text from about the 16th century, a tradition upon which Oliveira stumbled during the production of a film in 1963. The film is also remembered for "a furious apocalyptic montage that links Christ's death to the violence and lunacy of the Vietnam era". Harvard Film School, 1999, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manoel De Oliveira
Manoel Cândido Pinto de Oliveira (; 11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. He first began making films in 1927, when he and some friends attempted to make a film about World War I. In 1931 he completed his first film '' Douro, Faina Fluvial'', a documentary about his home city Porto made in the city symphony genre. He made his feature film debut in 1942 with ''Aniki-Bóbó'' and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director. In 1971, Oliveira directed his second feature narrative film, '' Past and Present'', a social satire that both set the standard for his film career afterwards and gained him recognition in the global film community. He continued making films of growing ambition throughout the 1970s and 1980s, gaining critical acclaim and numerous awards. Beginning in the late 1980s he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Vaz De Guimaraes
Francisco is the Spanish and Portuguese form of the masculine given name '' Franciscus''. Nicknames In Spanish, people with the name Francisco are sometimes nicknamed " Paco". San Francisco de Asís was known as ''Pater Comunitatis'' (father of the community) when he founded the Franciscan order, and "Paco" is a short form of ''Pater Comunitatis''. In areas of Spain where Basque is spoken, " Patxi" is the most common nickname; in the Catalan areas, "Cesc" (short for Francesc) is often used. In Spanish Latin America and in the Philippines, people with the name Francisco are frequently called " Pancho". " Kiko" is also used as a nickname, and " Chicho" is another possibility. In Portuguese, people named Francisco are commonly nicknamed "Chico" (''shíco''). This is also a less-common nickname for Francisco in Spanish. People with the given name * Pope Francis is rendered in the Spanish and Portuguese languages as Papa Francisco * Francisco Acebal (1866–1933), Spanish w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1963 In Film
The year 1963 in film involved some significant events, including the big-budget epic '' Cleopatra'' and two films with all-star casts, '' How the West Was Won'' and ''It's a Mad, Mad, Mad, Mad World''. Top-grossing films (U.S.) The top ten 1963 released films by box office gross in North America are as follows: Events * January 9 – Joseph Vogel resigns as president of MGM and is replaced by Robert O'Brien. * February 20 – The classic epic western '' How the West Was Won'' premieres in the United States. It is an instant success with both audiences and critics and becomes the biggest moneymaker for MGM since '' Ben-Hur''. * June 12 – '' Cleopatra'', starring Elizabeth Taylor, Rex Harrison and Richard Burton, premieres at the Rivoli Theatre in New York City. Its staggering production costs nearly bankrupted Twentieth Century Fox and the adulterous affair between Taylor and Burton made the publicity even worse. ''Cleopatra'' marked the only instance that a film would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Portugal
The Cinema of Portugal started with the birth of the medium in the late 19th century. Cinema was introduced in Portugal in 1896 with the screening of foreign films and the first Portuguese film was '' Saída do Pessoal Operário da Fábrica Confiança'', made in the same year. The first movie theater opened in 1904 and the first scripted Portuguese film was ''O Rapto de Uma Actriz'' (1907). The first all-talking sound film, '' A Severa'', was made in 1931. Starting in 1933, with ''A Canção de Lisboa'', the Golden Age would last the next two decades, with films such as ''O Pátio das Cantigas'' (1942) and ''A Menina da Rádio'' (1944). ''Aniki-Bóbó'' (1942), Manoel de Oliveira's first feature film, marked a milestone, with a realist style predating Italian neorealism by a few years. In the 1950s the industry stagnated. The early 1960s saw the birth of the ''Cinema Novo'' (literally "New Cinema") movement, showing realism in film, in the vein of Italian neorealism and the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
António Reis
António Ferreira Gonçalves dos Reis, known as António Reis (27 August 1927 – 10 September 1991), was a Portuguese film director, screenwriter and producer, poet, sculptor and ethnographer. He was married to Margarida Cordeiro, co-director of most of his films. He is considered one of the most important directors of his country, due to the originality of his style. He was a teacher at the Lisbon Theatre and Film School for several years. His work and films influenced subsequent directors. This influence originated a cinematographic family commonly referred to as ''The School of Reis''. His only daughter Ana Cordeiro Reis is a writer and contemporary composer. Filmography *1959 : ''Auto de Floripes'' (co-director) *1963 : ''Painéis do Porto'' *1964 : ''Do Céu ao Rio'' (co-director witCésar Guerra Leal *1966 : ''Alto do Rabagão'' (co-director with César Guerra Leal) *1966 : ''Mudar de Vida'' (directed by Paulo Rocha, script by António Reis) *1974 : ''Jaime'' *1976 : '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The School Of Reis
The School of Reis is a film theory concept relative to the teachings of Portuguese director António Reis, to his work, conceived with his wife Margarida Cordeiro, and to the works of the directors influenced by theirs. It is a pun on the surname of António Reis, since (singular: ) in Portuguese also means "kings". Origin of the Term The term ''School of Reis'' was coined by film historian Haden Guest, director of the Harvard Film Archive, when referring to the influence exerted by the school of thought of Portuguese director António Reis through his didactics at his classes as professor of the Portuguese National Filmschool, from 1977 to 1991, over generations of future Portuguese directors who learned under Reis' mentoring. The term ''Reisian'' is sometimes applied in a similar fashion as ''Fordian'' or ''Tarkovskian'', relative to the style of both the American director John Ford or the Russian director Andrey Tarkovsky. The Teachings of António Reis António Reis taught c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. The neologism docuf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Docufiction Films
{{Short description, none This is a list of docufiction feature-length films ordered chronologically. Please search for references inside each article: *1926: '' Moana'' by Robert Flaherty, USA *1930: '' Maria do Mar'' by Leitão de Barros, Portugal *1931: ''Tabu'' by Robert Flaherty and F. W. Murnau, USA *1932: '' L'or des mers'' by Jean Epstein, France *1934: ''Man of Aran'' by Robert Flaherty, UK *1945: '' Ala-Arriba!'' by Leitão de Barros, Portugal *1948: '' La Terra Trema'' by Luchino Visconti, Italy *1948: ''Louisiana Story'' by Robert Flaherty, USA *1952: ''Children of Hiroshima'' by Kaneto Shindo, Japan *1956: ''On the Bowery'' by Lionel Rogosin, USA *1958: ''Moi, un noir'' (Me, A Black Man) by Jean Rouch, France *1958/59 '' Indie Matra Bhumi'' (The Motherland) by Roberto Rossellini, Italy *1959: ''Come Back, Africa'' by Lionel Rogosin, USA *1961: '' La pyramide humaine'' (The Human Pyramid) by Jean Rouch, France *1962: '' Rite of Spring'' by Manoel de Oliveira, Portugal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnofiction
Ethnofiction refers to a subfield of ethnography which produces works that introduces art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into peer-reviewed academic works. In addition to written texts, the term has also been used in the context of filmmaking, where it refers to ethnographic docufiction, a blend of documentary and fictional film in the area of visual anthropology. It is a film type in which, by means of fictional narrative or creative imagination, often improvising, the portrayed characters (natives) play their own roles as members of an ethnic or social group. Jean Rouch is considered to be the father of ethnofiction. An ethnologist, he discovered that a filmmaker interferes with the event he registers. His camera is never a ''candid camera''. The behavior of the portrayed individuals, the natives, will be affected by its presence. Contrary to the principles of Marcel Griaule, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1963 Films
The year 1963 in film involved some significant events, including the big-budget epic ''Cleopatra'' and two films with all-star casts, '' How the West Was Won'' and ''It's a Mad, Mad, Mad, Mad World''. Top-grossing films (U.S.) The top ten 1963 released films by box office gross in North America are as follows: Events * January 9 – Joseph Vogel resigns as president of MGM and is replaced by Robert O'Brien. * February 20 – The classic epic western '' How the West Was Won'' premieres in the United States. It is an instant success with both audiences and critics and becomes the biggest moneymaker for MGM since '' Ben-Hur''. * June 12 – ''Cleopatra'', starring Elizabeth Taylor, Rex Harrison and Richard Burton, premieres at the Rivoli Theatre in New York City. Its staggering production costs nearly bankrupted Twentieth Century Fox and the adulterous affair between Taylor and Burton made the publicity even worse. ''Cleopatra'' marked the only instance that a film would be t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Manoel De Oliveira
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portuguese Drama Films
Portuguese may refer to: * anything of, from, or related to the country and nation of Portugal ** Portuguese cuisine, traditional foods ** Portuguese language, a Romance language *** Portuguese dialects, variants of the Portuguese language ** Portuguese man o' war, a dangerous marine cnidarian that resembles an 18th-century armed sailing ship ** Portuguese people, an ethnic group See also * * ''Sonnets from the Portuguese'' * "A Portuguesa", the national anthem of Portugal * Lusofonia * Lusitania Lusitania (; ) was an ancient Iberian Roman province located where modern Portugal (south of the Douro river) and a portion of western Spain (the present Extremadura and the province of Salamanca) lie. It was named after the Lusitani or Lusita ... * {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
