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Colossal Youth (film)
''Colossal Youth'' ( pt, Juventude em Marcha, literally "Youth on the March") is a 2006 docufiction feature film directed by Portuguese director Pedro Costa. It was third feature by Costa set in Lisbon's Fontainhas neighborhood (after ''Ossos'' and ''In Vanda's Room''), and the first to feature the recurring character Ventura. ''Colossal Youth'' was shot on DV in long, static takes; it also mixes documentary and fiction storytelling. The film is a meditation on the aftermath of the Carnation Revolution and its consequences for Portugal's poverty-stricken Cape Verdean immigrants. It was part of the Official Competition at the 2006 Cannes Film Festival. Plot "''Many of the lost souls of Ossos and In Vanda’s Room return in the spectral landscape of Colossal Youth,.... What results is a form of ghost story, a tale of derelict, dispossessed people living in the past and present at the same time...''" The film opens with a shot of a doorway in a run-down neighborhood. Furniture com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Costa
Pedro Costa (born 30 December 1958) is a Portuguese film director. He is best known for his sequence of films set in Lisbon, which focuses on the lives of the impoverished residents of a slum in the Fontainhas neighbourhood. Biography After completing a degree in History from the University of Lisbon, Costa worked as an assistant for Jorge Silva Melo, Vítor Gonçalves and João Botelho. He released his debut film O Sangue at the age of 30. Costa's films would receive acclaim from critics consistently throughout his career. He collected the France Culture Award (Foreign Cineaste of the Year) at 2002 Cannes Film Festival for directing ''In Vanda's Room''. ''Colossal Youth'' was selected for the 2006 Cannes Film Festival and earned the Independent/Experimental prize (Los Angeles Film Critics Association) in 2008. Horse Money was awarded the Leopard for Best Director in 2014, while his Vitalina Varela was awarded the Gold Leopard for Best Film in 2019. Style and influences He is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Bresson
Robert Bresson (; 25 September 1901 – 18 December 1999) was a French film director. Known for his ascetic approach, Bresson contributed notably to the art of cinema; his non-professional actors, Ellipsis (narrative device), ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of Minimalism, minimalist film. Much of his work is known for being tragic in story and nature. Bresson is among the most highly regarded filmmakers of all time. He has the highest number of films (seven) that made the 2012 ''Sight & Sound'' critics' poll of the 250 greatest films ever made. His works ''A Man Escaped'' (1956), ''Pickpocket (film), Pickpocket'' (1959) and ''Au Hasard Balthazar'' (1966) were ranked among the top 100, and other films like ''Mouchette'' (1967) and ''L'Argent (1983 film), L'Argent'' (1983) also received many votes. Jean-Luc Godard once wrote, "He is the French cinema, as Fyodor Dostoevsky, Dostoevsky is the Russian novel and Mozart is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films About Immigration
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnofiction Films
Ethnofiction refers to a subfield of ethnography which produces works that introduces art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into peer-reviewed academic works. In addition to written texts, the term has also been used in the context of filmmaking, where it refers to ethnographic docufiction, a blend of documentary and fictional film in the area of visual anthropology. It is a film type in which, by means of fictional narrative or creative imagination, often improvising, the portrayed characters (natives) play their own roles as members of an ethnic or social group. Jean Rouch is considered to be the father of ethnofiction. An ethnologist, he discovered that a filmmaker interferes with the event he registers. His camera is never a ''candid camera''. The behavior of the portrayed individuals, the natives, will be affected by its presence. Contrary to the principles of Marcel Griaule, hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s Portuguese-language Films
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the complica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portuguese Drama Films
Portuguese may refer to: * anything of, from, or related to the country and nation of Portugal ** Portuguese cuisine, traditional foods ** Portuguese language, a Romance language *** Portuguese dialects, variants of the Portuguese language ** Portuguese man o' war, a dangerous marine cnidarian that resembles an 18th-century armed sailing ship ** Portuguese people, an ethnic group See also * * ''Sonnets from the Portuguese'' * "A Portuguesa", the national anthem of Portugal * Lusofonia * Lusitania Lusitania (; ) was an ancient Iberian Roman province located where modern Portugal (south of the Douro river) and a portion of western Spain (the present Extremadura and the province of Salamanca) lie. It was named after the Lusitani or Lusita ... * {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via an online streaming service that the company operates. History The company was founded in 1984 by Robert Stein, Aleen Stein and Joe Medjuck, who later were joined by Roger Smith. In 1985, the Steins, William Becker and Jonathan B. Turell f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GreenCine Daily
GreenCine Daily was a film and film criticism news site operated by the defunct video rental service GreenCine. The site was originally edited by David Hudson, who developed a format that curated links to articles, reviews, interviews and podcasts. Over the course of Hudson's tenure, the site became one of the centers of the online film community. In 2009, Hudson moved the format to the website of IFC as the "IFC Daily," and later to Mubi as the "Daily Mubi." Between 2009 and 2013, GreenCine Daily was edited by Aaron Hillis. The site's emphasis was on original content, and it included writings by critics such as Vadim Rizov, Nick Schager and Steve Dollar. Editorship The site was originally edited and written by David Hudson, who held in his position until December 31, 2008, after which he moved the format to a similar blog at the website of IFC. Soon afterwards, Hudson moved the format to the film website Mubi, where it became known as the "Daily Mubi." During his tenure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnofiction
Ethnofiction refers to a subfield of ethnography which produces works that introduces art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into peer-reviewed academic works. In addition to written texts, the term has also been used in the context of filmmaking, where it refers to ethnographic docufiction, a blend of documentary and fictional film in the area of visual anthropology. It is a film type in which, by means of fictional narrative or creative imagination, often improvising, the portrayed characters (natives) play their own roles as members of an ethnic or social group. Jean Rouch is considered to be the father of ethnofiction. An ethnologist, he discovered that a filmmaker interferes with the event he registers. His camera is never a ''candid camera''. The behavior of the portrayed individuals, the natives, will be affected by its presence. Contrary to the principles of Marcel Griaule, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Docufiction Films
{{Short description, none This is a list of docufiction feature-length films ordered chronologically. Please search for references inside each article: *1926: '' Moana'' by Robert Flaherty, USA *1930: '' Maria do Mar'' by Leitão de Barros, Portugal *1931: ''Tabu'' by Robert Flaherty and F. W. Murnau, USA *1932: '' L'or des mers'' by Jean Epstein, France *1934: ''Man of Aran'' by Robert Flaherty, UK *1945: '' Ala-Arriba!'' by Leitão de Barros, Portugal *1948: '' La Terra Trema'' by Luchino Visconti, Italy *1948: ''Louisiana Story'' by Robert Flaherty, USA *1952: ''Children of Hiroshima'' by Kaneto Shindo, Japan *1956: ''On the Bowery'' by Lionel Rogosin, USA *1958: ''Moi, un noir'' (Me, A Black Man) by Jean Rouch, France *1958/59 '' Indie Matra Bhumi'' (The Motherland) by Roberto Rossellini, Italy *1959: ''Come Back, Africa'' by Lionel Rogosin, USA *1961: '' La pyramide humaine'' (The Human Pyramid) by Jean Rouch, France *1962: '' Rite of Spring'' by Manoel de Oliveira, Portugal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via an online streaming service that the company operates. History The company was founded in 1984 by Robert Stein, Aleen Stein and Joe Medjuck, who later were joined by Roger Smith. In 1985, the Steins, William Becker and Jonathan B. Turell f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slant Magazine
''Slant Magazine'' is an American online publication that features reviews of movies, music, TV, DVDs, theater, and video games, as well as interviews with actors, directors, and musicians. The site covers various film festivals like the New York Film Festival. History ''Slant Magazine'' was launched in 2001. On January 21, 2010, it was relaunched and absorbed the entertainment blog ''The House Next Door'', founded by Matt Zoller Seitz, a former ''New York Times'' and ''New York Press'' writer, and maintained by Keith Uhlich, former ''Time Out New York'' film critic, who was the blog's editor until 2012. In the media ''Slant''s reviews, which A. O. Scott of ''The New York Times'' has described as "passionate and often prickly", have occasionally been the source of debate and discourse online and in the media. Ed Gonzalez's review of Kevin Gage's 2005 film ''Chaos'' sparked some controversy when Roger Ebert quoted it in his review of the film for the ''Chicago Sun-Times''; '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
