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Iconostasis In Moscow
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis In Moscow
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucharest
Bucharest ( , ; ro, București ) is the capital and largest city of Romania, as well as its cultural, industrial, and financial centre. It is located in the southeast of the country, on the banks of the Dâmbovița River, less than north of the Danube River and the Bulgarian border. Bucharest was first mentioned in documents in 1459. The city became the capital of Romania in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly Eclectic, but also Neoclassical and Art Nouveau), interbellum ( Bauhaus, Art Deco and Romanian Revival architecture), socialist era, and modern. In the period between the two World Wars, the city's elegant architecture and the sophistication of its elite earned Bucharest the nickname of 'Paris of the East' ( ro, Parisul Estului) or 'Little Paris' ( ro, Micul Paris). Although buildings and districts in the historic city centre were heavily damaged or destroyed by war, earthquakes, and even Nic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor
An emperor (from la, imperator, via fro, empereor) is a monarch, and usually the sovereignty, sovereign ruler of an empire or another type of imperial realm. Empress, the female equivalent, may indicate an emperor's wife (empress consort), mother (empress dowager), or a woman who rules in her own right and name (empress regnant). Emperors are generally recognized to be of the highest monarchic honour, honor and royal and noble ranks, rank, surpassing kings. In Europe, the title of Emperor has been used since the Middle Ages, considered in those times equal or almost equal in dignity to that of Pope due to the latter's position as visible head of the Church and spiritual leader of the Catholic part of Western Europe. The Emperor of Japan is the only currently List of current sovereign monarchs, reigning monarch whose title is translated into English as "Emperor". Both emperors and kings are monarchs or sovereigns, but both emperor and empress are considered the higher monarch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narthex
The narthex is an architectural element typical of early Christian and Byzantine basilicas and churches consisting of the entrance or lobby area, located at the west end of the nave, opposite the church's main altar. Traditionally the narthex was a part of the church building, but was not considered part of the church proper. In early Christian churches the narthex was often divided into two distinct parts: an esonarthex (inner narthex) between the west wall and the body of the church proper, separated from the nave and aisles by a wall, arcade, colonnade, screen, or rail, and an external closed space, the exonarthex (outer narthex), a court in front of the church facade delimited on all sides by a colonnade as in the first St. Peter's Basilica in Rome or in the Basilica of Sant'Ambrogio in Milan. The exonarthex may have been either open or enclosed with a door leading to the outside, as in the Byzantine Chora Church. By extension, the narthex can also denote a covered porch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analogion
An analogion ( el, Ἀναλόγιον) is a lectern or slanted stand on which icons or the Gospel Book are placed for veneration by the faithful in the Eastern Orthodox Church and Eastern Catholic Churches. It may also be used as a lectern to read from liturgical books during the divine services. Design The analogion is normally slanted slightly, to make it easier for the one standing in front of it to see the icon or book laid on it. The analogion may have four legs or only one in the center. It is often covered with rich cloth ( antipendium) which either partially or completely covers the analogion on all sides. Some analogia are made so they fold for easy portability, some are intricately carved of fine wood, and some are simple framework intended to be completely covered with cloth. They are normally light enough to be moved without too much difficulty. There is also a type of analogion which is used in the kliros by the chanters. This often has two or three sides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekphonesis
Ecphonesis ( el, ἐκφώνησις) is an emotional, exclamatory phrase (exclamation) used in poetry, drama, or song. It is a rhetorical device that originated in ancient literature. A Latin example is "O tempora! O mores!" ("Oh, the times! Oh, the morals!"). A modern example is "Young man!" from the song YMCA by the Village People. Edgar Allan Poe used ecphonesis in “The Tell-Tale Heart:” "Almighty God!--no, no! They heard!--they suspected!--they knew!--they were making a mockery of my horror!--this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now--again!--hark! louder! louder! louder! louder! "'Villains!' I shrieked, 'dissemble no more! I admit the deed!--tear up the planks! here, here!--It is the beating of his hideous heart!'"Other examples of ecphonesis include when Homer Simpson said "No! No-no-no-no-no-no! We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustics
Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of acoustics technology may be called an Acoustical engineering, acoustical engineer. The application of acoustics is present in almost all aspects of modern society with the most obvious being the audio and noise control industries. Hearing (sense), Hearing is one of the most crucial means of survival in the animal world and speech is one of the most distinctive characteristics of human development and culture. Accordingly, the science of acoustics spreads across many facets of human society—music, medicine, architecture, industrial production, warfare and more. Likewise, animal species such as songbirds and frogs use sound and hearing as a key element of mating rituals or for marking territories. Art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ektenia
An ektenia (from el, ἐκτενής , translit=ektenés; literally, "diligence"), often called by the better known English word litany, consists of a series of petitions occurring in the Eastern Orthodox and Byzantine Catholic liturgies. The prevalent ecclesiastical word for this kind of litany in Greek is συναπτή ''synaptê'', while ''ektenia'' is the word preferred in Church Slavonic (ектенїѧ ''ekteniya''). A litany is normally intoned by a deacon, with the choir or people chanting the responses. As he concludes each petition, the deacon raises the end of his orarion and crosses himself; if there is no deacon serving, the petitions are intoned by a priest. During many litanies the priest says a prayer silently; when no deacon is serving, the response to the last petition is typically prolonged to give the priest time to finish the prayer. after the last petition of the litany, the priest says an ecphonesis which, when a silent prayer is said during the litany, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambon (liturgy)
The ambon or ambo ( gr, ἄμβων, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrust Stage
In theatre, a thrust stage (also known as a platform stage or open stage) is one that extends into the audience on three sides and is connected to the backstage area by its upstage end. A thrust has the benefit of greater intimacy between performers and the audience than a proscenium, while retaining the utility of a backstage area. Entrances onto a thrust are most readily made from backstage, although some theatres provide for performers to enter through the audience using vomitory entrances. A theatre in the round, exposed on all sides to the audience, is without a backstage and relies entirely on entrances in the auditorium or from under the stage. As with an arena, the audience in a thrust stage theatre may view the stage from three or more sides. Because the audience can view the performance from a variety of perspectives, it is usual for the blocking, props and scenery to receive thorough consideration to ensure that no perspective is blocked from view. A high backed chair, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soleas
The soleas (( el, σολέα, other form σολέας) = lat, solea meaning (“bottom, base”, as used in "sole of a shoe", cf. also the "sole" from the resemblance of fish to a flat shoe. Of uncertain origin)) is an extension of the sanctuary platform in an Eastern Orthodox temple (church building). The soleas projects beyond the iconostasis, forming a narrow walkway running the full length of the iconostasis. Drawing showing the positions, ''Orthodox World'' In the center of the soleas is the , directly in front of the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
-7.JPG "Click for more on -> Analogion")
