Hugo Balzer
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Hugo Balzer
Hugo Philipp Balzer (17 April 1894 – 3 April 1985) was a German conductor. Life Born in Meiderich, Balzer studied at the conservatories in Duisburg and Cologne. He initially worked as a conductor in Koblenz and Essen. In 1929 he went to Freiburg im Breisgau as Generalmusikdirektor and in 1933 to Düsseldorf in the same position. In 1934 he was involved in the foundation and in January 1935 in the ceremonial opening of the Robert Schumann Conservatory.Yvonne Wasserloos, 2010. In 1939 he was appointed professor at this institution; In addition he was given the direction of the teaching institution. From 1946 Balzer was a guest conductor in opera and concerts, mainly in Romance language-speaking countries (Spain, Italy, Brazil), where he reactivated earlier contacts. During his time in Düsseldorf he led several world premieres of operas such as Gerster's ' and ''Die Hexe von Passau''. Assessment Balzer had to organize the Reichsmusiktage for the National Socialists. They tr ...
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Conductor (music)
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, a ...
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Meiderich
Meiderich is a quarter of the city of Duisburg. It is divided into Unter-, Mittel- and Obermeiderich. Meiderich belongs to the city district Meiderich/Beeck, which started in 1975, during the course of municipal reorganization. On 31 December 2004, 75,000 people lived in the district. Meiderich/Beeck has seven quarters: Beeck, Beeckerwerth, Bruckhausen, Laar, Mittel-, Ober- and Untermeiderich. Meiderich was first mentioned in the beginning of the 10th century as "Medriki", that means "moist area", in a document of the Werden Abbey. The first church was built in the 13th century. In the Middle Ages there was the village Meiderich surrounded by seven areas of accumulated farms: Berchum, Berg, Borkhofen, Dümpten, Lakum, Lösort and Vohwinkel. The association-football club MSV Duisburg, currently taking part in the third division ("Dritte Liga") in Germany is based in Meiderich; the club's name MSV is derived from "Meidericher Spielverein". Public transport ''Meiderich Bf.'' is a ...
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Conervatory (music)
A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department (of a larger institution), conservatory, conservatorium or conservatoire ( , ). Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory. Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools. In Venezuela El Sistema of youth orchestras provides free after-school instrumental instruction through music schools called ''núcleos''. The term "music school" can also ...
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Generalmusikdirektor
A music(al) director or director of music is the person responsible for the musical aspects of a performance, production, or organization. This would include the artistic director and usually chief conductor of an orchestra or concert band, the director of music of a film, the director of music at a radio station, the person in charge of musical activities or the head of the music department in a school, the coordinator of the musical ensembles in a university, college, or institution (but not usually the head of the academic music department), the head bandmaster of a military band, the head organist and choirmaster of a church, or an organist and master of the choristers (the title given to a director of music at a cathedral, particularly in England). Orchestra The title of "music director" or "musical director" is used by many symphony orchestras to designate the primary conductor and artistic leader of the orchestra. The term "music director" is most common for orchestras ...
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Robert Schumann Conservatory
The Robert Schumann Hochschule (Robert Schumann University of Music and Media) is a school for music studies at the university level located in Düsseldorf. The University has a student body of some 850 coming from over 40 countries. Forty-seven full-time and part-time faculty and 200 associate professors (People) provide individualized instruction. History In 1935 three private music schools were merged into the Robert Schumann Conservatorium, named after the composer Robert Schumann, who lived in Düsseldorf for some years. In 1972 the state of North Rhine-Westphalia became the body responsible for the music college. It became part of the public college for music in the Rhineland. In 1987 it became an independent college and was given its current name. Studies The programs of study offered by the Robert Schumann Hochschule cover the entire range of music professions. Music, the largest of the programs of study, focuses on performance: Anyone who studies piano or violin, gui ...
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Romance Language
The Romance languages, sometimes referred to as Latin languages or Neo-Latin languages, are the various modern languages that evolved from Vulgar Latin. They are the only extant subgroup of the Italic languages in the Indo-European languages, Indo-European language family. The five list of languages by number of native speakers, most widely spoken Romance languages by number of native speakers are Spanish language, Spanish (489 million), Portuguese language, Portuguese (283 million), French language, French (77 million), Italian language, Italian (67 million) and Romanian language, Romanian (24 million), which are all national languages of their respective countries of origin. By most measures, Sardinian language, Sardinian and Italian are the least divergent from Latin, while French has changed the most. However, all Romance languages are closer to each other than to classical Latin. There are more than 900 million native speakers of Romance languages found worldwide, mainl ...
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Rosa Sabater
Rosa Sabater i Parera (, ; Barcelona, Spain, 29 August 1929 – Mejorada del Campo, Spain, 27 November 1983) was a Spanish pianist. She was a pupil of Frank Marshall (1883-1959), who headed the Academia Marshall in Barcelona, formerly the Academia Granados. In 1982 she served on the jury of the Paloma O'Shea Santander International Piano Competition. She was killed during the air accident of Avianca Flight 011 Avianca Flight 011, registration HK-2910X, was a Boeing 747-200B on an international scheduled passenger flight from Frankfurt via Paris, Madrid, and Caracas to Bogotá, Colombia that crashed near Madrid on 27 November 1983. It took off from .... Rosa Sabater won the Creu de Sant Jordi Prize. References 1929 births 1983 deaths Avianca Flight 011 victims Spanish classical pianists Spanish women pianists 20th-century classical pianists 20th-century Spanish musicians 20th-century Spanish women 20th-century women pianists {{Spain-musician-stub ...
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Riemann Musiklexikon
The Riemann Musiklexikon (RML), is a music encyclopedia founded in 1882 by Hugo Riemann. The 13th edition appeared in 2012. History The Riemann Musiklexikon is the last undertaking of an individual to write a comprehensive encyclopedia in the field of music. The first edition of the encyclopaedia was published in 1882 under the title ''Hugo Riemann Musik-Lexikon. Theorie und Geschichte der Musik, die Tonkünstler alter und neuer Zeit mit Angabe ihrer Werke, nebst einer vollständigen Instrumentenkunde'' (Hugo Riemann Musik-Lexikon. Theory and history of music, the composers (literally: tone artists) of old and new times with lists of their works, together with a complete description of instruments). In the following editions the volume was constantly expanded; the seventh edition had 1598 pages compared to the first with 1036 pages. The last edition published by Riemann was the eighth (Leipzig 1916). He completely revised the lexicon for the ninth edition which was published in Be ...
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Reichsmusiktage
The Reich Music Days (German: ''Reichsmusiktage''} took place from 22 to 29 May 1938 in Düsseldorf. They were a Nazi propaganda event under the patronage of Joseph Goebbels. Goebbels had originally planned an annual return of the Reichsmusiktage. These were held again in May 1939, Fred K. Prieberg but ceased to exist after the beginning of the Second World War. Context In the Ideology of the Nazis a distinction was made between German and national art on the one hand and "cultural Bolshevism" and "degenerate art" on the other. Content-related and stylistic arguments were increasingly replaced by racist statements. The Nazis tried to promote the Gleichschaltung of art through special events and festivals and to make it accessible to the population as "German". These included the Reich Music Days, which were opened in Düsseldorf on 22 May 1938, the 125th birthday of Richard Wagner. They were under the patronage of Joseph Goebbels, who described them as an event for "declarati ...
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Nazism
Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Nazi Germany. During Hitler's rise to power in 1930s Europe, it was frequently referred to as Hitlerism (german: Hitlerfaschismus). The later related term "neo-Nazism" is applied to other far-right groups with similar ideas which formed after the Second World War. Nazism is a form of fascism, with disdain for liberal democracy and the parliamentary system. It incorporates a dictatorship, fervent antisemitism, anti-communism, scientific racism, and the use of eugenics into its creed. Its extreme nationalism originated in pan-Germanism and the ethno-nationalist '' Völkisch'' movement which had been a prominent aspect of German nationalism since the late 19th century, and it was strongly influenced by the paramilitary groups that emerged af ...
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Degenerate Music
Degenerate music (german: Entartete Musik, link=no, ) was a label applied in the 1930s by the government of Nazi Germany to certain forms of music that it considered harmful or decadent. The Nazi government's concerns about degenerate music were a part of its larger and better-known campaign against degenerate art (german: Entartete Kunst, link=no). In both cases, the government attempted to isolate, discredit, discourage, or ban the works. Racial emphasis Jewish composers such as Felix Mendelssohn and Gustav Mahler were disparaged and condemned by the Nazis. In Leipzig, a bronze statue of Mendelssohn was removed. The regime commissioned music to replace his incidental music to '' A Midsummer Night's Dream''. Though the Nazis wanted to discredit Jewish artists because of their ethnicity, they also wanted to have a better reason . The excuse was that some music was "anti-German" and that was why some songs needed to be banned . The certainty of this philosophy was contrasted by th ...
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Helmut Kirchmeyer
Helmut Franz Maria Kirchmeyer (born 30 June 1930 in Düsseldorf, Germany) is a German musicologist, philologist, and historian. Career After grammar school he studied musicology, German literature and philosophy at the University of Cologne, where he presented what is probably the first thesis in Germany on a living composer, Igor Stravinsky, in 1954. He then studied legal affairs, concentrating on medieval law and legal history, criminology and sociology in Cologne and church history at the University of Bonn. Starting in 1947 he attended classes at the Robert-Schumann-Institut in Düsseldorf (whose director he became in 1972), Franzpeter Goebels (piano) and Jürg Baur (composition) were among his teachers, later Bernd Alois Zimmermann introduced him to instrumentation. In 1982 he qualified as a university lecturer on musicology and musicological media studies at the University of Düsseldorf, he taught musicological bibliography and history at the Institut für Fachbibliog ...
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