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Hermann Thomaschek
Hermann Thomaschek (13 April 1824 – 11 December 1910) was a German operatic bass. Life Born in Czerniki, East Prussia, as Sohn eines evangelischen Pfarrers studierte Thomaschek an der Albertus-Universität Königsberg Theologie und Philologie. 1846 wurde er Mitglied der .Kösener Korpslisten 1910, 142/115. Won for singing by Eduard Mantius in 1847, he was trained by Franz Hauser in Munich. He had his first stage appearance in 1849 in Danzig in the . It followed annually changing engagements: Hoftheater Sondershausen (1849/50), Mainfranken Theater Würzburg. (1850/51), Barfüsserkloster Zurich (1851/52), Volkstheater Rostock (1852/53), Staatstheater Kassel (1853/54), Deutsche Oper Amsterdam (1854/55), (1855/56) and Szczecin City Theatre (1856/57). With a Wanderbühne, he was in Lausanne and Chambéry in 1857/58. Then he found firm engagements in Theater Lübeck. (1858/59), at the Staatstheater Nürnberg, at the Salzburger Landestheater (1861/62) and at the Theater Basel (18 ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Theater Trier
The Theater Trier is the municipal theatre of Trier, Rhineland-Palatinate, offering opera and musical, dance and drama. The company dates back to 1802. The current house was completed in 1964, and needs renovation. The director (Intendant) since 2018 is Since 1995, the theatre has run a series of unknown operas, initiated by Heinz Lukas-Kindermann. It included world premieres such as Zemlinsky's ''Sarema'', ''Die unendliche Geschichte'' by Siegfried Matthus, and ''Fausta'' by Heinz Heckmann, German premieres such as '' The Voyage'' by Philip Glass, and revivals of neglected repertoire such as Karl Goldmark's ''Merlin'' and ''Koanga'' by Frederick Delius. History 1802 to 1944 When Trier was a Roman town, there was already theatre. In 1802, Napoleon visited the French-occupied city and decreed that the former Capuchin monastery was designated for the establishment of a theatre.
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Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ...
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Marie Seebach
Marie Seebach (24 February 1829 – 3 August 1897) was a German actress. Biography She was born in Riga, Livonia, Russian Empire as the daughter of an actor, Wilhelm Friedrich Seebach (1798–1863). After appearing first at Nuremberg as Julie in ''Kean'', she played soubrette parts at Lübeck, Danzig and Cassel. In 1852 she achieved her first great success at the Thaliatheater in Hamburg as Gretchen in Goethe's ''Faust'', and she remained there until 1854, when she appeared in Vienna. She then played in Munich, establishing her reputation as a tragic actress with the lead roles in ''Jane Eyre'' and ''Adriana Lecouvreur''. From 1855 to 1866 she was engaged at the court theatre at Hanover. In Hanover, in 1859, she married the tenor Albert Niemann. In 1866 she followed her husband to Berlin, but separated from him after two years. In 1870–1871 she visited the United States, and gave in seventeen cities no less than 160 performances mostly of ''Faust''; and in 1886 she accep ...
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Vocal Pedagogy
Vocal pedagogy is the study of the art and science of voice instruction. It is used in the teaching of singing and assists in defining what singing is, how singing works, and how proper singing technique is accomplished. Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical eras. Typical areas of study include: : * Human anatomy and physiology as it relates to the physical process of singing. * Breathing and air support for singing * Posture for singing * Phonation * Vocal resonation or voice projection * Diction, vowels and articulation * Vocal registration * Sostenuto and legato for singing * Other singing elements, such as range extension, tone quality, vibrato, coloratura * Vocal health and voice disorders related to singing * Vocal styles, such as learning to sing opera, belt, or art song * Phonetics * Voice classification ...
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Year Of The Three Emperors
The Year of the Three Emperors, or the Year of the Three Kaisers (german: Dreikaiserjahr), refers to the year 1888 during the German Empire in History of Germany, German history.PikeTipton, p. 175.Nichols, p. 1.Berghahn, p. 282. The year is considered to have memorable significance because of the deaths of two German German Emperor, Emperors, or Kaisers, leading to a rapid succession of three monarchs within one year. The three different emperors who ruled over Germany during this year were William I, German Emperor, Wilhelm I, Frederick III, German Emperor, Frederick III and Wilhelm II, German Emperor, Wilhelm II. The mnemonic "" (English: "three eights, three emperors") is still used today in Germany by children and adults alike to learn the year in question.Hein, p. 271. Situation Following the death of Frederick William IV of Prussia, Frederick William IV in 1861, Wilhelm I became List of monarchs of Prussia, King of Prussia. As the monarch of the largest German state which ...
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Chemnitz
Chemnitz (; from 1953 to 1990: Karl-Marx-Stadt , ) is the third-largest city in the German state of Saxony after Leipzig and Dresden. It is the 28th largest city of Germany as well as the fourth largest city in the area of former East Germany after (East) Berlin, Leipzig and Dresden. The city is part of the Central German Metropolitan Region, and lies in the middle of a string of cities sitting in the densely populated northern foreland of the Elster and Ore Mountains, stretching from Plauen in the southwest via Zwickau, Chemnitz and Freiberg to Dresden in the northeast. Located in the Ore Mountain Basin, the city is surrounded by the Ore Mountains to the south and the Central Saxon Hill Country to the north. The city stands on the Chemnitz River (progression: ), which is formed through the confluence of the rivers Zwönitz and Würschnitz in the borough of Altchemnitz. The name of the city as well as the names of the rivers are of Slavic origin. Chemnitz is the third larg ...
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Stadttheater Magdeburg
Stadttheater Magdeburg was the municipal theatre of Magdeburg, Germany. It was opened in 1878, was at times of national importance for operas, and was destroyed during World War II. History Building Between 1873 and 1876, a new municipal theatre was built on the site of the previously demolished fortifications on Kaiserstraße. The client was a joint-stock company which had been founded specifically for this purpose. Richard Lucae, the director of the Bauakademie, was responsible for the planning. The stage machinery was built by the E. Schwerdtfeger company from Darmstadt, which also worked for Wagner's Bayreuth Festspielhaus. The theatre seated 1200 people. The opening took place on 6 May 1876, with Goethe's ''Egmont (play), Egmont''. Friedrich Schwemer, 1876–1877 The first theater manager (Intendant), and also chief director (Oberregisseur) was Friedrich Schwemer. The theatre was three-part: opera, operetta and plays. The program of the first season was mostly con ...
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Augustinian Monastery, Freiburg
The Augustinian Monastery of Freiburg is a former Augustinian monastery located in the Salzstraße, in the historic center of Freiburg im Breisgau. From 1278 to 1783, Augustinian monks lived in the buildings. It has a preserved Gothic cloister, and has housed the local art museum " Augustinermuseum" since 1923. History When first built, the Augustinian monastery belonged to the German Ecclesiastical province. After the division of the province in 1299 it became part of a new province, The Rhenic Swabian Province, which included part of Switzerland, Swabia, Alsace, and the Rhineland up to the city of Mainz. In 1781 it changed hands again, when the Austrian government ordered four monasteries in Further Austria to form their own province (Further Austrian Province). The government forbade contact with the Superior General of the Augustinians when the former Prior of Konstanz was appointed as the Director (1782).He was appointed later on appointed as the Provincial Superior ...
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Stadttheater Freiburg
Theater Freiburg is a theatre in Baden-Württemberg, Germany. Freiburg Theatre, sometimes also referred to as Stadttheater Freiburg (Freiburg municipal theatre), formerly Städtische Bühnen (Municipal Stages) Freiburg, is the oldest and biggest theatre in Freiburg im Breisgau. It is located in Bertoldstraße, on the edge of Freiburg's historic city centre, and unites four venues under one roof: the Großes Haus (main stage), the Kleines Haus (small stage), the Kammerbühne (chamber stage) and the Werkraum (workshop). The Winterer Foyer additionally hosts author readings, such as the Litera-Tour, chambermusic concerts and evening lectures on current affairs, such as the Dream School series. Since September 2005 the theatre has been under independent ownership. History Up until the first decades of the 19th century, theatre performances in Freiburg were mainly staged in the Kornhaus ( granary) on the Münsterplatz, which later proved to be increasingly unsuitable for a “mod ...
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Landestheater Altenburg
The Landestheater Altenburg is a multi-partstheatre in Altenburg and part of the . The venues used are the Großes Haus with 500 seats as well as the ''Heizhaus'' and the ''Theater unterm Dach''. The general director and managing director since 2011 is . History The theatre years before 1871 After the death of Frederick III, Duke of Saxe-Gotha-Altenburg, Friedrich III, Altenburg came to Duke Ernest II, Duke of Saxe-Gotha-Altenburg. In the former Schlossgartentheater, operas and melodramas by the Gotha Hofkapellmeister Gottfried Heinrich Stölzel and Georg Anton Benda were performed, e.g. Benda's melodramas ''Ariadne auf Naxos'' and ''Medea'' in 1775. In terms of actors, Friederike Caroline Neuber made guest appearances here for a long time around 1742 with her theatre company, and Konrad Ekhof from Gotha in 1775. In addition to plays by the young Gotthold Ephraim Lessing, Lessing, plays by Denis Diderot, Diderot were also performed. When the theatre in the castle park was ...
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Proclamation Of The German Empire
The proclamation of the German Empire, also known as the ''Deutsche Reichsgründung'', took place in January 1871 after the joint victory of the German states in the Franco-Prussian War. As a result of the November Treaties of 1870, the southern German states of Baden, Hesse-Darmstadt, with their territories south of the Main line, Württemberg and Bavaria, joined the Prussian-dominated "German Confederation" on 1 January 1871. On the same day, the new Constitution of the German Confederation came into force, thereby significantly extending the federal German lands to the newly created German Empire. Karl Kroeschell: ''Deutsche Rechtsgeschichte'', Bd. 3: ''Seit 1650'', 5. Aufl., Böhlau/UTB, Köln/Weimar/Wien 2008, S. 235.Michael Kotulla: ''Deutsche Verfassungsgeschichte: Vom Alten Reich bis Weimar (1495–1934)'', 2008, Rn. 2042. Klaus Stern: ''Das Staatsrecht der Bundesrepublik Deutschland. Band V: Die geschichtlichen Grundlagen des deutschen Staatsrechts. Die Verfassungsentw ...
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