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Landestheater Altenburg
The Landestheater Altenburg is a multi-partstheatre in Altenburg and part of the . The venues used are the Großes Haus with 500 seats as well as the ''Heizhaus'' and the ''Theater unterm Dach''. The general director and managing director since 2011 is . History The theatre years before 1871 After the death of Frederick III, Duke of Saxe-Gotha-Altenburg, Friedrich III, Altenburg came to Duke Ernest II, Duke of Saxe-Gotha-Altenburg. In the former Schlossgartentheater, operas and melodramas by the Gotha Hofkapellmeister Gottfried Heinrich Stölzel and Georg Anton Benda were performed, e.g. Benda's melodramas ''Ariadne auf Naxos'' and ''Medea'' in 1775. In terms of actors, Friederike Caroline Neuber made guest appearances here for a long time around 1742 with her theatre company, and Konrad Ekhof from Gotha in 1775. In addition to plays by the young Gotthold Ephraim Lessing, Lessing, plays by Denis Diderot, Diderot were also performed. When the theatre in the castle park was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Manager
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Seebach
Marie Seebach (24 February 1829 – 3 August 1897) was a German actress. Biography She was born in Riga, Livonia, Russian Empire as the daughter of an actor, Wilhelm Friedrich Seebach (1798–1863). After appearing first at Nuremberg as Julie in ''Kean'', she played soubrette parts at Lübeck, Danzig and Cassel. In 1852 she achieved her first great success at the Thaliatheater in Hamburg as Gretchen in Goethe's ''Faust'', and she remained there until 1854, when she appeared in Vienna. She then played in Munich, establishing her reputation as a tragic actress with the lead roles in ''Jane Eyre'' and ''Adriana Lecouvreur''. From 1855 to 1866 she was engaged at the court theatre at Hanover. In Hanover, in 1859, she married the tenor Albert Niemann. In 1866 she followed her husband to Berlin, but separated from him after two years. In 1870–1871 she visited the United States, and gave in seventeen cities no less than 160 performances mostly of ''Faust''; and in 1886 she accep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norma (opera)
''Norma'' () is a ''tragedia lirica'' or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play ''Norma, ou L'infanticide'' (''Norma, or The Infanticide'') by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in act 1 is a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé. Composition history Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May 1830 Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for December 1831 at La Scala became ''Norma'', while the one for the 1832 Carnival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelmine Schröder-Devrient
Wilhelmine Schröder-Devrient, born Wilhelmine Schröder (6 December 180426 January 1860), was a German operatic soprano. As a singer, she combined a rare quality of tone with dramatic intensity of expression, which was as remarkable on the concert platform as in opera. Biography Schröder was born in Hamburg, the daughter of the actress Sophie Schröder and the tenor Friedrich Schröder. The poet Johann Wolfgang von Goethe was her 2nd cousin. Her first role was at the age of 15 as Aricia in Schiller's translation of Racine's ''Phèdre'', and in 1821, aged 17, she was received with so much enthusiasm as Pamina in Mozart's ''The Magic Flute'' that her future career in opera was assured. In 1823, she married Karl Devrient, becoming known as Wilhelmine Schröder-Devrient, but separated from him in 1828. Meanwhile, she had maintained her popularity at Dresden and elsewhere. She made her first Paris appearance in 1830, and sang in London in 1833 and 1837. Richard Wagner, born in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Lortzing
Gustav Albert Lortzing (23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German ''Spieloper'', a form similar to the French '' opéra comique'', which grew out of the '' Singspiel''. Life and career Lortzing was born in Berlin to Johann Gottlieb and Charlotte Sophie Lortzing. They had abandoned their leather shop and travelled through Germany as itinerant actors, founding the Berlin theatre company ''Urania'', and turning their amateur passion into a profession. The young Lortzing's first stage appearance was at the age of 12, entertaining the audience with comic poems during the interval in the ''Kornhaus'' at the Freiburg Münster. From 1817, the Lortzing family were part of Josef Derossi ensemble in the Rhineland, treading the boards at Bonn, Düsseldorf, Barmen and Aachen. Albert Lortzing became an audience favourite, playing the roles of a youthful lover, a country boy and bon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Wildschütz
''Der Wildschütz oder Die Stimme der Natur'' (''The Poacher, or The Voice of Nature'') is a German ''Komische Oper'', or comic opera, in three acts by Albert Lortzing from a libretto by the composer adapted from the comedy ''Der Rehbock, oder Die schuldlosen Schuldbewussten'' by August von Kotzebue. It had its premiere at the Stadttheater in Leipzig on 31 December 1842. Roles Synopsis Act 1 At the village hotel, the schoolmaster Baculus is celebrating his engagement to Gretchen. A hunter from the Count von Eberbach then arrives at the festivities with a letter telling Baculus that he has been dismissed from his schoolmaster post, as Baculus had earlier gone hunting on the count's land without his permission. Baculus thinks to send Gretchen to change the count's mind, but then recalls the count's weakness for young women. The Baroness von Freimann, sister of the count and recently widowed, arrives disguised as a student to travel ''incognito''. Her brother wants her to remar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zar Und Zimmermann
''Zar und Zimmermann'' (''Tsar and Carpenter'') is a comic opera in three acts, music by Albert Lortzing, libretto by the composer after Georg Christian Römer's ''Der Bürgermeister von Saardam, oder Die zwei Peter'', itself based on the French play ''Le Bourgmestre de Saardam, ou Les deux Pierre'' by Mélésville, Jean-Toussaint Merle, and Eugène Centiran de Boirie. Ultimately, it goes back to the historical Grand Embassy of Peter the Great. Gaetano Donizetti had set the same story in his 1827 opera '' Il borgomastro di Saardam''. Performance history The opera was first performed at the Stadttheater in Leipzig, on 22 December 1837. Lortzing's most successful and enduring work, it is still regularly performed in German-speaking countries. Roles Synopsis The action takes place in Saardam, Holland, in 1698. Peter the Great of Russia, disguised as Peter Michaelov, a common laborer, is working in a shipyard in the Dutch town of Saardam, to learn shipbuilding techniques for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Diavolo (opera)
''Fra Diavolo, ou L'hôtellerie de Terracine'' (''Fra Diavolo, or The Inn of Terracina'') is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe. It is loosely based on the life of the Itrani guerrilla leader Michele Pezza, active in southern Italy in the period 1800-1806, who went under the name of Fra Diavolo ("Brother Devil"). The opera was first performed by the Opéra-Comique at the Salle Ventadour in Paris on 28 January 1830 and an Italian version was prepared by Auber and Scribe for performance in London in 1857. This contained new recitatives and arias, as well as expanding the roles of Fra Diavolo's accomplices. The opera was Auber's greatest success, one of the most popular works of the 19th century and was in the standard repertory in its original French as well as German and Italian versions. An English translation was also prepared. Hugh Macdonald has characterised this comic opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon (Weber)
''Oberon, or The Elf-King's Oath'' ( J. 306) is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem ''Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance ''Huon de Bordeaux'', a French medieval tale. It was premiered in London on 12 April 1826. Against his doctor's advice, Weber undertook the project commissioned by the actor-impresario Charles Kemble for financial reasons. Having been offered the choice of Faust or Oberon as subject matter, he travelled to London to complete the music, learning English to be better able to follow the libretto, before the premiere of the opera. However, the pressure of rehearsals, social engagements and composing extra numbers destroyed his health, and Weber died in London on 5 June 1826. Performance history First performed at Covent Garden, London, on 12 April 1826, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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