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Der Wildschütz
''Der Wildschütz oder Die Stimme der Natur'' (''The Poacher, or The Voice of Nature'') is a German ''Komische Oper'', or comic opera, in three acts by Albert Lortzing from a libretto by the composer adapted from the comedy ''Der Rehbock, oder Die schuldlosen Schuldbewussten'' by August von Kotzebue. It had its premiere at the Stadttheater in Leipzig on 31 December 1842. Roles Synopsis Act 1 At the village hotel, the schoolmaster Baculus is celebrating his engagement to Gretchen. A hunter from the Count von Eberbach then arrives at the festivities with a letter telling Baculus that he has been dismissed from his schoolmaster post, as Baculus had earlier gone hunting on the count's land without his permission. Baculus thinks to send Gretchen to change the count's mind, but then recalls the count's weakness for young women. The Baroness von Freimann, sister of the count and recently widowed, arrives disguised as a student to travel ''incognito''. Her brother wants her to remar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Lortzing
Gustav Albert Lortzing (23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German ''Spieloper'', a form similar to the French '' opéra comique'', which grew out of the '' Singspiel''. Life and career Lortzing was born in Berlin to Johann Gottlieb and Charlotte Sophie Lortzing. They had abandoned their leather shop and travelled through Germany as itinerant actors, founding the Berlin theatre company ''Urania'', and turning their amateur passion into a profession. The young Lortzing's first stage appearance was at the age of 12, entertaining the audience with comic poems during the interval in the ''Kornhaus'' at the Freiburg Münster. From 1817, the Lortzing family were part of Josef Derossi ensemble in the Rhineland, treading the boards at Bonn, Düsseldorf, Barmen and Aachen. Albert Lortzing became an audience favourite, playing the roles of a youthful lover, a country boy and bon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotte Schädle
Lotte Schädle (born 23 October 1926) is a German soprano in opera, operetta, lied and concert. She was a member of the Bavarian State Opera and the Staatstheater Nürnberg, and has performed at international opera houses and festivals, in roles such as Blonde in Mozart's ''Die Entführung aus dem Serail''. Career Born in Füssen, Bavaria, Schädle grew up in Unterammergau. Encouraged by her mother, she took private singing lessons from 1948 to 1951, and was successful at several singing competitions. She then studied voice at the Musikhochschule München with . In 1955, she made her debut at the Bavarian State Opera as Blonde in Mozart's ''Die Entführung aus dem Serail''. In 1957, Schädle was engaged by the Staatstheater Nürnberg as lyrical and coloratura soprano. Here she took part in the premiere of Mark Lothar's opera ''Der Glücksfischer'' in 1962. That year, she became a member of the Munich Opera, where she performed major roles such as Gilda in Verdi's ''Rigoletto'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Albert Lortzing
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatskapelle Berlin
The Staatskapelle Berlin () is a German orchestra and the resident orchestra of the Berlin State Opera, Unter den Linden. The orchestra is one of the oldest in the world. Until the fall of the German Empire in 1918 the orchestra's name was ''Königliche Kapelle'', i.e. Royal Orchestra. History The orchestra traces its roots to 1570, when Joachim II Hector, Elector of Brandenburg established the rules for an orchestra at his court which had been constituted, at an unknown date. In 1701, the affiliation of the Electors of Brandenburg to the position of King of Prussia led to the description of the orchestra as ' ("Royal Prussian Court Orchestra"), which consisted of about 30 musicians. The orchestra became affiliated with the Royal Court Opera, established in 1742 by Frederick the Great. Noted musicians associated with the orchestra have included Carl Philipp Emanuel Bach, Franz Benda, and Johann Joachim Quantz. The first concert by the ensemble for a wider audience outside of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Sotin
Hans Sotin (born 10 September 1939) is a German operatic bass. He was born in Dortmund and studied at the Dortmund Hochschule für Musik. He made his operatic debut in 1962 in Essen as the Police Commissioner in Strauss's ''Der Rosenkavalier''. He joined the Hamburg State Opera in 1964 where he was made a Kammersänger. He had a long career in which he sang most of the major bass roles in many opera houses, both in Europe and America. He made numerous appearances at the Bayreuth Festival over several decades. His signature roles were Sarastro and the major Wagnerian noble-bass roles, including King Marke, Gurnemanz, the Landgrave, and Veit Pogner. He occasionally played Baron Ochs, and Hunding. He played Wotan a few times. Sotin made numerous recordings of operatic, sacred, and symphonic works, including the Verdi '' Requiem'', the Rossini ''Stabat Mater'', Beethoven's ''Choral Symphony'', ''Missa Solemnis'' and ''Mass in C'', Mahler's ''Symphony of a Thousand'', Moza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Hornik
Gottfried Hornik (born 5 August 1940) is an Austrian operatic baritone and voice teacher. He was a member of the Vienna State Opera for 25 years and appeared worldwide in leading roles. His signature role was Beckmesser in Wagner's ''Die Meistersinger von Nürnberg''. He was awarded the title of an Austrian Kammersänger. Life Education and beginnings Born in Vienna, Hornik studied at the Vienna Academy with teachers including Paula Köhler and Josef Witt. During his vocal studies he sang his first lyric baritone solo roles at the Stadttheater Klagenfurt, where he had his first engagement in the 1964/65 season, with roles including Papageno in Mozart's ''Die Zauberflöte'' and Silvio in Leoncavallo's ''Pagliacci''. From 1965 to 1976, he was engaged at the Graz Opera, where he was able to build up a broad repertoire. After initial roles such as Mozart's Figaro and Don Giovanni, he turned to Wagner, including Alberich in ''Der Ring des Nibelungen''. At the same time he worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Schreier
Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conducted by Rudolf Mauersberger, performing as an alto soloist. He became a tenor, focused on concert and lieder singing, well known internationally for the Evangelist parts in Bach's ''Christmas Oratorio'' and Passion. A member of the Berlin State Opera from 1963, he appeared in Mozart roles such as Belmonte in ''Die Entführung aus dem Serail'' and Tamino in ''Die Zauberflöte'', and in the title role of Pfitzner's ''Palestrina'', among others. He appeared at the Vienna State Opera and the Metropolitan Opera, among others, as one of few singers from the German Democratic Republic to perform internationally. Schreier made many recordings, especially of Bach's works as both a singer and a conductor, even simultaneously. He recorded many lieder i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doris Soffel
Doris Soffel (born 12 May 1948, Hechingen, Germany) is a German mezzo-soprano. Doris Soffel first played the violin, then switched to singing at the Hochschule für Musik und Theater München. She was member of the Stuttgart Opera ensemble from 1973 to 1982. Her international breakthrough was as Sesto in Mozart's ''La clemenza di Tito'' at the Royal Opera House, London in 1982. She sang Fricka in the Bayreuth Festival 1983 and was the only German coloratura mezzo with an international career, singing in works by Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini. She sang world premieres by contemporary composers like Aribert Reimann and Krysztof Penderecki and had performances worldwide of Gustav Mahler's vocal works. From 1994, more dramatic roles like Judith in Béla Bartók's ''Bluebeard's Castle'', Eboli in Verdi's ''Don Carlo'' and Amneris in his ''Aïda''. Since 1999 she belongs to the most important interpreters of operas by Richard Wagner and Richard Strau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edith Mathis
Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's ''Der junge Lord''. Her voice was featured in a key scene of the film ''The Shawshank Redemption'', joining with that of Gundula Janowitz in a duet from ''Le Nozze di Figaro'', "soar ngover a prison yard, signifying joy and hope in a world of despair," as described in a 2014 article in ''The New York Times''. Career Mathis was born and studied in Lucerne, and made her operatic debut in 1956 as the second boy in ''Die Zauberflöte''. She continued gaining stage experience in her native Switzerland for the next three years. Her first appearance abroad was at the Cologne Opera in 1959. In the early 1960s she made frequent guest appearances in Hamburg, at the Glyndebourne Festival, and the Salzburg Festival. In 1963, she became a member of the Deutsche Oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard Klee
Bernhard Klee (born 19 April 1936) is a German conductor, originally from Schleiz, in Thuringia. Trained as a member of the Thomanerchor, he has since conducted many of Europe's most prestigious orchestras including the Vienna Philharmonic and State Philharmonic of Rheinland-Palatinate. He was married to the Swiss soprano Edith Mathis Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's ''Der junge Lord' .... References German male conductors (music) People from Schleiz 1936 births Living people 20th-century German conductors (music) 21st-century German conductors (music) 20th-century German male musicians 21st-century German male musicians {{Germany-conductor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bavarian State Orchestra
The Bavarian State Orchestra (german: Bayerisches Staatsorchester, italic=no) is the orchestra of the Bavarian State Opera in Munich, Germany. It has given its own series of concerts, the , since 1811. Profile On 9 December 2011, this ensemble celebrated the 200th anniversary of its first concert as a full symphony orchestra, and specifically the founding (in 1811) of the ''Musikalische Akademie''. Its origins stretch back, however, to 1523 and the times of composer Ludwig Senfl, when sacred music was the focus of work. The musicians achieved renown across Europe, the more so after 1563 and the appointment of Belgian master polyphonist Orlande de Lassus as ''maestro di cappella''. In 1653 the first opera performances took place in Munich, adding to and greatly realigning the musicians' activities. In 1762 the ensemble was titled ''Hoforchester:'' orchestra to the Bavarian Court, a position it already effectively held. Sixteen years later, just after Karl Theodor of Mannheim bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
