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Stadttheater Magdeburg
Stadttheater Magdeburg was the municipal theatre of Magdeburg, Germany. It was opened in 1878, was at times of national importance for operas, and was destroyed during World War II. History Building Between 1873 and 1876, a new municipal theatre was built on the site of the previously demolished fortifications on Kaiserstraße. The client was a joint-stock company which had been founded specifically for this purpose. Richard Lucae, the director of the Bauakademie, was responsible for the planning. The stage machinery was built by the E. Schwerdtfeger company from Darmstadt, which also worked for Wagner's Bayreuth Festspielhaus. The theatre seated 1200 people. The opening took place on 6 May 1876, with Goethe's ''Egmont (play), Egmont''. Friedrich Schwemer, 1876–1877 The first theater manager (Intendant), and also chief director (Oberregisseur) was Friedrich Schwemer. The theatre was three-part: opera, operetta and plays. The program of the first season was mostly con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Socialist
Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Nazi Germany. During Hitler's rise to power in 1930s Europe, it was frequently referred to as Hitlerism (german: Hitlerfaschismus). The later related term " neo-Nazism" is applied to other far-right groups with similar ideas which formed after the Second World War. Nazism is a form of fascism, with disdain for liberal democracy and the parliamentary system. It incorporates a dictatorship, fervent antisemitism, anti-communism, scientific racism, and the use of eugenics into its creed. Its extreme nationalism originated in pan-Germanism and the ethno-nationalist '' Völkisch'' movement which had been a prominent aspect of German nationalism since the late 19th century, and it was strongly influenced by the paramilitary groups that emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include ''Brand'', '' Peer Gynt'', '' An Enemy of the People'', ''Emperor and Galilean'', ''A Doll's House'', ''Hedda Gabler'', '' Ghosts'', ''The Wild Duck'', ''When We Dead Awaken'', ''Rosmersholm'', and ''The Master Builder''. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and ''A Doll's House'' was the world's most performed play in 2006. Ibsen's early poetic and cinematic play ''Peer Gynt'' has strong surreal elements. After ''Peer Gynt'' Ibsen abandoned verse and wrote in realistic prose. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Grillparzer
Franz Seraphicus Grillparzer (15 January 1791 – 21 January 1872) was an Austrian writer who was considered to be the leading Austrian dramatist of the 19th century. His plays were and are frequently performed at the famous Burgtheater in Vienna. He also wrote the oration for Ludwig van Beethoven's funeral, as well as the epitaph for his friend Franz Schubert. While writing during the period of Romanticism, Grillparzer's poetic language owes far more to the period of Classicism which reigned during his formative years. Committed to the classical ideals of aesthetic beauty and morality, his plots shy away from the realism which developed during his time, preferring instead to use the theater to address spiritual values, which in the words of the dying queen of his Libussa, would only come after the period of Materialism had passed. Due to the identity-creating use of his works, especially after World War II, he was named as the national poet of Austria. Biography Franz Grill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Hebbel
Christian Friedrich Hebbel (18 March 1813 – 13 December 1863) was a German poet and dramatist. Biography Hebbel was born at Wesselburen in Dithmarschen, Holstein, the son of a bricklayer. He was educated at the ''Gelehrtenschule des Johanneums'', a grammar school in Hamburg, Germany. Despite his humble origins, he showed a talent for poetry, resulting in the publication in the ''Hamburg Modezeitung'', of verses which he had sent to Amalie Schoppe (1791–1858), a popular journalist and author of nursery tales. Through her patronage, he was able to go to the University of Hamburg. A year later he went to Heidelberg University to study law, but gave it up and went on to the University of Munich, where he devoted himself to philosophy, history and literature. In 1839, Hebbel left Munich and walked all the way back to Hamburg, where he resumed his friendship with Elise Lensing, whose self-sacrificing assistance had helped him over the darkest days in Munich. In the same year he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stadttheater Magdeburg
Stadttheater Magdeburg was the municipal theatre of Magdeburg, Germany. It was opened in 1878, was at times of national importance for operas, and was destroyed during World War II. History Building Between 1873 and 1876, a new municipal theatre was built on the site of the previously demolished fortifications on Kaiserstraße. The client was a joint-stock company which had been founded specifically for this purpose. Richard Lucae, the director of the Bauakademie, was responsible for the planning. The stage machinery was built by the E. Schwerdtfeger company from Darmstadt, which also worked for Wagner's Bayreuth Festspielhaus. The theatre seated 1200 people. The opening took place on 6 May 1876, with Goethe's ''Egmont (play), Egmont''. Friedrich Schwemer, 1876–1877 The first theater manager (Intendant), and also chief director (Oberregisseur) was Friedrich Schwemer. The theatre was three-part: opera, operetta and plays. The program of the first season was mostly con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kroll Opera House
The Kroll Opera House (german: Krolloper, Kroll-Oper) in Berlin, Germany, was in the Tiergarten district on the western edge of the '' Königsplatz'' square (today ''Platz der Republik''), facing the Reichstag building. It was built in 1844 as an entertainment venue for the restaurant owner Joseph Kroll, and redeveloped as an opera house in 1851. It also served as the assembly hall of the Reichstag from 1933 to 1942. Severely damaged by the bombing of Berlin in World War II and the Battle of Berlin, it was demolished in 1951. History 1842–1848: Early years The Kroll story began in the Silesian capital Breslau, where the entrepreneur Joseph Kroll (1797–1848) had opened the "Kroll Winter Garden" in 1837. The Breslau authorities chose this reputable establishment to entertain the new Prussian King Frederick William IV when he visited the city in 1841. The King was impressed by the splendid, flower-decorated rooms and suggested that something similar should be initiated in B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlsruhe
Karlsruhe ( , , ; South Franconian: ''Kallsruh'') is the third-largest city of the German state (''Land'') of Baden-Württemberg after its capital of Stuttgart and Mannheim, and the 22nd-largest city in the nation, with 308,436 inhabitants. It is also a former capital of Baden, a historic region named after Hohenbaden Castle in the city of Baden-Baden. Located on the right bank of the Rhine near the French border, between the Mannheim/ Ludwigshafen conurbation to the north and Strasbourg/Kehl to the south, Karlsruhe is Germany's legal center, being home to the Federal Constitutional Court (''Bundesverfassungsgericht''), the Federal Court of Justice (''Bundesgerichtshof'') and the Public Prosecutor General of the Federal Court of Justice (''Generalbundesanwalt beim Bundesgerichtshof''). Karlsruhe was the capital of the Margraviate of Baden-Durlach (Durlach: 1565–1718; Karlsruhe: 1718–1771), the Margraviate of Baden (1771–1803), the Electorate of Baden (1803–1806), th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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