Galatea, Or Pygmalion Reversed
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Galatea, Or Pygmalion Reversed
''Galatea, or Pygmalion Re-Versed'' is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play '' Pygmalion and Galatea''. The libretto was written by Henry Pottinger Stephens and W. Webster. The score was composed by Wilhelm Meyer Lutz. The work was premiered at the Gaiety Theatre, London on 26 December 1883. It starred Nellie Farren and Edward Terry. Background This type of work, Victorian burlesque, was popular in Britain in the late 19th century. Other examples include '' The Bohemian G-yurl and the Unapproachable Pole'' (1877), ''Blue Beard'' (1882), ''Ariel'' (1883, by F. C. Burnand), '' Little Jack Sheppard'' (1885), '' Monte Cristo Jr.'' (1886), ''Miss Esmeralda'' (1887), '' Frankenstein, or The Vampire's Victim'' (1887), ''Faust up to Date'' (1888), ''Ruy Blas and the Blasé Roué'' (1888), ''Carmen up to Data'' (1890), and ''Cinder Ellen up too Late'' (1891). Gilbert himself had written a series of burlesques of ope ...
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Galatea Or Pygmalion ReVersed
Galatea is an ancient Greek name meaning "she who is milk-white". Galatea, Galathea or Gallathea may refer to: In mythology * Galatea (Greek myth), three different mythological figures In the arts * ''Aci, Galatea e Polifemo'', cantata by Handel * ''Galatea'' (Raphael), or ''The Triumph of Galatea'', a 1512 fresco of Ovid's sea-nymph * ''Gallathea'', a late sixteenth-century play by John Lyly * ''Galatea, or Pygmalion Reversed'', an 1883 musical comedy by Henry Pottinger Stephens, W. Webster and Meyer Lutz * ''Galatea'', a 2009 play by Lawrence Aronovitch * ''La Galatea'', a sixteenth-century pastoral novel by Miguel de Cervantes * ''Galatea'' (novel), a 1953 novel by James M. Cain * ''Galatea'', a 1976 novel by Philip Pullman * ', a 1977 ballet film with Ekaterina Maximova and Māris Liepa * '' Galatea 2.2'', a 1995 novel by Richard Powers * ''Galatea'' (video game), released in 2000 * Galatea, a main figure in the ''Pygmalion and the Image'' series of four paintings by ...
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Carmen Up To Data
''Carmen up to Data'' is a musical burlesque with a score written by Meyer Lutz. The piece was a spoof of Bizet's 1875 opera ''Carmen''. The libretto was written by G. R. Sims and Henry Pettitt. After a tryout in Liverpool in September 1890, the piece premiered at the Gaiety Theatre, London, on 4 October 1890, produced by George Edwardes. It starred Florence St. John in the title role, Letty Lind as Mercedes, Jenny Dawson as Escamillo, Maria Jones as Michaela, Blanche Massey as Morales, Horace Mills as Remendado, E. J. Lonnen as José and Arthur Williams as Captain Zuniga.Programme for ''Carmen up to Data''
The piece was a success and toured throughout the English-speaking world, reaching Australia by 1892.


Background

Bizet's ''Carmen'' had first been produced in English ...
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Musicals By Meyer Lutz
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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Evening Standard
The ''Evening Standard'', formerly ''The Standard'' (1827–1904), also known as the ''London Evening Standard'', is a local free daily newspaper in London, England, published Monday to Friday in tabloid format. In October 2009, after being purchased by Russian businessman Alexander Lebedev, the paper ended a 180-year history of paid circulation and became a free newspaper, doubling its circulation as part of a change in its business plan. Emily Sheffield became editor in July 2020 but resigned in October 2021. History From 1827 to 2009 The newspaper was founded by barrister Stanley Lees Giffard on 21 May 1827 as ''The Standard''. The early owner of the paper was Charles Baldwin. Under the ownership of James Johnstone, ''The Standard'' became a morning paper from 29 June 1857. ''The Evening Standard'' was published from 11 June 1859. ''The Standard'' gained eminence for its detailed foreign news, notably its reporting of events of the American Civil War (1861–18 ...
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The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the '' Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. I ...
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Arthur Wing Pinero
Sir Arthur Wing Pinero (24 May 185523 November 1934) was an English playwright and, early in his career, actor. Pinero was drawn to the theatre from an early age, and became a professional actor at the age of 19. He gained experience as a supporting actor in British provincial theatres, and from 1876 to 1881 was a member of Henry Irving's company, based at the Lyceum Theatre, London. Pinero wrote his first play in 1877. Seven years later, having written 15 more, three of them highly successful, he abandoned acting and became a full-time playwright. He first became known for a series of farces, of which '' The Magistrate'' (1885) was the longest-running. During the 1890s he turned to serious subjects. ''The Second Mrs Tanqueray'' (1893), dealing with a woman with a scandalous past, was regarded as shocking, but ran well and made a large profit. His other successes included '' Trelawny of the "Wells"'' (1898), a romantic comedy celebrating the theatre, old and new, and '' The Ga ...
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The Morning Post
''The Morning Post'' was a conservative daily newspaper published in London from 1772 to 1937, when it was acquired by ''The Daily Telegraph''. History The paper was founded by John Bell. According to historian Robert Darnton, ''The Morning Post'' scandal sheet consisted of paragraph-long news snippets, much of it false. Its original editor, the Reverend Sir Henry Bate Dudley, earned himself nicknames such as "Reverend Bruiser" or "The Fighting Parson", and was soon replaced by an even more vitriolic editor, Reverend William Jackson, also known as "Dr. Viper". Originally a Whig paper, it was purchased by Daniel Stuart in 1795, who made it into a moderate Tory organ. A number of well-known writers contributed, including Samuel Taylor Coleridge, Charles Lamb, James Mackintosh, Robert Southey, and William Wordsworth. In the seven years of Stuart's proprietorship, the paper's circulation rose from 350 to over 4,000. From 1803 until his death in 1833, the owner and editor of t ...
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Edwardian Musical Comedy
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War. Between '' In Town'' in 1892 and ''The Maid of the Mountains'', premiering in 1917, this new style of musical theatre became dominant on the musical stage in Britain and the rest of the English-speaking world. The popularity of ''In Town'' and ''A Gaiety Girl'' (1893), led to an astonishing number of hits over the next three decades, the most successful of which included '' The Shop Girl'' (1894), '' The Geisha'' (1896), ''Florodora'' (1899), '' A Chinese Honeymoon'' (1901), '' The Earl and the Girl'' (1903), '' The Arcadians'' (1909), ''Our Miss Gibbs'' (1909), ''The Quaker Girl'' (1910), ''Betty'' (1914), ''Chu Chin Chow'' ( ...
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Fred Leslie
Frederick George Hobson, known as Fred Leslie (1 April 1855 – 7 December 1892), was an English actor, singer, comedian and dramatist. Beginning his career in operetta, Leslie became best known for starring in, and writing (under the pseudonym A. C. Torr, a pun on the word "actor"), popular burlesque plays and other comic works of theatre. Biography Leslie was born in Woolwich, London. He was the youngest son of Charles Hobson, a wealthy military outfitter, and Sarah Hobson, ''née'' Pye. Leslie was educated in Woolwich, Lewisham and Pas-de-Calais. As a young man, he performed in amateur plays while working in commerce. He married Louisa (Louie) Agate in 1879. The couple had three children. The oldest of them, William Herbert Leslie Hobson (1880–1945), became a stage and film actor and singer also using the name "Fred Leslie". Career After briefly touring the British provinces, he made his first stage appearance in London at the Royalty Theatre as old Colonel Hardy i ...
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George Edwardes
George Joseph Edwardes (né Edwards; 8 October 1855 – 4 October 1915) was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond. Edwardes started out in theatre management, soon working at a number of West End theatres. By the age of 20, he was managing theatres for Richard D'Oyly Carte. In 1885, Edwardes became a manager at the Gaiety Theatre with John Hollingshead, who soon retired. For the next three decades, Edwardes ruled a theatrical empire including the Gaiety, Daly's Theatre, the Adelphi Theatre and others, and sent touring companies around Britain and abroad. In the early 1890s, Edwardes recognised the changing tastes of musical theatre audiences and led the movement away from burlesque and comic opera to Edwardian musical comedy. Life and career Edwardes was born at Great Grimsby, Lincolnshire, England. He was the eldest of four sons and three daughters of James Edwards, comptroller of ...
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Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as ...
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Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmo ...
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