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Carmen Up To Data
''Carmen up to Data'' is a musical burlesque with a score written by Meyer Lutz. The piece was a spoof of Bizet's 1875 opera ''Carmen''. The libretto was written by G. R. Sims and Henry Pettitt. After a tryout in Liverpool in September 1890, the piece premiered at the Gaiety Theatre, London, on 4 October 1890, produced by George Edwardes. It starred Florence St. John in the title role, Letty Lind as Mercedes, Jenny Dawson as Escamillo, Maria Jones as Michaela, Blanche Massey as Morales, Horace Mills as Remendado, E. J. Lonnen as José and Arthur Williams as Captain Zuniga.Programme for ''Carmen up to Data'' The piece was a success and toured throughout the English-speaking world, reaching Australia by 1892. Background Bizet's ''Carmen'' had first been produced in English in L ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence St
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durward Lely
Durward Lely (2 September 1852 – 29 February 1944) was a Scottish opera singer and actor. Although he had an extensive opera, concert and acting career, he is primarily remembered as the creator of five tenor roles in Gilbert and Sullivan's comic operas, including Nanki-Poo in ''The Mikado'', for the D'Oyly Carte Opera Company. Lely studied singing in Italy in the early 1870s and beginning his career there. He returned to tour in concerts and made his British opera debut in 1879, at Her Majesty's Theatre, in what would become one of his signature roles, Don José, in ''Carmen''. After touring in opera, he joined the D'Oyly Carte Opera Company in 1880, soon becoming their leading tenor. He began there in the role of Frederic in ''The Pirates of Penzance'' and went on to create five roles in the famous series of Savoy operas, including Nanki-Poo in ''The Mikado''. He remained with the company until 1887. After this, Lely resumed a grand opera and concert career, appearing often wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hollingshead
John Hollingshead (9 September 1827 – 9 October 1904) was an English theatrical impresario, journalist and writer during the latter half of the 19th century. After a journalism career, Hollingshead managed the Alhambra Theatre and was later the first manager of the Gaiety Theatre, London. Hollingshead also wrote several books during his life. An innovative producer, Hollingshead brought Gilbert and Sullivan together in 1871 to produce their first joint work, a musical extravaganza called ''Thespis''. Among other theatrical works that he produced, he mounted a long series of popular Victorian burlesques at the Gaiety, engaging Meyer Lutz to compose original scores for them. He also produced operettas, plays and other works. These productions made stars of Nellie Farren and several others. At the Gaiety, in 1878, Hollingshead was the first theatre manager to light his auditorium with electric lights. Life and career Hollingshead was born in Hoxton, Greater London, the son of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Ross
Arthur Reed Ropes (23 December 1859 – 11 September 1933), better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries. He was the most important lyricist of the British stage during a career that spanned five decades. At a time when few shows had long runs, nineteen of his West End shows ran for over 400 performances. Starting out in the late 1880s, Ross wrote the lyrics for the earliest British musical theatre hits, including '' In Town'' (1892), ''The Shop Girl'' (1894) and '' The Circus Girl'' (1896). Ross next wrote the lyrics for a string of hit musicals, beginning with '' A Greek Slave'' (1898), ''San Toy'' (1899), '' The Messenger Boy'' (1900) and '' The Toreador'' (1901) and continuing without a break through World War I. He also wrote the English lyrics for a series of hit adaptations of European operettas beginning with ''The Merry Widow'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinder Ellen Up Too Late
''Cinder Ellen up too Late'' is a musical Victorian burlesque, burlesque written by Frederick Hobson Leslie (writing under the pseudonym A. C. Torr) and W. T. Vincent, with music arranged by Meyer Lutz from compositions by Lionel Monckton, Sidney Jones (composer), Sidney Jones, Walter Slaughter, Osmond Carr, Scott Gatti, Jacobi, Robertson, and Leopold Wenzel. Additional lyrics were written by Basil Hood. The show was a burlesque of the well-known pantomime and fairy tale, ''Cinderella''. The piece was first produced in Melbourne, Australia at the Princess's Theatre on 22 August 1891 and then in Sydney, on 5 October at the Theatre Royal. It then debuted in London at the Gaiety Theatre, London, Gaiety Theatre in London and ran from 24 December 1891 until 9 July 1892, a total of 181 performances. It was revised and revived later in 1892. The production was directed by Walter Raynham, with choreography by Katti Lanner and Willie Warde and costumes by William Charles John Pitcher, W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruy Blas And The Blasé Roué
''Ruy Blas and the Blasé Roué'' is a Victorian burlesque, burlesque written by A. C. Torr and Herbert F. Clark with music by Meyer Lutz. It is based on the Victor Hugo drama ''Ruy Blas''. The piece was produced by George Edwardes. As with many of the Gaiety burlesques, the title is a pun. After a tryout in Birmingham beginning on 3 September 1889, ''Ruy Blas and the Blasé Roué'' opened in London on 21 September 1889 at the Gaiety Theatre, London, Gaiety Theatre and ran for 289 performances. The cast included Nellie Farren, Frederick Hobson Leslie, Fred Leslie, Marion Hood, Letty Lind, Sylvia Grey, Linda Verner, Blanche Massie, Alice Young, Charles Danby, Fred Storey and Ben Nathan.Hollingshead, p. 57 The piece toured in the British provinces and internationally, and was revised at least once during its run. It originally included a caricature of Henry Irving, in a scene in which some of the actors wore ballet girl costumes. Irving, never having seen the show, objected, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust Up To Date
''Faust up to Date'' is a musical burlesque with a score written by Meyer Lutz (a few songs by others were interpolated into the show). The libretto was written by G. R. Sims and Henry Pettitt. It is a spoof of Gounod's opera, ''Faust'', which had first been performed in London in 1864, and followed on from an earlier Lutz musical, '' Mephistopheles, or Faust and Marguerite''. The piece was first performed at the Gaiety Theatre, London on 30 October 1888, produced by George Edwardes, and ran until August 1889. It starred Florence St. John as Margaret, E. J. Lonnen as Mephistopheles and Mabel Love as Totchen. It was revived in July 1892, with Florence St. John again playing the role of Margaret, Edmund Payne as Mephistopheles and Arthur Williams as Valentine. The piece enjoyed subsequent productions in New York, Australia (with Robert Courtneidge as Valentine) and elsewhere. Background This type of burlesque, or travesty was popular in Britain at the time. Other example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
