George Edwardes
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George Edwardes
George Joseph Edwardes (né Edwards; 8 October 1855 – 4 October 1915) was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond. Edwardes started out in theatre management, soon working at a number of West End theatres. By the age of 20, he was managing theatres for Richard D'Oyly Carte. In 1885, Edwardes became a manager at the Gaiety Theatre with John Hollingshead, who soon retired. For the next three decades, Edwardes ruled a theatrical empire including the Gaiety, Daly's Theatre, the Adelphi Theatre and others, and sent touring companies around Britain and abroad. In the early 1890s, Edwardes recognised the changing tastes of musical theatre audiences and led the movement away from burlesque and comic opera to Edwardian musical comedy. Life and career Edwardes was born at Great Grimsby, Lincolnshire, England. He was the eldest of four sons and three daughters of James Edwards, comptroller of c ...
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Gilbert And Sullivan
Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado'' are among the best known.Davis, Peter G''Smooth Sailing'' ''New York'' magazine, 21 January 2002, accessed 6 November 2007 Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion; fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray.Mike Leigh, Leigh, Mike"True anarchists" ''The Guardian'', 4 November 2007, accessed 6 November 2007 Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. Their operas have enj ...
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Cinder Ellen Up Too Late
''Cinder Ellen up too Late'' is a musical Victorian burlesque, burlesque written by Frederick Hobson Leslie (writing under the pseudonym A. C. Torr) and W. T. Vincent, with music arranged by Meyer Lutz from compositions by Lionel Monckton, Sidney Jones (composer), Sidney Jones, Walter Slaughter, Osmond Carr, Scott Gatti, Jacobi, Robertson, and Leopold Wenzel. Additional lyrics were written by Basil Hood. The show was a burlesque of the well-known pantomime and fairy tale, ''Cinderella''. The piece was first produced in Melbourne, Australia at the Princess's Theatre on 22 August 1891 and then in Sydney, on 5 October at the Theatre Royal. It then debuted in London at the Gaiety Theatre, London, Gaiety Theatre in London and ran from 24 December 1891 until 9 July 1892, a total of 181 performances. It was revised and revived later in 1892. The production was directed by Walter Raynham, with choreography by Katti Lanner and Willie Warde and costumes by William Charles John Pitcher, W ...
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Carmen Up To Data
''Carmen up to Data'' is a musical burlesque with a score written by Meyer Lutz. The piece was a spoof of Bizet's 1875 opera ''Carmen''. The libretto was written by G. R. Sims and Henry Pettitt. After a tryout in Liverpool in September 1890, the piece premiered at the Gaiety Theatre, London, on 4 October 1890, produced by George Edwardes. It starred Florence St. John in the title role, Letty Lind as Mercedes, Jenny Dawson as Escamillo, Maria Jones as Michaela, Blanche Massey as Morales, Horace Mills as Remendado, E. J. Lonnen as José and Arthur Williams as Captain Zuniga.Programme for ''Carmen up to Data''
The piece was a success and toured throughout the English-speaking world, reaching Australia by 1892.


Background

Bizet's ''Carmen'' had first been produced in English in L ...
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Ruy Blas And The Blasé Roué
''Ruy Blas and the Blasé Roué'' is a Victorian burlesque, burlesque written by A. C. Torr and Herbert F. Clark with music by Meyer Lutz. It is based on the Victor Hugo drama ''Ruy Blas''. The piece was produced by George Edwardes. As with many of the Gaiety burlesques, the title is a pun. After a tryout in Birmingham beginning on 3 September 1889, ''Ruy Blas and the Blasé Roué'' opened in London on 21 September 1889 at the Gaiety Theatre, London, Gaiety Theatre and ran for 289 performances. The cast included Nellie Farren, Frederick Hobson Leslie, Fred Leslie, Marion Hood, Letty Lind, Sylvia Grey, Linda Verner, Blanche Massie, Alice Young, Charles Danby, Fred Storey and Ben Nathan.Hollingshead, p. 57 The piece toured in the British provinces and internationally, and was revised at least once during its run. It originally included a caricature of Henry Irving, in a scene in which some of the actors wore ballet girl costumes. Irving, never having seen the show, objected, a ...
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