Guido Maria Dreves
Guido Maria Dreves (27 October 1854 – 1 June 1909) was a German Jesuit, hymnologist and hymnwriter. He was the son of the notary and poet Lebrecht Blücher Dreves. Life Dreves was born in Hamburg. He already had contact with Jesuits at school, as he attended the Stella Matutina grammar school in Feldkirch from 1861. After completing his education, he immediately entered the Jesuit order in November 1869. He completed his novitiate in Sigmaringen and then studied at the , at the religious house in Bleijenbeek Castle in the Netherlands and at the Jesuit College of Ditton-Hall in Shropshire, England. He devoted his research mainly to medieval Latin hymnody. He is especially important as the author and editor of the ''Analecta hymnica medii aevi'', the largest collection of medieval Latin poetry to date (hymns, sequences, tropes, rhyming offices and psalters). With astonishing diligence, Dreves searched libraries all over Europe for old manuscripts and incunables. From 1886 to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bleijenbeek Castle
Bleijenbeek Castle ( nl, Kasteel Bleijenbeek) is situated in the small hamlet of Bleijenbeek in the Dutch province of Limburg.''ANWB Topografische Atlas Nederland'', Topografische Dienst and ANWB, 2005. According to the 19th-century historian A.J. van der Aa, the castle is known for its numerous sieges by the armies of Guelders and Spain. In 1580, the castle was besieged by the forces of Guelders, but it was defended bravely by the lord of the castle, Marten Schenk. When the Duke of Parma sent cavalry, the besieging army had to retreat. In 1589, Schenk changed sides, and the castle was besieged by Marcus van Rije, the stadtholder of Guelders appointed by the Spanish king; this time, the castle was conquered. The castle has lain in ruins since the bombardment by the British RAF on 21 and 22 February 1945, during Operation Veritable. It was defended by only 15 Fallschirmjäger who held out against three separate assaults until it was bombed with nine 1,000 pound bombs. Their fierc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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19th-century German Jesuits
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Friedrich Wilhelm Bautz
Friedrich Wilhelm Bautz (20 December 1906, Brambauer, Lünen – 19 August 1979, Dortmund) was a Protestant theologian and writer. Life Bautz studied theology in Münster, Bethel (Bielefeld), Berlin and Tübingen. From February 1939 he was pastor in the Franz Arndt-Haus, a war invalid home in Volmarstein, and later pastor in Kriescht and Annarode. From 1954 to 1958 he worked for the Neukirchener Verlagsgesellschaft as a publishing editor and at the same time as a parish representative at the parish of the Dorfkirche Stiepel. In 1959 he took over a sick leave in Heven (Witten). In the Stadt- und Landesbibliothek Dortmund (Dortmund City and State Library) as well as in the Universitäts- und Landesbibliothek Münster (University and State Library of Münster), Bautz worked on the ''Biographisch-Bibliographisches Kirchenlexikon'' (BBKL), a reference work whose founder he is considered to be. With the piano teacher Else Bautz, née Schlimm, whom he married in 1939, he ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ein Danklied Sei Dem Herrn
"" (A song of thanks be to the Lord) is a Christian hymn with German text written by Guido Maria Dreves in 1886, and a melody written by Josef Venantius von Wöss in 1928. It is a song of thanks and praise of God who protects the people he created. The song appeared as part of the Catholic ''Gotteslob''. Background and history Guido Maria Dreves was a Jesuit who researched the history of Latin hymns and published bibliographies of them in several volumes. He also wrote the text of hymns, including "" in seven stanzas in 1886. Josef Venantius von Wöss was an Austrian composer, teacher and lector based in Vienna who supported the Cecilian Movement. He composed the melody and a four-part setting. Five of the stanzas were included in the common Catholic German hymnal ''Gotteslob'' as GL 382. The hymn is also part of other songbooks. Theme and text The text was originally in seven stanzas of seven lines each, rhyming ABABCDD. The song expresses thanks to God. In the first stanza, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gelobt Seist Du, Herr Jesu Christ
"Gelobt seist du, Herr Jesu Christ" (Praised be you, Lord Jesus Christ) is a Catholic hymn, addressing Jesus as the King. The five stanzas, composed in 1886, was written by the German Jesuit and hymnologist Guido Maria Dreves, and the melody was composed in 1928, three years after the introduction of the Feast of Christ the King, by the Austrian church musician Josef Venantius von Wöss. First publication Dreves published the text in a collection of self-composed hymns entitled ''Kränze ums Kirchenjahr'' (Paderborn 1886). There, between an Himmelfahrts and several Pentecost Lieder, it is combined with two other hymns under the heading ''Von des Herren Königtum'' f the Lord's Kingship Content The five stanzas each consist of four lines with the rhyme schme AB AB and describe Jesus Christ as the "King of all honours" and the " A and O of the worlds". The song begins with the eponymous praise "Praised be you, Lord Jesus Christ" and ends with the petitions "Be near us" and "i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gotteslob
''Gotteslob'' ("Praise of God") is the title of the hymnbook authorized by the Catholic dioceses in Germany, Austria, South Tyrol, Luxembourg and Liège, Belgium. First published in Advent 2013, it is the current official hymnal for German-speaking Catholics, succeeding the first common German hymnal, the 1975 edition of the same name. Each diocese published a book containing a common section and a regional section. The first editions amounted to around 4 million copies. History ''Gotteslob'' was developed as a sequel of the first common German hymnal, ''Gotteslob'' of 1975. It was developed over a period of 10 years by around 100 experts, who studied the use of hymns, conducting surveys and running tests in selected congregations. ''Gotteslob'' was published by Catholic dioceses in Germany, Austria, South Tyrol, and is also used by German-speaking parishes in Luxembourg and the Diocese of Liège, Belgium. It was introduced from Advent 2013, beginning on 1 December. It is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Clemens Blume
Clemens Blume (31 January 1862 - 1932) was a Jesuit hymnologist. Biography Clemens Blume was born in Billerbeck on 31 January 1862. He was educated at the Jesuit gymnasium, Feldkirch, Austria, Jesuit scholasticates in the Netherlands and England and the universities of Prague and Bonn. He entered the Society of Jesus in 1878, was gymnasium professor at Feldkirch Feldkirch may refer to: Places * Feldkirch, Vorarlberg, a medieval city and capital of an administrative district in Austria ** Feldkirch (district), an administrative division of Vorarlberg, Austria * Feldkirch (Hartheim), a village in the munici ... in 1887-90 and ordained priest in 1893. He devoted himself to hymnological research, visiting most of the libraries of Europe. With Guido M. Dreves, he was coeditor of '' Analecta Hymnica medii ævi'' (1896–1905), and editor of ''Analecta Hymnica medii ævi'' (consisting of 57 volumes). He is author of ''Das Apostolische Glaubensbekenntnis'' (1893), ''Repertorium Re ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Incunable
In the history of printing, an incunable or incunabulum (plural incunables or incunabula, respectively), is a book, pamphlet, or broadside that was printed in the earliest stages of printing in Europe, up to the year 1500. Incunabula were produced before the printing press became widespread on the continent and are distinct from manuscripts, which are documents written by hand. Some authorities include block books from the same time period as incunabula, whereas others limit the term to works printed using movable type. there are about 30,000 distinct incunable editions known. The probable number of surviving individual copies is much higher, estimated at around 125,000 in Germany alone. Through statistical analysis, it is estimated that the number of lost editions is at least 20,000. Around 550,000 copies of around 27,500 different works have been preserved worldwide. Terminology Incunable is the anglicised form of ''incunabulum'', reconstructed singular of Latin ''i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Psalter
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were the books most widely owned by wealthy lay persons. They were commonly used for learning to read. Many Psalters were richly illuminated, and they include some of the most spectacular surviving examples of medieval book art. The English term (Old English , ) derives from Church Latin. The source term is la, psalterium, which is simply the name of the Book of Psalms (in secular Latin, it is the term for a stringed instrument, from grc, ψαλτήριον ''psalterion''). The Book of Psalms contains the bulk of the Divine Office of the Roman Catholic Church. The other books associated with it were the Lectionary, the Antiphonary, and Responsoriale, and the Hymnary. In Late Modern English, ''psalter'' has mostly ceased to refer to the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Trope (music)
A trope or tropus may refer to a variety of different concepts in medieval, 20th-, and 21st-century music. The term ''trope'' derives from the Greek (''tropos''), "a turn, a change", related to the root of the verb (''trepein''), "to turn, to direct, to alter, to change". The Latinised form of the word is ''tropus''. In music, a trope is adding another section, or trope to a plainchant or section of plainchant, thus making it appropriate to a particular occasion or festival. Medieval music From the 9th century onward, trope refers to additions of new music to pre-existing chants in use in the Western Christian Church. Three types of addition are found in music manuscripts: # new melismas without text (mostly unlabelled or called "trope" in manuscripts) # addition of a new text to a pre-existing melisma (more often called ''prosula'', ''prosa'', ''verba'' or ''versus'') # new verse or verses, consisting of both text and music (mostly called trope, but also ''laudes'' or ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |