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Incunable
In the history of printing, an incunable or incunabulum (plural incunables or incunabula, respectively), is a book, pamphlet, or broadside that was printed in the earliest stages of printing in Europe, up to the year 1500. Incunabula were produced before the printing press became widespread on the continent and are distinct from manuscripts, which are documents written by hand. Some authorities include block books from the same time period as incunabula, whereas others limit the term to works printed using movable type. there are about 30,000 distinct incunable editions known. The probable number of surviving individual copies is much higher, estimated at around 125,000 in Germany alone. Through statistical analysis, it is estimated that the number of lost editions is at least 20,000. Around 550,000 copies of around 27,500 different works have been preserved worldwide. Terminology Incunable is the anglicised form of ''incunabulum'', reconstructed singular of Latin ''i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Proctor (bibliographer)
Robert George Collier Proctor (13 May 1868 – 6 September 1903), often published as R. G. C. Proctor, was an English bibliographer, librarian, book collector, and expert on incunabula and early typography. Early life and education Proctor was born in Budleigh Salterton, Devon on 13 May 1868, to Robert Proctor and Anne Tate, and was a distant relative of John Payne Collier. He earned a Bachelor of Arts degree in classics from Corpus Christi College, Oxford, in 1890. While at Oxford, where he was known for his book collection, Proctor's interest in antiquarian studies, archaeology, and bibliography grew and he compiled a catalogue of incunabula and early printed books in the library collection at Corpus Christi College. Proctor continued his studies of early printing at Oxford, cataloging incunabula at the Bodleian Library, New College and Brasenose College. Professional life Proctor joined the British Museum on 16 October 1893 as an assistant in the Department of Printed Books ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Printing
The history of printing starts as early as 3000 BCE, when the proto-Elamite and Sumerian civilizations used cylinder seals to certify documents written in clay tablets . Other early forms include block seals, hammered coinage, pottery imprints, and cloth printing. Initially a method of printing patterns on cloth such as silk, woodblock printing for texts on paper originated in China by the 7th century during the Tang dynasty, leading to the spread of book production and woodblock printing in other parts of Asia such as Korea and Japan. The Chinese Buddhist '' Diamond Sutra'', printed by woodblock on 11 May 868, is the earliest known printed book with a precise publishing date. Movable type was invented by Chinese artisan Bi Sheng in the 11th century during the Song dynasty, but it received limited use compared to woodblock printing. Nevertheless, the technology spread outside China, as the oldest printed book using metal movable type was the ''Jikji'', printed in Korea in 1377 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printing Press
A printing press is a mechanical device for applying pressure to an inked surface resting upon a printing, print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper or other medium was brushed or rubbed repeatedly to achieve the transfer of ink, and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium. In Germany, around 1440, goldsmith Johannes Gutenberg invented the movable-type printing press, which started the Printing Revolution. Modelled on the design of existing screw presses, a single Renaissance movable-type printing press could produce up to 3,600 pages per workday, compared to forty by History of typography in East Asia, hand-printing and a few by scribe, hand-copying. Gutenberg's newly devised matrix (printing), hand mould made possible the precise and ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Global Spread Of The Printing Press
The global spread of the printing press began with the invention of the printing press with movable type by Johannes Gutenberg in Mainz, Germany . Western printing technology was adopted in all world regions by the end of the 19th century, displacing the manuscript and block printing. In the Western world, the operation of a press became synonymous with the enterprise of publishing and lent its name to a new branch of media, the "press" (see List of the oldest newspapers). Spread of the Gutenberg press Germany Gutenberg's first major print work was the 42-line Bible in Latin, printed probably between 1452 and 1454 in the German city of Mainz. After Gutenberg lost a lawsuit against his investor, Johann Fust, Fust put Gutenberg's employee Peter Schöffer in charge of the print shop. Thereupon Gutenberg established a new one with the financial backing of another money lender. With Gutenberg's monopoly revoked, and the technology no longer secret, printing spread throughout G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Page
The title page of a book, thesis or other written work is the page at or near the front which displays its title (publishing), title, subtitle, author, publisher, and edition, often artistically decorated. (A half title, by contrast, displays only the title of a work.) The title page is one of the most important parts of the "front matter" or "preliminaries" of a book, as the data on it and its verso (together known as the "title leaf") are used to establish the "title proper and usually, though not necessarily, the statement of responsibility and the data relating to publication". This determines the way the book is cited in library catalogs and academic references. The title page often shows the title of the work, the person or body responsible for its intellectual content, and the imprint, which contains the name and address of the book's publisher and its date of publication. Particularly in paperback editions it may contain a shorter title than the cover or lack a descriptiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hadrianus Junius
Hadrianus Junius (1511–1575), also known as Adriaen de Jonghe, was a Dutch physician, classical scholar, translator, lexicographer, antiquarian, historiographer, emblematist, school rector, and Latin poet. He is not to be confused with several namesakes (including a seventeenth-century Amsterdam school rector). He was not related to Franciscus Junius. Biography Life Youth and education Adriaen de Jonge or Hadrianus Junius, was born in the West Frisian town of Hoorn on 1 July 1511, from a family of local regents. He attended the Latin School in Haarlem. At the relatively advanced age of 23, he went to study in Louvain, where he spent a couple of years. He then embarked on his peregrinatio academica, which led him through Siena, Bologna, Venice and Rome. In his letters, he reports on his visits to the famous legal humanist Andrea Alciato, his attendance at an interrupted Greek-orthodox liturgical service in Venice, and on an experiment with glow-worms in the Bolognese coun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard Von Mallinckrodt
Bernhard von Mallinckrodt (29 November 1591 in Ahlen — 7 March 1664, Burg Ottenstein), dean (''Domdechant'') of Münster Cathedral, was a bibliophile from a noble family of Protestants, who converted to Catholicism. In 1639 he issued a pamphlet at Cologne to mark the bicentenary of the invention of printing by moveable type in Europe, defending the priority of Gutenberg Johannes Gensfleisch zur Laden zum Gutenberg (; – 3 February 1468) was a German inventor and craftsman who introduced letterpress printing to Europe with his movable-type printing press. Though not the first of its kind, earlier designs w ...; it was titled ("Of the rise and progress of the typographic art"), that includes the phrase , "the first infancy of printing". This gave rise to the term '' incunabula'', which is still used to describe books and broadsheets printed before 1500, the arbitrary cut-off date selected by Mallinckrodt.Jacqueline Glomski, "Incunabula Typographiae: Seventeenth-Century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colophon (publishing)
In publishing, a colophon () is a brief statement containing information about the publication of a book such as an "imprint" (the place of publication, the publisher, and the date of publication). A colophon may include the device (logo) of a printer or publisher. Colophons are traditionally printed at the ends of books (see History below for the origin of the word), but sometimes the same information appears elsewhere (when it may still be referred to as colophon) and many modern (post-1800) books bear this information on the title page or on the verso of the title-leaf, which is sometimes called a "biblio-page" or (when bearing copyright data) the " copyright-page". History The term ''colophon'' derives from the Late Latin ''colophōn'', from the Greek κολοφών (meaning "summit" or "finishing touch"). The term colophon was used in 1729 as the bibliographic explication at the end of the book by the English printer Samuel Palmer in his ''The General History of Printing, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typography
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing ( leading), and letter-spacing (tracking), as well as adjusting the space between pairs of letters (kerning). The term ''typography'' is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information. Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, and, now, anyone who arranges words, letters, numbers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Block Book
Block books or blockbooks, also called xylographica, are short books of up to 50 leaves, block printed in Europe in the second half of the 15th century as woodcuts with blocks carved to include both text (usually) and illustrations. The content of the books was nearly always religious, aimed at a popular audience, and a few titles were often reprinted in several editions using new woodcuts. Although many had believed that block books preceded Gutenberg's invention of movable type in the first part of the 1450s, it now is accepted that most of the surviving block books were printed in the 1460s or later, and that the earliest surviving examples may date to about 1451. They seem to have functioned as a cheap popular alternative to the typeset book, which was still very expensive at this stage. Single-leaf woodcuts from the preceding decades often included passages of text with prayers, indulgences and other material; the block book was an extension of this form. Block books ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
