Gelobt Seist Du, Herr Jesu Christ
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Gelobt Seist Du, Herr Jesu Christ
"Gelobt seist du, Herr Jesu Christ" (Praised be you, Lord Jesus Christ) is a Catholic hymn, addressing Jesus as the King. The five stanzas, composed in 1886, was written by the German Jesuit and hymnologist Guido Maria Dreves, and the melody was composed in 1928, three years after the introduction of the Feast of Christ the King, by the Austrian church musician Josef Venantius von Wöss. First publication Dreves published the text in a collection of self-composed hymns entitled ''Kränze ums Kirchenjahr'' (Paderborn 1886). There, between an Himmelfahrts and several Pentecost Lieder, it is combined with two other hymns under the heading ''Von des Herren Königtum'' f the Lord's Kingship Content The five stanzas each consist of four lines with the rhyme schme AB AB and describe Jesus Christ as the "King of all honours" and the " A and O of the worlds". The song begins with the eponymous praise "Praised be you, Lord Jesus Christ" and ends with the petitions "Be near us" and "i ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ...
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Mater Dolorosa (Berlin-Lankwitz)
Mater Dolorosa is a Roman Catholic parish and church in Berlin-Lankwitz in Germany. Mater Dolorosa belongs to the Roman Catholic Archdiocese of Berlin. It is named after Our Lady of Sorrows (Latin: ''mater dolorosa''). Location and urban environment The parish church is located between single and multi-family houses in the western part of the district of Lankwitz, about a kilometre south-east of the regional and suburban railway station Lichterfelde. History The parish was founded in 1911 and the church was built in 1912 by the Catholic priest Maximilian Beyer of the responsible parent parish in Berlin-Lichterfelde. On 21 May 1921 it became an independent parish. The consecration of the church designed as a basilica by the architects Christoph Hehl (1847–1911) and his scholar and companion Carl Kühn (1873–1942) took place on 22 September 1912 by the Auxiliary Bishop of Breslau Karl Augustin (1847–1919). Dedication The consecration is celebrated on the first Sunday in No ...
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Catholic Hymns In German
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the one ...
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Karl Norbert Schmid
Karl Norbert Schmid (16 December 1926 – 13 February 1995) was a German organist, composer, choir director and music educator.Karl Norbert Schmid
(in German) Chor der Stiftskirche in Bonn, retrieved 29 August 2021


Life and career

Schmid was born in Ochsenhausen. Already at the age of ten, he substituted for his teacher, the organist at the Gabler organ at in Ochsenhausen.Stein, Franz A.: Nachruf Karl Norbert Schmid (in German) ''Oberpfälzer Kulturbund'', retrieved 9 June 2016Stein, Franz A.: Nachruf (in German) ''Mittelbayerische Zeitung'', Reg ...
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SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ...
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Mixed Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ...
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Ludger Stühlmeyer
Ludger Stühlmeyer (born 3 October 1961 in Melle, West Germany) is a German cantor, composer, docent and musicologist. Biography Stühlmeyer was born to a family of cantors and made his first steps under the guidance of his father in the town church (''Stadtkirche'') of St. Matthew in Melle. He received music lessons from the pianist, composer and direktor of music Karl Schäfer at the Osnabrück conservatory and from Karlheinz Höne at the church musician school of the Roman Catholic Diocese of Osnabrück. After completing his A-levels at the grammar school at Melle, he studied Christian music (Wolfgang Helbich, ), Early music, and Singing at the University of the Arts Bremen, followed by studies of composition with , Karlheinz Stockhausen, and Helge Jung. He attended seminars in Gregorian semiology with Luigi Agustoni, Godehard Joppich, and Johannes Berchmans Göschl, and studied musicology, philosophy, and theology at the Westfälische Wilhelms-Universität of Münster. He con ...
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Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ...
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Gotteslob (1975)
The 1975 edition of ''Gotteslob'' (''God's Praise'') was the first combined prayerbook and hymnbook authorised by the bishops of all German-speaking Roman Catholics in Germany and Austria. It contains texts and songs for liturgy, communal prayer and private prayer, divided into a section which is common for all, and an appendix for the local songs in a diocese. Forerunners for a common hymnal were the hymnal '' Cantate!'', published by Heinrich Bone in 1847 and used by multiple diocese of German-speaking countries, and '' Kirchenlied'', a 1938 hymnal that included songs by Protestant hymnwriters. Maria Luise Thurmair was a member of the commission preparing the edition, and also contributed several songs to the book. Her "Den Herren will ich loben", based on the Magnificat and many other liturgical hymns appeared there first. Friedrich Dörr was a member of the commission who contributed mostly his translations of Latin hymns, such as "Komm, Heilger Geist, der Leben schafft", f ...
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Gotteslob
''Gotteslob'' ("Praise of God") is the title of the hymnbook authorized by the Catholic dioceses in Germany, Austria, South Tyrol, Luxembourg and Liège, Belgium. First published in Advent 2013, it is the current official hymnal for German-speaking Catholics, succeeding the first common German hymnal, the 1975 edition of the same name. Each diocese published a book containing a common section and a regional section. The first editions amounted to around 4 million copies. History ''Gotteslob'' was developed as a sequel of the first common German hymnal, ''Gotteslob'' of 1975. It was developed over a period of 10 years by around 100 experts, who studied the use of hymns, conducting surveys and running tests in selected congregations. ''Gotteslob'' was published by Catholic dioceses in Germany, Austria, South Tyrol, and is also used by German-speaking parishes in Luxembourg and the Diocese of Liège, Belgium. It was introduced from Advent 2013, beginning on 1 December. It is ...
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Easter Vigil
Easter Vigil, also called the Paschal Vigil or the Great Vigil of Easter, is a liturgy held in traditional Christian churches as the first official celebration of the Resurrection of Jesus. Historically, it is during this liturgy that people are baptized and that adult catechumens are received into full communion with the Church. It is held in the hours of darkness between sunset on Holy Saturday and sunrise on Easter Day – most commonly in the evening of Holy Saturday or midnight – and is the first celebration of Easter, days traditionally being considered to begin at sunset. Among liturgical Western Christian churches including the Roman Catholic Church, the Lutheran Churches, the Reformed Churches, the Anglican Communion and the Methodist Churches, the Easter Vigil is the most important liturgy of public worship and Mass of the liturgical year, marked by the first use since the beginning of Lent of the exclamatory "Alleluia", a distinctive feature of the Easter season. In ...
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Exultet
The ''Exsultet'' (spelled in pre-1920 editions of the Roman Missal as ''Exultet''), also known as the Easter Proclamation (), is a lengthy sung proclamation delivered before the paschal candle, ideally by a deacon, during the Easter Vigil in the Roman Rite of Mass. In the absence of a deacon, it may be sung by a priest or by a cantor. It is sung after a procession with the paschal candle before the beginning of the Liturgy of the Word. It is also used in Anglican and various Lutheran churches, as well as other Western Christian denominations. History Since the 1955 revision of the Holy Week rites, the Roman Missal explicitly gives the title ''Praeconium'' (proclamation or praise) to the ''Exsultet'', as it already did implicitly in the formula it provided for blessing the deacon before the chant: ''ut digne et competenter annunties suum Paschale praeconium''. Outside Rome, use of the paschal candle appears to have been a very ancient tradition in Italy, Gaul, Spain and perhaps, f ...
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