Golden Bough
''The Golden Bough: A Study in Comparative Religion'' (retitled ''The Golden Bough: A Study in Magic and Religion'' in its second edition) is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir James George Frazer. ''The Golden Bough'' was first published in two volumes in 1890; in three volumes in 1900; and in twelve volumes in the third edition, published 1906–1915. It has also been published in several different one-volume abridgments. The work was aimed at a wide literate audience raised on tales as told in such publications as Thomas Bulfinch's '' The Age of Fable, or Stories of Gods and Heroes'' (1855). The influence of ''The Golden Bough'' on contemporary European literature and thought was substantial. Summary Frazer attempted to define the shared elements of religious belief and scientific thought, discussing fertility rites, human sacrifice, the dying god, the scapegoat, and many other symbols and practices whose inf ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the ''Eclogues'' (or ''Bucolics''), the ''Georgics'', and the epic ''Aeneid''. A number of minor poems, collected in the ''Appendix Vergiliana'', were attributed to him in ancient times, but modern scholars consider his authorship of these poems as dubious. Virgil's work has had wide and deep influence on Western literature, most notably Dante's ''Divine Comedy'', in which Virgil appears as the author's guide through Hell and Purgatory. Virgil has been traditionally ranked as one of Rome's greatest poets. His ''Aeneid'' is also considered a national epic of ancient Rome, a title held since composition. Life and works Birth and biographical tradition Virgil's biographical tradition is thought to depend on a lost biography by the Roman ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sacrifice
Sacrifice is the offering of material possessions or the lives of animals or humans to a deity as an act of propitiation or worship. Evidence of ritual animal sacrifice has been seen at least since ancient Hebrews and Greeks, and possibly existed before that. Evidence of ritual human sacrifice can also be found back to at least pre-Columbian civilizations of Mesoamerica as well as in European civilizations. Varieties of ritual non-human sacrifices are practiced by numerous religions today. Terminology The Latin term ''sacrificium'' (a sacrifice) derived from Latin ''sacrificus'' (performing priestly functions or sacrifices), which combined the concepts ''sacra'' (sacred things) and ''facere'' (to do or perform). The Latin word ''sacrificium'' came to apply to the Christian eucharist in particular, sometimes named a "bloodless sacrifice" to distinguish it from blood sacrifices. In individual non-Christian ethnic religions, terms translated as "sacrifice" include the Indic ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rex Nemorensis
The ''rex Nemorensis'' (Latin, "king of Nemi" or "king of the Grove") was a priest of the goddess Diana at Aricia in Italy, by the shores of Lake Nemi, where she was known as Diana Nemorensis. The priesthood played a major role in the mythography of James George Frazer in ''The Golden Bough''; his interpretation has exerted a lasting influence. Ancient sources The tale of the ''rex Nemorensis'' appears in a number of ancient sources. Ovid gives a poetic account of the priesthood of NemiPublius Ovidius Naso, ''Fasti'', Book 3, 271 (on the month of March) noting that the lake of Nemi was "sacred to antique religion", and that the priest who dwelt there "holds his reign by strong hands and fleet feet, and dies according to the example he set himself." The Latin name of the priesthood is given by Suetonius: "He Caligula">/nowiki>Caligula.html" ;"title="Caligula.html" ;"title="/nowiki>Caligula">/nowiki>Caligula">Caligula.html" ;"title="/nowiki>Caligula">/nowiki>Caligula/ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Diana (mythology)
Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside, hunters, crossroads, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter (mythology), Jupiter and Latona, and a twin brother, Apollo,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. though she had Diana Nemorensis, an independent origin in Italy. Diana is considered a virgin goddess and protector of childbirth. Historically, Diana made up a triad with two other Roman deities: Egeria (mythology), Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god. Diana is revered in modern neopagan religions including Roman polytheistic reconstructionism, Roman neopaganism, Stregheria, and Wicca. In the ancient, medieval, and modern periods, Diana has been considered a triple deity, m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lake Avernus
__NOTOC__ Lake Avernus ( it, Lago d'Averno) is a volcanic crater lake located in the Avernus crater in the Campania region of southern Italy, around west of Pozzuoli. It is near the volcanic field known as the Phlegraean Fields (') and comprises part of the wider Campanian volcanic arc. The lake is roughly circular, measuring in circumference and deep. Roman era Avernus was of major importance to the Romans, who considered it to be the entrance to Hades. Roman writers often used the name as a synonym for the underworld. In Virgil's ''Aeneid'', Aeneas descends to the underworld through a cave near the lake. In Hyginus' ''Fabulae'', Odysseus also goes to the lower world from this spot, where he meets Elpenor, his comrade who went missing at Circe's place. Despite the alleged dangers of the lake, the Romans were happy to settle its shores, on which villas and vineyards were established. The lake's personification, the ', was worshipped in lakeside temples. A large bathhouse was ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nemi
Nemi is a town and ''comune'' in the Metropolitan City of Rome (central Italy), in the Alban Hills overlooking Lake Nemi, a volcanic crater lake. It is northwest of Velletri and about southeast of Rome. The town's name derives from the Latin ''nemus'', or "holy wood". In antiquity the area had no town, but the grove was the site of one of the most famous of Roman cults and temples: the Temple of Diana Nemorensis, a study of which served as the seed for Sir James Frazer's seminal 1890 work on the anthropology of religion, ''The Golden Bough''. In 1514 Marcantonio I Colonna gave to Nemi the "Statuti e Capituli del Castello di Nemi", the first city statute with rules and regulations to observe. Main sights The Temple of Diana Nemorensis The Temple of Diana Nemorensis was an ancient Roman sanctuary erected around 300 BC and dedicated to the goddess Diana. The temple was situated on the northern shore of Lake Nemi beneath the cliffs of the modern city Nemi (Latin ''nemus Arici ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Golden Bough (painting)
''The Golden Bough'' is a painting from 1834 by the English painter J. M. W. Turner. It depicts the episode of the golden bough from the ''Aeneid'' by Virgil. It is in the collection of the Tate galleries. Background John Ruskin described ''The Golden Bough'' as a sequel to Turner's 1823 painting ''The Bay of Baiae'', which is based on the myth of Apollo and the Cumaean Sibyl. Description The painting depicts a scene from book VI of the ancient Roman epic ''Aeneid'' by Virgil. Turner has used Christopher Pitt's English translation. The hero Aeneas wants to enter the Underworld to consult his dead father. The Sibyl of Cumae tells him that he needs to offer a golden bough from a sacred tree to Proserpine in order to enter. The painting shows the landscape around the lake Avernus, which is the entrance to the Underworld. The Sibyl stands to the left and holds a sickle and the cut bough. Dancing Fates in the background and a snake in the foreground forebode the mysteries of the Und ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hades
Hades (; grc-gre, ᾍδης, Háidēs; ), in the ancient Greek religion and myth, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also made him the last son to be regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth, long the province of Gaia, available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his helm with Cerberus, the three-headed guard dog of the underworld, standing to his side. The Etruscan god Aita and the Roman gods Dis Pater and Orcus were eventually taken as equivalent to Hades and merged into Pluto, a Latinisation of Plouton ( grc-gre, , Ploútōn), itself a euphemistic title often given to Had ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sibyl
The sibyls (, singular ) were prophetesses or oracles in Ancient Greece. The sibyls prophesied at holy sites. A sibyl at Delphi has been dated to as early as the eleventh century BC by PausaniasPausanias 10.12.1 when he described local traditions in his writings from the second century AD. At first, there appears to have been only a single sibyl. By the fourth century BC, there appear to have been at least three more, Phrygian, Erythraean, and Hellespontine. By the first century BC, there were at least ten sibyls, located in Greece, Italy, the Levant, and Asia Minor. History The English word ''sibyl'' ( or ) is from Middle English, via the Old French and the Latin from the ancient Greek (). Varro derived the name from an Aeolic ''sioboulla'', the equivalent of Attic ''theobule'' ("divine counsel"). This etymology is still widely accepted, although there have been alternative proposals in nineteenth-century philology suggesting Old Italic or Semitic derivation. The fi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aeneas
In Greco-Roman mythology, Aeneas (, ; from ) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus, founder of Troy), making Aeneas a second cousin to Priam's children (such as Hector and Paris). He is a minor character in Greek mythology and is mentioned in Homer's ''Iliad''. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's ''Aeneid'', where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Vidarr of the Æsir.The Prose Edda of Snorri Sturlson Translated by Arthur Gilchrist Brodeur 916Prologue II at Internet Sacred Texts Archive. Accessed 11/14/17 Etymology Aeneas is the Romanization of the hero's original Greek name (''Aineías''). Aineías is first introduced in the ''Homeric Hymn to Aphrodite'' when ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin Epic poetry, epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan_War#Sack_of_Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', and fashioned th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |