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Gianna Pederzini
Gianna Pederzini (10 February 1900 - 12 March 1988) was an Italian mezzo-soprano. Pederzini was born in Trento. She studied in Naples with Fernando de Lucia, and made her stage debut in Messina, as Preziosilla, in 1923. She sang widely in Italy, notably as Mignon and Carmen, and made her debut at the Teatro San Carlo in Naples, as Adalgisa, in 1928, and at the Teatro alla Scala in Milan, in 1930. Abroad, she appeared at the Royal Opera House in London in 1931, the Opéra de Paris in 1935, the Teatro Colón in 1938, and the Berlin State Opera in 1941. She defended a wide repertoire, she took part in the 1930s in revivals of rare operas by Rossini and Donizetti, while singing the standard mezzo roles; Azucena, Ulrica, Amneris, Laura, but also a few dramatic soprano roles such as Santuzza and Fedora, etc. She also often sang Charlotte in Massenet's Werther with Tito Schipa. A live recording exists of one such performance. In the 1950s, she began concentrating on "char ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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Italian Mezzo-sopranos
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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1988 Deaths
File:1988 Events Collage.png, From left, clockwise: The oil platform Piper Alpha explodes and collapses in the North Sea, killing 165 workers; The USS Vincennes (CG-49) mistakenly shoots down Iran Air Flight 655; Australia celebrates its Bicentennial on January 26; The 1988 Summer Olympics are held in Seoul, South Korea; Soviet troops begin their withdrawal from Afghanistan, which is completed the next year; The 1988 Armenian earthquake kills between 25,000-50,000 people; The 8888 Uprising in Myanmar, led by students, protests the Burma Socialist Programme Party; A bomb explodes on Pan Am Flight 103, causing the plane to crash down on the town of Lockerbie, Scotland- the event kills 270 people., 300x300px, thumb rect 0 0 200 200 Piper Alpha rect 200 0 400 200 Iran Air Flight 655 rect 400 0 600 200 Australian Bicentenary rect 0 200 300 400 Pan Am Flight 103 rect 300 200 600 400 1988 Summer Olympics rect 0 400 200 600 8888 Uprising rect 200 400 400 600 1988 Armenian ...
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1900 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Dialogues Of The Carmelites
' (''Dialogues of the Carmelites''), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. The world première of the opera occurred (in Italian translation) on 26 January 1957 at La Scala in Milan. The première of the French-language version took place in Paris on 21 June 1957. The United States première, in English, followed in San Francisco in September 1957. Development Bernanos had been hired in 1947 to write the dialogue for a film screenplay, through Raymond-Léopold Bruckberger and the scenario writer Ph ...
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The Medium
''The Medium'' is a short (one-hour-long) two-act dramatic opera with words and music by Gian Carlo Menotti. Commissioned by the Alice M. Ditson Fund at Columbia University, its first performance was there on 8 May 1946. The opera's first professional production was presented on a double bill with Menotti's '' The Telephone'' at the Heckscher Theater, New York City, February 18–20, 1947 by the Ballet Society. The Broadway production took place on May 1, 1947, at the Ethel Barrymore Theater with the same cast. In 1951, Menotti directed, with the help of filmmaker Alexander Hammid, a film version made to resemble film noir, and starring Marie Powers as Madame Flora and Anna Maria Alberghetti as Monica. A live television production starring Marie Powers took place on 12 December 1948 on the TV series '' Studio One'' and on 14 February, 1959 on '' Omnibus'', starring Claramae Turner. It was also filmed for Australian TV in 1960. Roles Synopsis Act 1 ''The medium's parlor'' ...
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Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ...
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The Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diff ...
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Tito Schipa
Tito Schipa (; born Raffaele Attilio Amedeo Schipa; 2 January 1889 in Lecce16 December 1965) was an Italian lyric tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widel ..., considered the greatest Tenore di grazia, tenore di grazia and one of the most popular tenors of the century. Biography Schipa was born as Raffaele Attilio Amedeo Schipa on 27 December 1888 in Lecce in Apulia into an Arbëreshë people, Arbëreshë family; his birthday was recorded as January 2, 1889 for military conscription purposes. He studied in Milan and made his operatic debut at age 21 in 1910 at Vercelli. He subsequently appeared throughout Italy and in Buenos Aires, Argentina. In 1917, he created the role of Ruggiero in Giacomo Puccini, Puccini's ''La rondine''. In 1919, Schipa traveled to the United ...
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Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the succes ...
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