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Tito Schipa
Tito Schipa (; born Raffaele Attilio Amedeo Schipa; 2 January 1889 in Lecce16 December 1965) was an Italian lyric tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widel ..., considered the greatest Tenore di grazia, tenore di grazia and one of the most popular tenors of the century. Biography Schipa was born as Raffaele Attilio Amedeo Schipa on 27 December 1888 in Lecce in Apulia into an Arbëreshë people, Arbëreshë family; his birthday was recorded as January 2, 1889 for military conscription purposes. He studied in Milan and made his operatic debut at age 21 in 1910 at Vercelli. He subsequently appeared throughout Italy and in Buenos Aires, Argentina. In 1917, he created the role of Ruggiero in Giacomo Puccini, Puccini's ''La rondine''. In 1919, Schipa traveled to the United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Schipa 1
Tito may refer to: People Mononyms *Josip Broz Tito (1892–1980), commonly known mononymously as Tito, Yugoslav communist revolutionary and statesman *Roberto Arias (1918–1989), aka Tito, Panamanian international lawyer, diplomat, and journalist *Tito (footballer, born 1943), full name Nílton Rosa, Brazilian football forward *Terry Francona (born 1959), nicknamed Tito after his father, baseball manager with Cleveland Guardians * Tito (footballer, born 1946), full name Tito José da Costa Santos, Portuguese footballer * Tito (footballer, born 1980), full name Bruno Miguel Areias de Sousa, Portuguese footballer *Tito (footballer, born May 1985), full name Alberto Ortiz Moreno, Spanish footballer *Tito (footballer, born July 1985), full name Roberto Román Triguero, Spanish footballer Family name *Dennis Tito (born 1940), American businessman and astronaut *Diego Quispe Tito (1611–1681), Peruvian painter *Ettore Tito (1859–1941), Italian painter *Paul Tito (born 1978), New Z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Opera
San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits for the next decade convinced him that a San Francisco company was viable. In 1921, Merola returned to live in the city under the patronage of Mrs. Oliver Stine. During this time, Merola conceived of branching away from the area's reliance on visiting troupes for entertainment that had been common place since the Gold Rush era. By the fall, he was planning his first season, and the very next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3rd, 1922 wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Pasquale
''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera '' Ser Marcantonio'' written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or is assistantAccursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is generally reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'arlesiana
() is an opera in three acts by Francesco Cilea to an Italian libretto by Leopoldo Marenco. It was originally written in four acts, and was first performed on 27 November 1897 at the Teatro Lirico in Milan. It was revised as a three-act opera in 1898, and a prelude was added in 1937. The opera is based on the play (1872) by Alphonse Daudet, which was itself inspired by a short story from his collection ''Letters From My Windmill'' () and is best known for the incidental music composed by Georges Bizet. Three famous arias from this opera are the "" written for a tenor, "" for a baritone, and for a mezzo-soprano, "".Julian Budden, ''L'arlesiana'', in ''Grove Music Online'', accessed 10 April 2007. Additionally, in 2011, the aria "" from the 4-act version was added to the present score by the publisher. Performance history In 2007, research at the Università degli Studi di Pavia placed the aria "" ("") in the first version of . The aria had been cut from the work after the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cilea
Francesco Cilea (; 23 July 1866 – 20 November 1950) was an Italian composer. Today he is particularly known for his operas ''L'arlesiana'' and ''Adriana Lecouvreur''. Biography Born in Palmi near Reggio di Calabria, Cilea gave early indication of an aptitude for music when at the age of four he heard a performance of Vincenzo Bellini's ''Norma'' and was greatly affected by it. He was sent to study music at the Conservatorio di San Pietro a Majella in Naples, where he quickly demonstrated his diligence and precocious talent, earning a gold medal from the Ministero della Pubblica Istruzione (Department of Education). In 1889, for his final examination at the end of his course of study, he submitted his opera ''Gina'', with a libretto by Enrico Golisciani which was adapted from the old French play ''Catherine, ou La Croix d'or'' by Baron Anne-Honoré-Joseph Duveyrier de Mélésville (1787–1865). This "melodramma idilico" was performed in the college theatre, and it attracted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Von Flotow
Friedrich Adolf Ferdinand, Freiherr von Flotow /flo:to/ (27 April 1812 – 24 January 1883) was a German composer. He is chiefly remembered for his opera ''Martha'', which was popular in the 19th century and the early part of the 20th. Life Born in Teutendorf, in Mecklenburg, into an aristocratic family, Flotow was French-trained. Although he was intended for a diplomatic career, his father acceded to his wishes and he studied at the Conservatoire de Paris under Anton Reicha. During this time came under the influence of Auber, Rossini, Meyerbeer, Donizetti, Halévy, and later Gounod and Offenbach. These influences are reflected in his operas, where a distinctive French ''opéra comique'' flavour exists. During the 1830 revolution he returned home, writing chamber music and operetta until it was safe to return to Paris. He completed his first opera in 1835, ''Pierre et Cathérine'', but his breakthrough came with ''Le naufrage de la Méduse'' (1839), based on the wreck of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitaphone
Vitaphone was a sound film system used for feature films and nearly 1,000 short subjects made by Warner Bros. and its sister studio First National from 1926 to 1931. Vitaphone was the last major analog sound-on-disc system and the only one that was widely used and commercially successful. The soundtrack was not printed on the film itself, but issued separately on phonograph records. The discs, recorded at rpm (a speed first used for this system) and typically in diameter, would be played on a turntable physically coupled to the projector motor while the film was being projected. It had a frequency response of 4300 Hz. Many early talkies, such as ''The Jazz Singer'' (1927), used the Vitaphone system. The name "Vitaphone" derived from the Latin and Greek words, respectively, for "living" and "sound". The "Vitaphone" trademark was later associated with cartoons and other short subjects that had optical soundtracks and did not use discs. Early history In the early 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
