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Eva-Maria Bundschuh
Eva-Maria Bundschuh (born 16 October 1941) is a German operatic soprano who began her career as a contralto. She received international when she collaborated with Harry Kupfer at the Komische Oper Berlin. Life and career Born in Braunschweig a carpenter's daughter, Bundschuh grew up with three siblings near Chemnitz, then Karl-Marx-Stadt. House concerts, school choir and especially the church choir made her want to become a singer. Because she was not granted her wish, she secretly took singing lessons with Emmy Senff-Thieß in her home town in addition to her training as a textile master. She qualified for the Arbeiter-Musiktheater Aue, where she was admitted in the role of Dorabella in Mozart's ''Così fan tutte''. Without the prescribed professional training one could usually not pass the , nevertheless she was allowed to prove her suitability before a commission of leading directors and theatre directors of the German Democratic Republic (GDR) in the Berlin artists club '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Braunschweig
Braunschweig () or Brunswick ( , from Low German ''Brunswiek'' , Braunschweig dialect: ''Bronswiek'') is a city in Lower Saxony, Germany, north of the Harz Mountains at the farthest navigable point of the river Oker, which connects it to the North Sea via the rivers Aller and Weser. In 2016, it had a population of 250,704. A powerful and influential centre of commerce in medieval Germany, Brunswick was a member of the Hanseatic League from the 13th until the 17th century. It was the capital city of three successive states: the Principality of Brunswick-Wolfenbüttel (1269–1432, 1754–1807, and 1813–1814), the Duchy of Brunswick (1814–1918), and the Free State of Brunswick (1918–1946). Today, Brunswick is the second-largest city in Lower Saxony and a major centre of scientific research and development. History Foundation and early history The date and circumstances of the town's foundation are unknown. Tradition maintains that Brunswick was created through the merge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lear (opera)
''Lear'' is an opera in two parts with music by the German composer Aribert Reimann, and a libretto by Claus H. Henneberg, based on Shakespeare's tragedy ''King Lear''. Background and performance history Reimann wrote the title role specifically for the baritone Dietrich Fischer-Dieskau, who had suggested the subject to the composer as early as 1968. Reimann then received a commission from the Bavarian State Opera in 1975. The world premiere, in a production by Jean-Pierre Ponnelle with Fischer-Dieskau in the title role, occurred at the National Theatre Munich on 9 July 1978, with Gerd Albrecht conducting. The production was revived in Munich in 1980. The US premiere, in English translation, was presented by the San Francisco Opera in June 1981, with Thomas Stewart as Lear, under Gerd Albrecht. The Paris premiere took place in November 1982, in a French translation by Antoinette Becker. The UK premiere was presented by English National Opera in 1989; the Swedish premiere took pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Kupfer
Harry Alfred Robert Kupfer (12 August 1935 – 30 December 2019) was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's ''Der fliegende Holländer'' in 1978 and ''Der Ring des Nibelungen'' in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's '' Die schwarze Maske'' in 1986 and ''Der Rosenkavalier'' by Richard Strauss in 2014. Career Born in Berlin, Kupfer studied theatre at the Theaterhochschule Leipzig from 1953 to 1957. He was the assistant director at the Landestheater Halle, where he directed his first opera, Dvořák's '' Rusalka'', in 1958. From 1958 to 1962, he worked at the Theater Stralsund, then at the Theater in Karl-Marx-Stadt, from 1966 as opera director at the Nationaltheater Weimar, also lecturing at the Hochschul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otmar Suitner
Otmar Suitner (German pronunciation: ɔtmaʁ zuˈiːtnɐ 16 May 1922 – 8 January 2010) was an Austrian conductor who spent most of his professional career in East Germany. He was born in Innsbruck and died in Berlin. He was Principal Conductor of the Staatskapelle Dresden from 1960 to 1964, and then Music Director at the Berlin State Opera in East Berlin from 1964 to 1990. A fairly prolific recording artist, he was particularly notable in Austro-German music, having conducted discs of works by Max Reger and Paul Hindemith as well as the first Beethoven symphony cycle to be released on CD. He taught at the Mozarteum for twenty years. From 1977 to 1990 Suitner was professor of conducting at the University of Music and Performing Arts, Vienna. Among his prize students was American Conductor Donald Covert, who received the "Swarovsky Conducting Diploma" in 1984. He was awarded the National Prize of the German Democratic Republic The National Prize of the German Democratic Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruth Berghaus
Ruth Berghaus (2 July 1927 – 25 January 1996) was a German choreographer, opera and theatre director, and artistic director. Life and career Berghaus was born in Dresden and studied Expressionist dance and Dance direction with Gret Palucca there and was an advanced student at the German Academy of Arts in Berlin, at least part of the time under Walter Felsenstein – associated with the Komische Oper East Berlin he founded – along with his two other first leading protégés, Götz Friedrich and Joachim Herz (1924–2010). All three would mark a departure from Felsenstein's insistence on textual accuracy in favor of Brechtian interpretation, but were in part inspired by also his insistence on maintaining an even balance between the musical and dramatic aspects of an opera being staged. From 1951 to 1964, Berghaus worked as choreographer on many stages, including the Deutsches Theater Berlin, the Deutsche Staatsoper Berlin and the Berliner Ensemble. Her work as a director be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhard Fischer
Martin Erhard Fischer (10 November 1922 – 20 December 1996) was a German music and theater director. Career Born in Radeberg, Fischer studied with in Dresden. His directing debut took place in Radebeul with Mozart's ''Die Entführung aus dem Serail''. From 1950 to 1960, Fischer worked as an assistant and director at the Dresden State Opera. From 1960 to 1965 he worked under the opera director Joachim Herz as chief conductor and artistic director of the Kleiner Haus an der Oper Leipzig; here he set up productions of ''Fidelio'', ''Aida'', ''Tannhäuser'' and ''Nabucco''. In 1965 he changed as head director, from 1969 as "chief director" to the Staatsoper Unter den Linden Berlin. Here he was also director of rarities like ''The Golden Cockerel'', '' The Nose'', ''Katerina Ismaelova'' (Stalinist version of the '' Lady Macbeth von Mzensk''), ''The Devils of Loudun'', ''Les vêpres siciliennes'' and Hans Pfitzner's ''Palestrina'' (with Peter Schreier in the title role). Among the wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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