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Doha (poetry)
Doha (Urdu: , Hindi: दोहा) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry.{{Cite web, url=http://dsalsrv02.uchicago.edu/cgi-bin/philologic/getobject.pl?c.4:1:1216.platts, title = Digital South Asia Library Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas, Surdas A doha is a couplet consisting of two lines, each of 24 instants (Matras). The rules for distinguishing light and heavy syllables is slightly different from Sanskrit. Each line has 13 instants in first part and 11 instants in the second. The first and third quarters of doha have 13 instants which must parse as 6-4-3. Many Hindi poets have created several books which explain whole stories and epics in the form of dohas. The most popular is Tulsidas' ''Ramcharitmanas'', a popular rendition of the Sanskrit epic ''Ramayana''. Examples न ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Poetics
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanzaic Form
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragraph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanuman Chalisa
The ''Hanuman Chalisa'' (; '' Forty chaupais on Hanuman'') is a Hindu devotional hymn (''stotra'') in praise of Hanuman.Rambhadradas 1984pp. 1–8./ref> It was authored by Tulsidas in the Awadhi language, and is his best known text apart from the ''Ramcharitmanas''. Apart from Awadhi, the ''Hanuman Chalisa'' is also available in various languages including Sanskrit, Kannada, Marathi, Telugu, Tamil, Gujarati and Bengali. The word "chālīsā" is derived from "chālīs", which means the number forty in Hindi, as the ''Hanuman Chalisa'' has 40 verses (excluding the couplets at the beginning and at the end). Hanuman is a devotee of Rama and one of the central characters of the ''Ramayana''. According to the Shaivite tradition, God Hanuman is also an incarnation of God Shiva. Folk tales acclaim the powers of Hanuman.Peebles 1986, p. 100 The qualities of lord Hanuman – his strength, courage, wisdom, celibacy, devotion to Lord Rama and the many names by which he is known – are detail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doha (Indian Literature)
Doha is a lyrical verse-format which was extensively used by Indian poets and bards of North India probably since the beginning of the 6th century AD. Dohas of Kabir, Tulsidas, Raskhan, Rahim and the dohas of Nanak called Sakhis are famous. Satasai of Hindi poet, Bihārī, contains many dohas. Dohas are written even now. Background Doha is a very old "verse-format" of Indian poetry. It is an independent verse, a couplet, the meaning of which is complete in itself. As regards its origin, Hermann Jacobi had suggested that the origin of ''doha'' can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line. This format had found favour with the Abhiras or Ahirs who had greatly encouraged its use, the Abhiras belonged to Gandhara region now in Pakistan. Jacobi's theory rests on the premise that the Indians possessed a translation of Homer's works as asserted by Dio of Alexandria. Therefore, for a very long time the Doha verse-format was popularly used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chhand (poetry)
''Chhand'' ( pa, ਛੰਦ , ur, چھند, hi, छंद) is a quatrain used in the poetic traditions of North India and Pakistan. Chhands in culture In the culture of the northwestern part of the Indian subcontinent, it is customary for ''chhands'' to be recited at ceremonial occasions such as weddings, where they are used by grooms to praise their in-laws. Formerly, the form was extensively employed by court bards to praise royal personages. ''Chhands'' are also used extensively in the '' Nautanki'' dance-drama tradition of the region, especially in the ''alha chhand'' or ''bir chhand'' formats. A typical Punjabi wedding ''chhand'' might extol the mother- and father-in-law, for instance this one, which says the groom holds them in the same esteem as his own parents - A Rajasthani language ''chhand'', from the poem '' Haldighati'' by Kanhaiyalal Sethia, describes Maharana Pratap's determination to fight on against the Mughals at all costs - Chhands in religion Jaap Sah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Of Realization
Songs of realization, or Songs of Experience (; Devanāgarī: दोहा; Romanized Sanskrit: ''Dohā''; Oriya: ପଦ), are sung poetry forms characteristic of the tantric movement in both Vajrayana Buddhism and in Hinduism. Doha is also a specific poetic form. Various forms of these songs exist, including caryagiti ( sa, caryāgīti), or 'performance songs' and vajragiti (Sanskrit: ''vajragīti'', Tibetan: ''rDo-rje gan-sung'' ), or 'diamond songs', sometimes translated as vajra songs and doha (Sanskrit: ''dohā'', दोह, 'that which results from milking the cow'), also called doha songs, distinguishing them from the unsung Indian poetry form of the doha. According to Roger Jackson, caryagiti and vajragiti "differ generically from dohās because of their different context and function"; the doha being primarily spiritual aphorisms expressed in the form of rhyming couplets whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaupai (poetry)
A chaupai (चौपाई) is a quatrain verse of Indian poetry, especially medieval Hindi poetry, that uses a metre of four syllables. Famous chaupais include those of poet-saint Tulsidas (used in his classical text ''Ramcharitamanas'' and poem ''Hanuman Chalisa'') . Chaupai is identified by a syllable count 16/16, counted with a value of 1 in case of Hrasva (short sounding letter) and 2 in case of Dirgha (long sounding letter). Examples Some of the famous 40 ''chaupais'' (known as "chalisa"); *Hanuman Chalisa * Ganesh Chalisa * Shiv Chalisa See also *Chhand (poetry) *Chaupai (Sikhism) Kaviyo Bach Benti Chaupai (also referred to as Chaupai Sahib) (Gurmukhi: ਕਬਿਯੋਬਾਚ ਬੇਨਤੀ ਚੌਪਈ or ਚੌਪਈ ਸਾਹਿਬ) is a hymn by Guru Gobind Singh. Chaupai is the 404th Charitar of the Charitropakhyan ... Indian poetics Stanzaic form Poetic rhythm {{India-lit-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramcharitmanas
''Ramcharitmanas'' ( deva, श्रीरामचरितमानस, Rāmacaritamānasa), is an epic poem in the Awadhi language, based on the ''Ramayana'', and composed by the 16th-century Indian bhakti poet Tulsidas (c. 1532–1623). This work is also called, in popular parlance, ''Tulsi Ramayana'', ''Tulsikrit Ramayana'', or ''Tulsidas Ramayana''. The word ''Ramcharitmanas'' literally means "Lake of the deeds of Rama". It is considered one of the greatest works of Hindu literature. The work has variously been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poetry", "the greatest book of all devotional literature" and "the best and most trustworthy guide to the popular living faith of the Indian people".Lutgendorf 1991, p. 1. Tulsidas was a great scholar of Sanskrit. However, he wanted the story of Rama to be accessible to the general public, as many Apabhramsa languages had evolved from Sanskrit and at that time fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Epic Poetry
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called ''Kavya'' (or ''Kāvya''; Sanskrit: काव्य, IAST: ''kāvyá''). The ''Ramayana'' and the ''Mahabharata'', which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written. Hindi epics In modern Hindi literature, ''Kamayani'' by Jaishankar Prasad has attained the status of an epic. The narrative of Kamayani is based on a popular mythological story, first mentioned in Satapatha Brahmana. It is a story of the great flood and the central characters of the epic poem are Manu (a male) and Shraddha (a female). Manu is representative of the human psyche and Shradha represents love. Another female character is Ida, who represents rationality. Some critics surmise that the three lead characters of Kamayani symbolize a synthesis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
