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Do-baytī
Do-bayti ( fa, دوبیتی) (literally "two-couplet"), also known as ''fahlaviyat'', is an ancient form of Persian poetry. It is used to describe a Persian quatrain (a stanza or poem of four lines), similar to Ruba'i but different in meter. A ''do-bayti'' has four half-lines of 11 syllables each, and usually uses the ''hazaj'' meter: :, u – – – , u – – – , u – – , The first two syllables may sometimes be replaced by – u or – –. The rhyme scheme is ''a a a a'' or ''a a b a''. When sung to a traditional melody, the first two lines are sung continuously in one 22-syllable phrase, and the 3rd and 4th lines in another, a little lower in pitch. (See External links below.) An example from Baba Taher A well-known writer of ''do-bayti'' poems is the 11th-century Baba Taher-e Oryan of Hamadan Hamadan () or Hamedan ( fa, همدان, ''Hamedān'') (Old Persian: Haŋgmetana, Ecbatana) is the capital city of Hamadan Province of Iran. At the 2019 census, its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hazaj Meter
Hazaj meter is a quantitative verse meter frequently found in the epic poetry of the Middle East and western Asia. A musical rhythm of the same name is based on the literary meter. Hazaj in Arabic poetry Like the other meters of the ''al-ʿarūḍ'' system of Arabic poetry, the basic rhyme unit of hazaj meter compositions is a closed couplet—a ''bayt'' "distich" (literally "tent")—of two hemistichs known as ''miṣrāʿ''s ("tent flaps"). Characteristic of the hazaj meter (in relation to the other ''al-ʿarūḍ'' meters) is its leading iamb, that is, the first two syllables of its prosodic feet are short-long. This syllable pair (the ''watid'', "peg") is then repeated at fixed points along the length of a line, and two variable syllables (the ''sabab'', "guy-wire"s) are "tied" to each instance of it. The hazaj measure is thus nominally tetrasyllabic. Its two common variations are: : In classical Arabic the hazaj is generally used in a dimeter version of four feet. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baba Tahir
Baba Tahir or Baba Taher Oryan Hamadani ( fa, باباطاهر عریان همدانی) was an 11th-century Persian dervish poet from Hamadan, Iran who lived during the reign of Tugril of the Seljuk dynasty over Iran. This is almost all that is known of him as he lived a mysterious lifestyle. Although prefix "Baba" (roughly meaning 'The Wise' or 'The Respected') has been thought as part of his name in all known sources, his nickname "Oryan" ( meaning 'The Naked' ) did not appear until about 17th-century. The nickname was probably attributed to him because he seemed to lead a very spiritual and stoic lifestyle and thus was figuratively not clothed with worldly and material needs. His poetry is written in the Hamadani dialect of the Persian language. According to L. P. Elwell-Sutton he probably wrote in the Hamadani dialect, adding: "Most traditional sources call it loosely Luri, while the name commonly applied from an early date to verses of this kind, Fahlaviyat, presumably impli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamadan
Hamadan () or Hamedan ( fa, همدان, ''Hamedān'') ( Old Persian: Haŋgmetana, Ecbatana) is the capital city of Hamadan Province of Iran. At the 2019 census, its population was 783,300 in 230,775 families. The majority of people living in Hamadan identify as ethnic Persians. Hamedan is believed to be among the oldest Iranian cities. It is possible that it was occupied by the Assyrians in 1100 BCE; the Ancient Greek historian, Herodotus, states that it was the capital of the Medes, around 700 BCE. Hamedan has a green mountainous area in the foothills of the 3,574-meter Alvand Mountain, in the midwest part of Iran. The city is 1,850 meters Above mean sea level, above sea level. The highly cultural nature of this old city and its historic sites attract tourists during the summer to this city, located approximately southwest of Tehran. The major sights of this city are the Ganj Nameh inscription, the Avicenna monument and the Baba Taher monument. The main language in the city ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Metres
Persian metres are patterns of long and short syllables in Persian poetry. Over the past 1000 years the Persian language has enjoyed a rich literature, especially of poetry. Until the advent of free verse in the 20th century, this poetry was always quantitative—that is the lines were composed in various patterns of long and short syllables. The different patterns are known as metres (US: meters). A knowledge of metre is essential for someone to correctly recite Persian poetry—and also often, since short vowels are not written in Persian script, to convey the correct meaning in cases of ambiguity. It is also helpful for those who memorise the verse. Metres in Persian have traditionally been analysed in terms of Arabic metres, from which they were supposed to have been adapted. However, in recent years it has been recognised that for the most part Persian metres developed independently from those in Arabic, and there has been a movement to analyse them on their own terms. An unu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Literature
Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan) and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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