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Persian Metres
Persian metres are patterns of long and short syllables in Persian poetry. Over the past 1000 years the Persian language has enjoyed a rich literature, especially of poetry. Until the advent of free verse in the 20th century, this poetry was always quantitative—that is the lines were composed in various patterns of long and short syllables. The different patterns are known as metres (US: meters). A knowledge of metre is essential for someone to correctly recite Persian poetry—and also often, since short vowels are not written in Persian script, to convey the correct meaning in cases of ambiguity. It is also helpful for those who memorise the verse. Metres in Persian have traditionally been analysed in terms of Arabic metres, from which they were supposed to have been adapted. However, in recent years it has been recognised that for the most part Persian metres developed independently from those in Arabic, and there has been a movement to analyse them on their own terms. An unu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanai
Hakim Abul-Majd Majdūd ibn Ādam Sanā'ī Ghaznavi ( fa, ), more commonly known as Sanai, was a Persian poet from Ghazni who lived his life in the Ghaznavid Empire which is now located in Afghanistan. He was born in 1080 and died between 1131 and 1141. Life Sanai was a Sunni Muslim.Edward G. Browne, ''A Literary History of Persia from the Earliest Times Until Firdawsh'', 543 pp., Adamant Media Corporation, 2002, , (see p.437) He was connected with the court of the Ghaznavid Bahram-shah who ruled 1117 – 1157. Works He wrote an enormous quantity of mystical verse, of which ''The Walled Garden of Truth'' or ''The Hadiqat al Haqiqa'' (حدیقه الحقیقه و شریعه الطریقه) is his master work and the first Persian mystical epic of Sufism. Dedicated to Bahram Shah, the work expresses the poet's ideas on God, love, philosophy and reason. For close to 900 years ''The Walled Garden of Truth'' has been consistently read as a classic and employed as a Sufi textboo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemistich
A hemistich (; via Latin from Greek , from "half" and "verse") is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama. In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in ''hemistichomythia''). The Roman poet Virgil employed hemistichs in the ''Aeneid'' to indicate great duress in his characters, where they were incapable of forming complete lines due to emotional or physical pain. In neo-classicism, the hemistich was frowned upon (e.g. by John Dryden), but Germanic poetry employed the hemistich as a basic component of verse. In Old English and Old Norse poetry, each line of alliterative verse was divided into an "a-verse" and "b-verse" hemistich with a strong caesura between. In ''Beowulf,'' there are only five basic types of hemistich, with some used only as initial hemistichs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrameter
In poetry, a tetrameter is a line of four metrical feet. The particular foot can vary, as follows: * ''Anapestic tetrameter:'' ** "And the ''sheen'' of their ''spears'' was like ''stars'' on the ''sea''" (Lord Byron, "The Destruction of Sennacherib") ** "Twas the ''night'' before ''Christ''mas when ''all'' through the ''house''" ("A Visit from St. Nicholas") * ''Iambic tetrameter:'' ** "Be''cause'' I ''could'' not ''stop'' for ''Death''" (Emily Dickinson, eponymous lyric) * ''Trochaic tetrameter:'' ** "''Pet''er, ''Pet''er, ''pump''kin-''eat''er" ( English nursery rhyme) * ''Dactylic tetrameter:'' ** ''Pic''ture your ''self'' in a ''boat'' on a ''riv''er with ..(The Beatles, "Lucy in the Sky with Diamonds") * ''Spondaic tetrameter:'' ** ''Long sounds move slow'' * ''Pyrrhic tetrameter'' (with spondees white breast" and "dim sea": ** And the ''white breast'' of the ''dim sea'' * '' Amphibracic tetrameter:'' ** And, ''speak''ing of ''birds'', there's the ''Russ''ian Pa''loo''ski, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diwan-e Shams-e Tabrizi
''Divan-i Kebir'', also known as Divan i Shams, is a collection of poems written by the Persian poet and Sufi mystic Mawlānā Jalāl-ad-Dīn Muhammad Balkhī, also known as Rumi. A compilation of lyric poems written in the Persian language, it contains more than 40,000 verses and over 3,000 ghazals. While following the long tradition of Sufi poetry as well as the traditional metrical conventions of ghazals, the poems in the Divan showcase Rumi’s unique, trance-like poetic style. Written in the aftermath of the disappearance of Rumi’s beloved spiritual teacher, Shams-i Tabrizi, the Divan is dedicated to Shams and contains many verses praising him and lamenting his disappearance. Although not a didactic work, the Divan still explores deep philosophical themes, particularly those of love and longing. Content The Divan contains poems in several different Eastern-Islamic poetic styles (e.g. ghazals, elegies, quatrains, etc.). It contains 44,292 lines (according to Foruzanf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumi
Jalāl al-Dīn Muḥammad Rūmī ( fa, جلالالدین محمد رومی), also known as Jalāl al-Dīn Muḥammad Balkhī (), Mevlânâ/Mawlānā ( fa, مولانا, lit= our master) and Mevlevî/Mawlawī ( fa, مولوی, lit= my master), but more popularly known simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century PersianRitter, H.; Bausani, A. "ḎJ̲alāl al-Dīn Rūmī b. Bahāʾ al-Dīn Sulṭān al-ʿulamāʾ Walad b. Ḥusayn b. Aḥmad Ḵh̲aṭībī." Encyclopaedia of Islam. Edited by: P. Bearman, Th. Bianquis, C.E. Bosworth, E. van Donzel and W.P. Heinrichs. Brill, 2007. Brill Online. Excerpt: "known by the sobriquet Mewlānā, persian poet and founder of the Mewlewiyya order of dervishes" poet, Hanafi faqih, Islamic scholar, Maturidi theologian and Sufi mystic originally from Greater Khorasan in Greater Iran. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turks, Greeks, Pashtuns, other C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hafez
Khwāje Shams-od-Dīn Moḥammad Ḥāfeẓ-e Shīrāzī ( fa, خواجه شمسالدین محمّد حافظ شیرازی), known by his pen name Hafez (, ''Ḥāfeẓ'', 'the memorizer; the (safe) keeper'; 1325–1390) and as "Hafiz", was a Persian lyric poet, whose collected works are regarded by many Iranians as a pinnacle of Persian literature. His works are often found in the homes of people in the Persian-speaking world, who learn his poems by heart and use them as everyday proverbs and sayings. His life and poems have become the subjects of much analysis, commentary and interpretation, influencing post-14th century Persian writing more than any other Persian author. Hafez is best known for his Divan of Hafez, a collection of his surviving poems probably compiled after his death. His works can be described as "antinomian" and with the medieval use of the term "theosophical"; the term "theosophy" in the 13th and 14th centuries was used to indicate mystical work by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khwaju Kermani
Khwaju Kermani ( fa, خواجوی کرمانی; December 1290 – 1349) was a famous Persian poet and Sufi mystic from Iran. Life He was born in Kerman, Iran on 24 December 1290. His nickname Khwaju is a diminutive of the Persian word ''Khwaja'' which he uses as his poetic penname. This title points to descent from a family of high social status. The nisba (name title) Morshedi display his association with the Persian Sufi master Shaykh Abu Eshaq Kazeruni, the founder of the Morshediyya order. Khwaju died around 1349 in Shiraz, Iran, and his tomb in Shiraz is a popular tourist attraction today. When he was young, he visited Egypt, Syria, Jerusalem and Iraq. He also performed the Hajj in Mecca. One purpose of his travel is said to have been education and meeting with scholars of other lands. He composed one of his best known works ''Homāy o Homāyun'' in Baghdad. Returning to Iranian lands in 1335, he strove to find a position as a court poet by dedicating poems to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amir Khusrau
Abu'l Hasan Yamīn ud-Dīn Khusrau (1253–1325 AD), better known as Amīr Khusrau was an Indo-Persian culture, Indo-Persian Sufi singer, musician, poet and scholar who lived under the Delhi Sultanate. He is an iconic figure in the cultural history of the Indian subcontinent. He was a mysticism, mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian language, Persian, but also in Hindustani language, Hindavi. A vocabulary in verse, the ''Ḳhāliq Bārī'', containing Arabic, Persian and Hindustani language, Hindavi terms is often attributed to him. Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (''Tuti-e-Hind''), and has been called the "father of Urdu literature." Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nizami Ganjavi
Nizami Ganjavi ( fa, نظامی گنجوی, lit=Niẓāmī of Ganja, translit=Niẓāmī Ganjavī; c. 1141–1209), Nizami Ganje'i, Nizami, or Nezāmi, whose formal name was ''Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī'',Mo'in, Muhammad(2006), "Tahlil-i Haft Paykar-i Nezami", Tehran.: p. 2: Some commentators have mentioned his name as “Ilyas the son of Yusuf the son of Zakki the son of Mua’yyad” while others have mentioned that Mu’ayyad is a title for Zakki. Mohammad Moin, rejects the first interpretation claiming that if it were to mean 'Zakki son of Muayyad' it should have been read as 'Zakki i Muayyad' where izafe (-i-) shows the son-parent relationship but here it is 'Zakki Muayyad' and Zakki ends in silence/stop and there is no izafe (-i-). Some may argue that izafe is dropped due to meter constraints but dropping parenthood izafe is very strange and rare. So it is possible that Muayyad was a sobriquet for Zaki or part of his name (like Muayyad al-D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bani Adam
''Bani Adam'' ( fa, بنیآدم; ar, بني آدم; he, בן־אדם), meaning "Sons of Adam" or "Human Beings", is the name of famous poem by Persian poet Saadi Shirazi from his Gulistan. A translation of the first line of the poem was quoted by former U.S. President Barack Obama in a videotaped message to Iranians to mark Nowruz, the Persian New Year, on 20 March 2009. The poem is also inscribed on a large hand-made carpet installed in 2005 on the wall of a meeting room in the United Nations building in New York."Zarif Narrates Story of Iranian Carpet Hung up on UN’s Wall" ''Iran Front Page'' online, April 19, 2017. Text The poem comes from Saadi's book the[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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