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Divine Madness
Divine madness, also known as ''theia mania'' and crazy wisdom, refers to unconventional, outrageous, unexpected, or unpredictable behavior linked to religious or spiritual pursuits. Examples of divine madness can be found in Hellenism, Christianity, Hinduism, Buddhism, Sufism, and Shamanism. It is usually explained as a manifestation of enlightened behavior by persons who have transcended societal norms, or as a means of spiritual practice or teaching among mendicants and teachers. These behaviors may seem to be symptoms of mental illness to mainstream society, but are a form of religious ecstasy, or deliberate "strategic, purposeful activity," "by highly self-aware individuals making strategic use of the theme of madness in the construction of their public personas". Cross-cultural parallels According to June McDaniel and other scholars, divine madness is found in the history and practices of many cultures and may reflect religious ecstasy or expression of divine love. Plato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedrus (Plato)
The ''Phaedrus'' (; grc-gre, Φαῖδρος, Phaidros}), written by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. The ''Phaedrus'' was presumably composed around 370 BCE, about the same time as Plato's ''Republic'' and ''Symposium''. Although ostensibly about the topic of love, the discussion in the dialogue revolves around the art of rhetoric and how it should be practiced, and dwells on subjects as diverse as metempsychosis (the Greek tradition of reincarnation) and erotic love. One of the dialogue's central passages is the famous Chariot Allegory, which presents the human soul as composed of a charioteer, a good horse tending upward to the divine, and a bad horse tending downward to material embodiment. Setting Socrates runs into Phaedrus on the outskirts of Athens. Phaedrus has just come from the home of Epicrates of Athens, where Lysias, son of Cephalus, has given a speech on love. Socrates, stating that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedrus (dialogue)
The ''Phaedrus'' (; grc-gre, Φαῖδρος, Phaidros}), written by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. The ''Phaedrus'' was presumably composed around 370 BCE, about the same time as Plato's ''Republic'' and ''Symposium''. Although ostensibly about the topic of love, the discussion in the dialogue revolves around the art of rhetoric and how it should be practiced, and dwells on subjects as diverse as metempsychosis (the Greek tradition of reincarnation) and erotic love. One of the dialogue's central passages is the famous Chariot Allegory, which presents the human soul as composed of a charioteer, a good horse tending upward to the divine, and a bad horse tending downward to material embodiment. Setting Socrates runs into Phaedrus on the outskirts of Athens. Phaedrus has just come from the home of Epicrates of Athens, where Lysias, son of Cephalus, has given a speech on love. Socrates, stating that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Religion
The concept of Hellenistic religion as the late form of Ancient Greek religion covers any of the various systems of beliefs and practices of the people who lived under the influence of ancient Greek culture during the Hellenistic period and the Roman Empire ( 300 BCE to 300 CE). There was much continuity in Hellenistic religion: people continued to worship the Greek gods and to practice the same rites as in Classical Greece. Change came from the addition of new religions from other countries, including the Egyptian deities Isis and Serapis, and the Syrian gods Atargatis and Hadad, which provided a new outlet for people seeking fulfillment in both the present life and the afterlife. The worship of deified Hellenistic rulers also became a feature of this period, most notably in Egypt, where the Ptolemies adapted earlier Egyptian practices and Greek hero-cults and established themselves as Pharaohs within the new syncretic Ptolemaic cult of Alexander the Great. Elsewhere, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ion (dialogue)
In Plato's ''Ion'' (; grc-gre, Ἴων) Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shortest of Plato's dialogues. Characters *Socrates, the Greek philosopher. In this dialogue, he questions the nature of art and of divine inspiration. *Ion of Ephesus, the rhapsode. In poetry, he specialized in the works of Homer. The city of Ephesus was under Athenian control at this time and Athens had lost many of its beloved generals in the recent Sicilian expedition. Athens was in the process of hiring foreign mercenaries so Socrates' suggestion that Ion should serve as a general to the Athenian soldiers is not the non-sequitur it may at first appear when these circumstances are taken into account. Dialogue summary Ion's skill: Is it genuine? (530a–533c) Ion has jus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eros
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods. Etymology The Greek , meaning 'desire', comes from 'to desire, love', of uncertain etymology. R. S. P. Beekes has suggested a Pre-Greek origin. Cult and depiction Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interventions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphrodite
Aphrodite ( ; grc-gre, Ἀφροδίτη, Aphrodítē; , , ) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, and procreation. She was syncretized with the Roman goddess . Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of "sacred prostitution" in Greco-Roman culture, an idea which is now generally seen as erroneous. In Hesiod's ''Theogony'', Aphrodite is born off the coast of Cythera from the foam (, ) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muses
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dodona
Dodona (; Doric Greek: Δωδώνα, ''Dōdṓnā'', Ionic and Attic Greek: Δωδώνη, ''Dōdṓnē'') in Epirus in northwestern Greece was the oldest Hellenic oracle, possibly dating to the second millennium BCE according to Herodotus. The earliest accounts in Homer describe Dodona as an oracle of Zeus. Situated in a remote region away from the main Greek poleis, it was considered second only to the Oracle of Delphi in prestige. Aristotle considered the region around Dodona to have been part of Hellas and the region where the Hellenes originated.; Aristotle. ''Meteorologica''1.14 The oracle was first under the control of the Thesprotians before it passed into the hands of the Molossians. It remained an important religious sanctuary until the rise of Christianity during the Late Roman era. Description During classical antiquity, according to various accounts, priestesses and priests in the sacred grove interpreted the rustling of the oak (or beech) leaves to determine th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oracle Of Delphi
Pythia (; grc, Πυθία ) was the name of the high priestess of the Temple of Apollo at Delphi. She specifically served as its oracle and was known as the Oracle of Delphi. Her title was also historically glossed in English as the Pythoness. The name ''Pythia'' is derived from ''Pytho'', which in myth was the original name of Delphi. Etymologically, the Greeks derived this place name from the verb () "to rot", which refers to the sickly sweet smell from the decomposing body of the monstrous Python after it was slain by Apollo. The Pythia was established at the latest in the 8th century BC, (though some estimates date the shrine to as early as 1400 BC), and was widely credited for her prophecies uttered under divine possession (enthusiasmos) by Apollo. The Pythian priestess emerged pre-eminent by the end of the 7th century BC and continued to be consulted until the late 4th century AD. During this period, the Delphic Oracle was the most prestigious and authoritative oracle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
