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Eros
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods. Etymology The Greek , meaning 'desire', comes from 'to desire, love', of uncertain etymology. R. S. P. Beekes has suggested a Pre-Greek origin. Cult and depiction Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interven ...
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Erotes
In Ancient Greek religion and mythology, the Erotes () are a collective of winged gods associated with love and sexual intercourse. They are part of Aphrodite's retinue. ''Erotes'' (Greek ) is the plural of ''Eros'' ("Love, Desire"), who as a singular deity has a more complex mythology. Other named Erotes are Anteros ("Love Returned"), Hedylogos ("Sweet-talk"), Hermaphroditus ("Hermaphrodite" or "Effeminate"), Himeros ("Impetuous Love" or "Pressing Desire"), Hymenaios ("Bridal-Hymn"), and Pothos ("Desire, Longing," especially for one who is absent). The Erotes became a motif of Hellenistic art, and may appear in Roman art in the alternate form of multiple Cupids or Cupids and Psyches. In the later tradition of Western art, Erotes become indistinguishable from figures also known as Cupids, amorini, or amoretti. General role and attributes The Erotes are a group of winged gods in Classical mythology. They are associated with love and sexual desire, and form part of Aphrodit ...
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Aphrodite
Aphrodite ( ; grc-gre, Ἀφροδίτη, Aphrodítē; , , ) is an ancient Greek religion, ancient Greek goddess associated with love, lust, beauty, pleasure, passion (emotion), passion, and procreation. She was syncretized with the Roman goddess . Aphrodite's major symbols include Myrtle (common), myrtles, roses, doves, Old World sparrow, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Ancient Canaanite religion, Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian religion, Sumerian cult of Inanna. Aphrodite's main cult centers were Kythira, Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of Prostitution in ancient Greece, prostitutes, an association which led early scholars to propose the concept of "sacred prostitution" in Gr ...
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Amor (mythology)
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known in Latin as ' ("Love"). His Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told about ...
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Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known in Latin as ' ("Love"). His Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told abo ...
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Psyche (mythology)
Psyche (; el, Ψυχή, Psukhḗ ; ) is the Greek goddess of the soul and often represented with butterfly wings. Psyche was commonly referred to as such in Roman mythology as well, though direct translation is '' Anima'' (Latin word for "soul"). She was born a mortal woman, with beauty that rivaled Aphrodite. Psyche is known from the novel called ''The Golden Ass'', written by the Roman philosopher and orator Apuleius in the 2nd century. Mythology Early life Psyche was the youngest daughter of a Greek king and queen, with two beautiful elder sisters. Her beauty surpassed that of her sisters and people, including priests, compared her to Aphrodite (referred to as Venus in ''The Golden Ass''), the Greek goddess of love and beauty. Many went to the extent of saying that she was even fairer than the goddess. In other iterations, she is not compared to Aphrodite but mistaken for her. When Aphrodite's temples were deserted because people started worshiping Psyche, the godde ...
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Chaos (cosmogony)
Chaos ( grc, χάος, kháos) is the mythological The Void (philosophy), void state preceding the creation of the universe (the cosmos) in Greek mythology, Greek creation myths. In Christian theology, the same term is used to refer to the gap or the abyss created by the firmament, separation of heaven and earth. Etymology Greek ''kháos'' () means 'emptiness, vast void, chasm, abyss (religion), abyss', related to the verbs ''kháskō'' () and ''khaínō'' () 'gape, be wide open', from Proto-Indo-European language, Proto-Indo-European ', cognate to Old English language, Old English ''geanian'', 'to gape', whence English '':wikt:yawn, yawn''. It may also mean space, the expanse of air, the nether abyss or infinite darkness.Lidell-Scott, ''A Greek–English Lexiconchaos/ref> Pherecydes of Syros (fl. 6th century BC) interprets ''chaos'' as water, like something formless that can be differentiated. ''Chaoskampf'' The motif of ''Chaoskampf'' (; ) is ubiquitous in myth and legend, ...
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Thespiae
Thespiae ( ; grc, Θεσπιαί, Thespiaí) was an ancient Greek city (''polis'') in Boeotia. It stood on level ground commanded by the low range of hills which run eastward from the foot of Mount Helicon to Thebes, near modern Thespies. History In the history of ancient Greece, Thespiae was one of the cities of the federal league known as the Boeotian League. Several traditions agree that the Boeotians were a people expelled from Thessaly some time after the mythical Trojan War, and who colonised the Boeotian plain over a series of generations, of which the occupation of Thespiae formed a later stage. Other traditions suggest that they were of Mycenean origin. Archaic period In the Archaic period the Thespian nobility was heavily dependent on Thebes. This possibly reflected that land ownership was concentrated in the hands of a small number of nobles, and therefore there was difficulty in equipping an effective force of hoplites. Thespiae therefore decided to become a close ...
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Anteros
In Greek mythology, Anteros (; Ancient Greek: Ἀντέρως ''Antérōs'') was the god of requited love (literally "love returned" or "counter-love") and also the punisher of those who scorn love and the advances of others, or the avenger of unrequited love. He is one of the Erotes. Myth Anteros was the son of Ares and Aphrodite in Greek mythology, given as a playmate to his brother Eros, who was lonely – the rationale being that love must be answered if it is to prosper. Alternatively, he was said to have arisen from the mutual love between Poseidon and Nerites. Physically, he is depicted as similar to Eros in every way, but with long hair and plumed butterfly wings. He has been described also as armed with either a golden club or arrows of lead. Anteros, with Eros, was one of a host of winged love gods called Erotes, the ever-youthful winged gods of love, usually depicted as winged boys in the company of Aphrodite or her attendant goddesses. An altar to Anteros was ...
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Greek God
The following is a list of gods, goddesses, and many other divine and semi-divine figures from ancient Greek mythology and ancient Greek religion. Immortals The Greeks created images of their deities for many purposes. A temple would house the statue of a god or goddess, or multiple deities, and might be decorated with relief scenes depicting myths. Divine images were common on coins. Drinking cups and other vessels were painted with scenes from Greek myths. Major gods and goddesses Greek primordial deities Titans and Titanesses The Titan gods and goddesses are depicted in Greek art less commonly than the Olympians. File:Eos Memnon Louvre G115.jpg, Eos (Dawn) and the hero Memnon (490–480 BC) File:Ilion---metopa.jpg, Helios in his four-horse chariot (3rd century BC) File:0029MAN-Themis.jpg, Themis, from the Temple of Nemesis (ca. 300 BC) File:Antakya Arkeoloji Muzesi 02366 nevit.jpg, Oceanus wearing crab-claw horns, with Tethys ( Roman-era mosaic) File:Creation Prometh ...
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Gaia
In Greek mythology, Gaia (; from Ancient Greek , a poetical form of , 'land' or 'earth'),, , . also spelled Gaea , is the personification of the Earth and one of the Greek primordial deities. Gaia is the ancestral mother—sometimes parthenogenic—of all life. She is the mother of Uranus (the sky), from whose sexual union she bore the Titans (themselves parents of many of the Olympian gods), the Cyclopes, and the Giants; as well as of Pontus (the sea), from whose union she bore the primordial sea gods. Her equivalent in the Roman pantheon was Terra.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Etymology The Greek name Γαῖα (''Gaia'' or ) is a mostly epic, collateral form of Attic (''Gē'' ), and Doric (''Ga'' ), perhaps identical to (''Da'' ), both meaning "Earth". The word is of uncertain origin. Beekes suggested a Pre-Greek origin. Robert S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, pp. 269–270 ...
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Ares
Ares (; grc, Ἄρης, ''Árēs'' ) is the Greek god of war and courage. He is one of the Twelve Olympians, and the son of Zeus and Hera. The Greeks were ambivalent towards him. He embodies the physical valor necessary for success in war but can also personify sheer brutality and bloodlust, in contrast to his sister, the armored Athena, whose martial functions include military strategy and generalship. An association with Ares endows places, objects, and other deities with a savage, dangerous, or militarized quality. Although Ares' name shows his origins as Mycenaean, his reputation for savagery was thought by some to reflect his likely origins as a Thracian deity. Some cities in Greece and several in Asia Minor held annual festivals to bind and detain him as their protector. In parts of Asia Minor, he was an oracular deity. Still further away from Greece, the Scythians were said to ritually kill one in a hundred prisoners of war as an offering to their equivalent of Ares. ...
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Theogony
The ''Theogony'' (, , , i.e. "the genealogy or birth of the gods") is a poem by Hesiod (8th–7th century BC) describing the origins and genealogies of the Greek gods, composed . It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Descriptions Hesiod's ''Theogony'' is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing. Further, in the "Kings and Singers" passage (80–103) Hesiod appropriates to himself the a ...
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