Christ Bearing The Soul Of The Virgin
''Christ Bearing the Soul of the Virgin'' is a tempera on panel painting measuring 27.5 by 17.5 cm by Andrea Mantegna. It was completed around 1462 and is now in the Pinacoteca Nazionale in Ferrara. It shows Christ in an almond-shaped cloud bearing the soul of the Virgin Mary straight to heaven after her death, accompanied by cherubs - the soul is represented by a statuette, rather than the more usual symbol of a child. History Roberto Longhi was the first to identify it as a fragment of the upper register of ''Death of the Virgin'' ( Prado), probably for the private chapel of Ludovico III Gonzaga in the Castello di San Giorgio in Mantua. At its base is the arch which links it to the main painting. The design and decorative scheme for Ludovico's chapel was Mantegna's first official commission - he became court painter in 1460, but negotiations to bring him to court had begun three years earlier. During the 16th century the chapel was rebuilt and redecorated, with the 15th ce ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mantua
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paintings Depicting Jesus
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gonzaga Art Collection
The Gonzaga Collection or Celeste Gallery (''la Celeste Galeria'') was the large collection of artworks commissioned and acquired by the House of Gonzaga in Mantua, Italy, exhibited for a time in the Palazzo Ducale, the Palazzo Te, the Palazzo San Sebastiano and other buildings in Mantua and elsewhere. The Gonzagas were inspired by the wunderkammer style of collecting practised by the princes of Bavaria, with Isabella d'Este in particular creating a noted private 'studiolo'. They set an example for other European courts, particularly in their patronage of contemporary artists, whilst their collecting increased the international profile of Mantua, a relatively small state. It reached its peak under Vincenzo I Gonzaga and his son Ferdinando, before the family's decline led to major losses from the collection, such as the long negotiations from 1625 onwards with Charles I of Great Britain, mediated by two members of the Whitehall Group - the Flemish art dealer Daniel Nys and Nichol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1462 Paintings
146 may refer to: *146 (number), a natural number *AD 146, a year in the 2nd century AD *146 BC, a year in the 2nd century BC *146 (Antrim Artillery) Corps Engineer Regiment, Royal Engineers See also * List of highways numbered 146 * {{Number disambiguation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paintings By Andrea Mantegna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alfonso II D'Este
Alfonso II d'Este (24 November 1533 – 27 October 1597) was Duke of Ferrara from 1559 to 1597. He was a member of the House of Este. Biography He was the elder son of Ercole II d'Este and Renée de France, the daughter of Louis XII of France and Anne of Brittany and was the fifth and last Duke of Ferrara. As a young man, he fought in the service of Henry II of France against the Habsburgs. Soon after his accession, he was forced by Pope Pius IV to send back his mother to France due to her Calvinist creed. The 1570 Ferrara earthquake fell into his reign. In 1583 he allied with Emperor Rudolf II in the war against the Turks in Hungary. Throughout the 1550s, Alfonso had an interest in Castrato singing voices. Given his childlessness amongst multiple marriages, this additional fact has prompted some historians to speculate that the Duke was homosexual. Marriages He married three times: *On 3 July 1558, Alfonso married his first wife Lucrezia di Cosimo de' Medici (14 February 1 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Margherita Gonzaga, Duchess Of Ferrara
Margherita Barbara Gonzaga (27 May 1564 – 6 January 1618), was an Italian noblewoman, Duchess consort of Ferrara, Modena and Reggio between 1579 and 1597 by marriage to Alfonso II d'Este, Duke of Ferrara, Modena and Reggio. She was a significant cultural patron in Ferrara and Modena. She acted as Regent for the Duchy of Montferrat during the absence of her brother in 1610 and in 1602, as well as the ''de facto'' Regent of the Duchy of Mantua and Montferrat in the period between the death of her nephew in 1612 and the enthronement of her other nephew. Life Early years Born in Mantua on 27 May 1564, Margherita Barbara was the second child and first daughter of Guglielmo Gonzaga, Duke of Mantua and Archduchess Eleanor of Austria. Her paternal grandparents were Federico II Gonzaga, Duke of Mantua and Margherita Paleologa, ruling Marquise of Montferrat. Her maternal grandparents were Ferdinand I, Holy Roman Emperor and Anna of Bohemia and Hungary. She was named after both her pat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Castello Di San Giorgio (Mantua)
The Palazzo Ducale di Mantova ("Ducal Palace") is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m2, which make it the sixth largest palace in Europe after the palaces of the Vatican, the Louvre Palace, the Palace of Versailles, the Royal Palace of Caserta and the Castle of Fontainebleau. It has more than 500 rooms and contains seven gardens and eight courtyards. Although most famous for Mantegna's frescos in the Camera degli Sposi (Wedding Room), they have many other very significant architectural and painted elements. The Gonzaga family lived in the palace from 1328 to 1707, when the dynasty died out. Subsequently, the buildings saw a sharp decline ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ferrara
Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site. History Antiquity and Middle Ages The first documented settlements in the area of the present-day Province of Ferrara date from the 6th century BC. The ruins of the Etruscan town of Spina, established along the lagoons at the ancient mouth of Po river, were lost until modern times, when drainage schemes in the Valli di Comacchio marshes in 1922 first officially revealed a necropolis with over 4,000 tombs, evidence of a population centre that in Antiquity must have played a major rol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ludovico III Gonzaga
Ludovico III Gonzaga of Mantua, also spelled Lodovico (also Ludovico II; 5 June 1412 – 12 June 1478) was the ruler of the Italian city of Mantua from 1444 to his death in 1478. Biography Ludovico was the son of Gianfrancesco I Gonzaga and Paola Malatesta daughter of Malatesta IV Malatesta of Pesaro. Ludovico followed the path of his father, Gianfrancesco, fighting as a condottiero from as early as 1432, when Gianfrancesco was vice-commander of Francesco Bussone's army. In 1433, he married Barbara of Brandenburg, niece of emperor Sigismund. Starting from 1436 (perhaps without the approval of his father) he entered the service of the Visconti of the Duchy of Milan. The result was that Gianfrancesco exiled Ludovico from Mantua, together with his wife, naming Carlo Gonzaga as heir. However, in 1438 Gianfrancesco himself was hired by the Visconti, and reconciled with Ludovico in 1441. Ludovico succeeded to the marquisate of Mantua in 1444, although part of the family fi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |